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A pictorial survey of Egyptian art and history from Palaeolithic times to the present, with cross-cultural references.
Contributors, consisting of historians and other scholars from Egypt, Eritrea, Ethiopia, Europe, Israel, Sudan, and the US, trace the complex intercultural relations that have revolved around the Nile River throughout recorded history. The volume's 20 articles focus on four themes: peoples and identities in medieval times; the Nile as seen from a distance (such as from Europe and as a gateway for missionary activity); mid-century perspectives; and contemporary views including the Aswan High Dam and revolutionary symbolism in Egypt. Annotation copyrighted by Book News, Inc., Portland, OR.
This volume introduces the Cross-Cultural Interaction Model (CCIM), a visual tool for studying the exchanges that take place between different cultures in borderland areas or across long distances. The model helps researchers untangle complex webs of connections among people, landscapes, and artifacts, and can be used to support multiple theoretical viewpoints. Through case studies, contributors apply the CCIM to various regions and time periods, including Roman Europe, the Greek province of Thessaly in the Late Bronze Age, the ancient Egyptian-Nubian frontier, colonial Greenland in the eighteenth and nineteenth centuries, the Mississippian realm of Cahokia, ancient Costa Rica and Panama, and the Moquegua Valley of Peru in the early Middle Horizon period. They adapt the model to best represent their data, successfully plotting connections in many different dimensions, including geography, material culture, religion and spirituality, and ideology. The model enables them to expose what motivates people to participate in cultural exchange, as well as the influences that people reject in these interactions. These results demonstrate the versatility and analytical power of the CCIM. Bridging the gap between theory and data, this tool can prompt users to rethink previous interpretations of their research, leading to new ideas, new theories, and new directions for future study. Contributors: Meghan E. Buchanan | Michele R. Buzon | Kirk Costion | Bryan Feuer | Ulrike Matthies Green | Scott Palumbo | Stuart Tyson Smith | Peter Andreas Toft | Peter S. Wells
This fully revised and updated third edition of the bestselling Ancient Egypt seeks to identify what gave ancient Egypt its distinctive and enduring characteristics, ranging across material culture, the mindset of its people, and social and economic factors. In this volume, Barry J. Kemp identifies the ideas by which the Egyptians organized their experience of the world and explains how they maintained a uniform style in their art and architecture across three thousand years, whilst accommodating substantial changes in outlook. The underlying aim is to relate ancient Egypt to the broader mainstream of our understanding of how all human societies function. Source material is taken from ancient written documents, while the book also highlights the contribution that archaeology makes to our understanding of Egyptian culture and society. It uses numerous case studies, illustrating them with artwork expressly prepared from specialist sources. Broad ranging yet impressively detailed, the book is an indispensable text for all students of ancient Egypt and for the general reader.
"[A] comprehensive resource, which contains texts, posters, slides, and other materials about outstanding works of Egyptian art from the Museum's collection"--Welcome (preliminary page).