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"Time Longer than Rope unearths the ordinary roots of extraordinary change, demonstrating the depth and breadth of black oppositional spirit and activity that preceded the civil rights movement. The diversity of activism covered by this collection extends from tenant farmers' labor reform campaign in the 1919 Elaine, Arkansas massacre to Harry T. Moore's leadership of a movement that registered 100,000 black Floridians years before Montgomery, and from women's participation in the Garvey movement to the changing meaning of the Lincoln Memorial. Concentrating on activist efforts in the South, key themes emerge, including the underappreciated importance of historical memory and community building, the divisive impact of class and sexism, and the shifting interplay between individual initiative and structural constraints."--Publisher description.
"Time Longer than Rope unearths the ordinary roots of extraordinary change, demonstrating the depth and breadth of black oppositional spirit and activity that preceded the civil rights movement. The diversity of activism covered by this collection extends from tenant farmers' labor reform campaign in the 1919 Elaine, Arkansas massacre to Harry T. Moore's leadership of a movement that registered 100,000 black Floridians years before Montgomery, and from women's participation in the Garvey movement to the changing meaning of the Lincoln Memorial. Concentrating on activist efforts in the South, key themes emerge, including the underappreciated importance of historical memory and community building, the divisive impact of class and sexism, and the shifting interplay between individual initiative and structural constraints."--Publisher description.
Jacqueline Woodson--New York Times Bestselling, National Book Award and Newbery Honor winning author--writes a rich story of a family adapting to change as they hold on to the past and embrace the future. With Coretta Scott King Award–winning illustrator James Ransome. During the time of the Great Migration, millions of African American families relocated from the South, seeking better opportunities. The story of one family’s journey north during the Great Migration starts with a little girl in South Carolina who finds a rope under a tree one summer. She has no idea the rope will become part of her family’s history. But for three generations, that rope is passed down, used for everything from jump rope games to tying suitcases onto a car for the big move north to New York City, and even for a family reunion where that first little girl is now a grandmother.
Essentially, the study of black religion in America has been mysterious, quarrelsome, and paradoxical. Repeatedly the reason in this primer aspires to make a concentric analysis of the function and capacity of spirituality and religiosity, within the African American Muslim movement. Recently, there have been numerous volumes in the form of biographical or communal studies conducted on Black twentieth century religious figures. Much of this discussion has exacerbated in hierarchy of religious values, rather than a concentric analysis of the role and function of spirituality and religiosity. Therefore, this collection of essays places emphasis on the role and views of the missionary and voluntary spread of Islam among African Americans in the United States.
This title was first published in 2000: This book considers the fortunes of socialism in South Africa from the doctrine’s arrival around 1900 to its legal suppression in 1950. Socialism’s universal claims had to come to terms with South Africa’s singular national experience in which a racial ideology and a racial division of the working class played a far greater role than in any other country. The left in South Africa had to deal with all the complexities of ideology and strategy that faced their counterparts in Europe and North America; but in South Africa it was further vexed by challenges of profound racial and national inequalities and a white labour movement which sought protection through racial segregation. Communism, rather than Social Democracy, prevailed; hence the reverberations of the splits in the Communist International were far more debilitating in South Africa than anywhere else. In the years after World War II African nationalism became the dominant influence on the South African left, chiefly through the relationship between the ANC and the Communist Party. Discordant Comrades draws on a wide range of primary sources from inside and outside South Africa, including the archives of the Communist International in Moscow. The result is a scholarly and challenging analysis of the South African left.
In this book, one of the pioneers of twentieth century African history examines the perceptions and responses of Africans to European colonialism of the late nineteenth and early twentieth century. This edition of Boahen's text, originally published in 1989, is contextualized in a new foreword by John Lonsdale, updating some of Boahen's findings and interpretations while maintaining that the "best, totally unambiguous, legacy of this republication would surely be the inspiration of a new generation of African scholars, locally based, as clear-minded and outspoken as Adu Boahen himself."
This history deals with the twenty-year period between 1880 and 1900, when virtually all of Africa was seized and occupied by the Imperial Powers of Europe. Eurocentric points of view have dominated the study of this era, but in this book, one of Africa's leading historians reinterprets the colonial experiences from the perspective of the colonized. The Johns Hopkins Symposia in Comparative History are occasional volumes sponsored by the Department of History at the Johns Hopkins University and the Johns Hopkins University Press comprising original essays by leading scholars in the United States and other countries. Each volume considers, from a comparative perspective, an important topic of current historical interest. The present volume is the fifteenth. Its preparation has been assisted by the James S. Schouler Lecture Fund.
This volume contributes rich, new material to provide insights into indigenous responses to the colonial empires of Great Britain (South Africa, Swaziland, Botswana, Zimbabwe (Rhodesia)) and Germany (Namibia) and explore the complex intellectual, cultural, literary, and political borders and identities that emerged across these spaces. Contributors include distinguished global scholars in the field as well as exciting young scholars. The essays link global-national-local forces in history by analysing how indigenous elites not only interacted with colonial empires to absorb, adapt and re-cast new ideas, forms of discourse, and social formations, but also networked with “ordinary” people to forge new social, ethnic, and political identities and viable social forces. Translated and other primary texts in appendices add to the insights.
These essays are interventions in a cultural contestation in South Africa during the Seventies and Eighties. Some of them are more general in nature and were written in the first instance as public oral interventions in debates whose outcome contributed to the founding of South Africa's post-apartheid society. Other essays are more specifically aimed at poetic practices, particularly as these have been of crucial aesthetic and ultimately ethical importance in a critical phase of South Africa's painful development. Intimate knowledge of (and personal involvement in) the commitment of literature to concrete political situations informs these succinct and spirited essays, along with Horn's measured familiarity with European traditions of political, cultural and ideological thought. The topics covered include: the social context of South African poetry; poetry and apartheid; the praise-singing tradition and the liberation struggle; German documentary theatre and South African workers' theatre; the necessity of popular culture; post-Freudian readings and feminist aesthetics; censorship and society; and essays on individual South African poets (Jeremy Cronin; Wopko Jensma; Abduraghiem Johnstone; Mzwakhe Mbuli; Mongane Serote; Ari Sitas).
The life and works of South African writer, political activist and artist, from his early life in District Six, his arrest and trial for treason, to his eventual reluctant exile in Cuba.