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Nick Bromell argues in The Time is Always Now that blacks' reflections on their painful experience and their ability to advocate for people 'both black and more than black' (an Obama quote) provides us with the foundation for constructing a democracy that is less angry and more welcoming of a cosmopolitan polity.

Rebecca Starks’s Time Is Always Now unfolds against a backdrop of nature, often permeated in unexpected ways with the human dynamics of family, neighborhood, and nation. Her poems convey the urgency within moments of transformation—whether seasonal, as in wilderness and garden; physical, as in the trajectory of youth, aging, and death; or political, as in the challenges of misgovernance and the environmental exigencies of our time. This finalist in the Able Muse Book Award is a finely wrought, thought-provoking collection.

PRAISE FOR TIME IS ALWAYS NOW

Drawing from sources as wide-ranging as Emily Dickinson, Apocalypse Now, fairy tales, and social media, Rebecca Starks’s Time Is Always Now deftly balances intelligence and pathos, resisting easy dichotomies and judgments. As these fine poems insist, the present is relentless, and we are immersed: “No, not out of time; helplessly in it.” Ours is a country of guns; ours is a “middle-aged earth” in decline—and yet, we are here, witnessing, questioning. I am grateful for Starks’s voice in the present moment, and I’m grateful to have her poems to carry with me into the future, whatever it may bring.
  —Maggie Smith, author of Good Bones

Rebecca Starks writes with a sense that time can be stopped in a poem, lives suspended and drawn inward, even in the most aimless moments. There’s a wonderful clarity to Time Is Always Now, an electricity that feels bright and wild. It’s to be found in the roadsides and a robin’s “clutch,” in the retina that “registers pain,” in the sky at dusk and the “months of mud.” I greet these poems with so much enthusiasm—these poems that crave, clarify, and propose sublime ways to become refreshed in our most confused times.
  —David Biespiel (from the foreword), author of Republic Café

At one point, Rebecca Starks describes a winter hike, in which she crosses “sociable mouse hops, two feet together” and passes “a squirrel’s scramble at the base of a tree,/ then the bunched landings of a mustelid bound/ from the yawn under one log to another.” Several of her wonderful book’s qualities are evidenced here. If too many poets, in their ignorance, regard nature as a mere repository of metaphor, Starks, like Frost, is both knowledgeable and uncannily accurate about it. (“Yawn” is the perfect word, say, in this passage.) Her sinuous and heavily subordinated syntax is also suggestive of a mind with great range—geographical, thematic, and prosodic—though she can also, as, for instance, in “American Flag,” move by a cunning terseness.
  —Sydney Lea, author of The Music of What Happens: Lyric and Everyday Life

ABOUT THE AUTHOR:

Rebecca Starks grew up in Louisville, Kentucky, earned a BA in English from Yale University and a PhD in English from Stanford University, and works as a freelance editor and as a teacher for the Osher Institute of Lifelong Learning program at the University of Vermont. Her poems and short fiction have appeared in Baltimore Review, Ocean State Review, Slice Literary, Crab Orchard Review, Tahoma Literary Review, and elsewhere. Winner of Rattle’s 2018 Neil Postman Award for Metaphor and past winner of Poetry Northwest’s Richard Hugo Prize, she is the founding editor-in-chief of Mud Season Review and a former director of the Burlington Writers Workshop. She and her family live in a log cabin in the woods of Richmond, Vermont.

"Why," asks Nick Bromell, "should the political thought of white Americans remain the only theory to which Americans of all ethnicities turn when constructing and reconstructing their understanding of democracy? Must Americans remain locked in an apartheid of experience and perception even after whites have become a minority population in this nation? Hasn't the 2012 presidential election made clear that the time has come to build not just on the votes of citizens of color, but on the varieties of democratic thought their experience has engendered?" In his answers to these questions, Bromell brings to light an underappreciated stream of democratic reflection by black writers and activists from David Walker to Malcolm X. Bromell argues that these thinkers urge Americans to fundamentally re-imagine the nature of their democracy and recognize that indignation can be a powerful and productive democratic emotion; that dignity is just as important to democracy as equality and liberty; that national citizenship can be infused with a sense of responsibility to the world; and that faith can actually promote rather than threaten democratic pluralism. A literary critic and intellectual historian, Bromell draws on a wide range of fiction, essays, speeches, and oral histories, deftly synthesizing recent work in U.S. history, literary and cultural studies, and political theory. Like the figures he discusses, he puts this thought to work in the present moment, this "now." Black democratic insights, he shows, are strikingly relevant to the challenges facing US democracy today, and they provide the basis for a new, post-liberal public philosophy with which to turn back the rise of radical conservatism. Historian Robin D.G. Kelley writes: "In this work of enormous breadth, depth, and imagination, Nick Bromell makes what may be the most original contribution to political theory in the past decade. In this age of alleged color blindness, Bromell has the vision and the chutzpah to turn to African American thought-ideas born of struggle, anchored in questions of dignity, human relationships, and faith-in order to revitalize American democracy. "
"Why," asks Nick Bromell, "should the political thought of white Americans remain the only theory to which Americans of all ethnicities turn when constructing and reconstructing their understanding of democracy? Must Americans remain locked in an apartheid of experience and perception even after whites have become a minority population in this nation? Hasn't the 2012 presidential election made clear that the time has come to build not just on the votes of citizens of color, but on the varieties of democratic thought their experience has engendered?" In his answers to these questions, Bromell brings to light an underappreciated stream of democratic reflection by black writers and activists from David Walker to Malcolm X. Bromell argues that these thinkers urge Americans to fundamentally re-imagine the nature of their democracy and recognize that indignation can be a powerful and productive democratic emotion; that dignity is just as important to democracy as equality and liberty; that national citizenship can be infused with a sense of responsibility to the world; and that faith can actually promote rather than threaten democratic pluralism. A literary critic and intellectual historian, Bromell draws on a wide range of fiction, essays, speeches, and oral histories, deftly synthesizing recent work in U.S. history, literary and cultural studies, and political theory. Like the figures he discusses, he puts this thought to work in the present moment, this "now." Black democratic insights, he shows, are strikingly relevant to the challenges facing US democracy today, and they provide the basis for a new, post-liberal public philosophy with which to turn back the rise of radical conservatism. Historian Robin D.G. Kelley writes: "In this work of enormous breadth, depth, and imagination, Nick Bromell makes what may be the most original contribution to political theory in the past decade. In this age of alleged color blindness, Bromell has the vision and the chutzpah to turn to African American thought-ideas born of struggle, anchored in questions of dignity, human relationships, and faith-in order to revitalize American democracy. "
The three volumes of Always Now contain all of Margaret Avison's published books of poetry. The author has removed a very few poems: `Public Address' (from Winter Sun), `The Two Selves' and `In Eporphyrial Harness' (from The Dumbfounding), `Highway in April', `The Evader's Meditation', and `Until Christmas' (from sunblue), `Living the Shadow', `Insomnia' and `Beginning Praise' (from No Time), `Having Stopped Smoking' and `Point of Entry' (from Selected Poems). The opening section of volume one, `From Elsewhere', is arranged according to date of publication, from 1932 to 1991, the date of Selected Poems. `From Elsewhere' includes the `Uncollected' and `New Poems' of that book, except for the two noted above and `The Butterfly', which is here in its original form. All of the poems in Always Now having been considered and reconsidered, and small corrections having been made, the book contains definitively all of the published poems up to 2002 that Margaret Avison wishes to preserve.
A beautifully illustrated book from Cleo Wade—the artist, poet, and speaker who has been called “the Millennial Oprah” by New York Magazine—that offers creative inspiration and life lessons through poetry, mantras, and affirmations, perfect for fans of the bestseller Milk & Honey. True to her hugely popular Instagram account, Cleo Wade brings her moving life lessons to Heart Talk, an inspiring, accessible, and spiritual book of wisdom for the new generation. Featuring over one hundred and twenty of Cleo’s original poems, mantras, and affirmations, including fan favorites and never before seen ones, this book is a daily pep talk to keep you feeling empowered and motivated. With relatable, practical, and digestible advice, including “Hearts break. That’s how the magic gets in,” and “Baby, you are the strongest flower that ever grew, remember that when the weather changes,” this is a portable, replenishing pause for your daily life. Keep Heart Talk by your bedside table or in your bag for an empowering boost of spiritual adrenaline that can help you discover and unlock what is blocking you from thriving emotionally and spiritually.
Have you ever dealt with self sabotage in your life? The struggle is real and the mystery is why would you purposely undermine your own happiness and prosperity? There is a better way... In The Time Is Always NOW - The Ultimate Guide to Becoming Physically, Spiritually & Financially Free, Terence E. Young, ACB unveils the answers to this enigma and reveals how you can eliminate negative thoughts and self defeating behaviors from your life in an instant and start creating and living the life that you want right NOW.
From the New York Times bestselling author of Star Wars: Brotherhood A Goodreads Choice Awards 2019 Semifinalist One of BookBub’s Best Science Fiction Books of 2019 One of Book Riot’s Best Books of 2019 So Far One of The Nerd Daily’s Best Debut Novels of 2019 Featured in The Millions “A Year in Reading” One of Entropy’s Best Fiction Books of 2019 He’ll go anywhere and any when to save his daughter Kin Stewart is an everyday family man: working in IT, trying to keep the spark in his marriage, struggling to connect with his teenage daughter. But his current life is a far cry from his previous career…as a time-traveling secret agent from over a century in the future. Stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, until one afternoon, his “rescue” team arrives—eighteen years too late. Their mission: return Kin to 2142, where he’s been gone only weeks, not years, and where another family is waiting for him. A family he can’t remember. Torn between two lives, Kin’s desperate efforts to stay connected to both will threaten to destroy the agency and even history itself. With his daughter’s very existence at risk, he will have to take one final trip to save her—even if it means breaking all the rules of time travel in the process. “Heartfelt and thrilling… Chen’s concept is unique, and [his characters’] agony is deeply moving. Quick pacing, complex characters, and a fascinating premise.”—Publishers Weekly, starred review
Very few things distract Katie Addison when she’s on a mission, whether it’s opening her home to abused women, rehabilitating injured horses, or helping tall, gorgeous Warren Tate mend his broken heart. But when financial difficulties pile up for her, Katie hesitantly admits she herself may need help.Since his fiancé left him, Warren is done with women—especially independent women, which he’d guess describes Katie Addison to a tee. Reluctantly he agrees to help Katie with her financial troubles. But when his budget doesn’t include Katie’s daily lattes, Warren realizes he may have a challenging client on his hands.Meanwhile, Sheriff Ben O'Keefe can’t seem to get Katie’s attention. Everyone in town knows he has had a longstanding crush on her. But to Katie, Ben is just Ben. When mysterious events turn Katie to him for help, is it the chance Ben has been waiting for?