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Here is a book that indelibly captures the human pageant through the remarkable art of photojournalism. After all, we live in a visual age, when history is both made and experienced through photographs, from the flag raising at Iwo Jima to the thrill of the first footstep on the moon. Now TIME has gathered the most significant and influential photos in history in a magnificent volume that celebrates the art and craft of photojournalism: Great Images. Here are scientific breakthroughs, political upheavals and social revolutions, from the first photographs of an embryo in a human womb to the indelible images of America's Civil Rights movement. Here are sailors kissing nurses, a single man defying a Chinese tank, firefighters raising the American flag over the ruins of the World Trade Center. Based on a highly successful 2000 book, this new edition has been completely updated to add the most significant pictures of the last decade, from hanging chads ands the wars in Afghanistan and Iraq to Hurricane Katrina and the 2010 earthquake in Haiti.
Since its inception, TIME magazine has been synonymous not just with outstanding journalism, but also with outstanding photography. Now, to mark the 175th anniversary of photography and the birth of photojournalism, the Editors of TIME magazine are publishing this companion book to the groundbreaking digital celebration of photography that TIME.com will be mounting online, displaying the most influential photographs of all time. While they may not be the most famous or well-known photographs, each one is unique for the way in which it changed, influenced, or commemorated a particular world event. From the first sports photograph to ever win the Pulitzer Prize - that of Babe Ruth at Yankee Stadium to the photograph of Student Neda Agha-Soltan's death during Iran's 2009 election protests, each of the photographs in 100 Photographs: The Most Influential Images of All Time is significant in how it forever changed how we live, learn, communicate, and in many cases, view the world.
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Human subjects are both formed by historical inheritances and capable of active criticism. Insisting on this fact, Kant and Benjamin each develop powerful, systematic, but sharply opposed accounts of human powers and interests in freedom. A persistent constitutive tension between Kantian and Benjaminan ideals is woven through human life. By examining the two philosophers through this volume, Richard Eldridge attempts to make better sense of the commitment forming, commitment revising, anxious, reflective and acculturated human subjects we are.
A collection of sports photographs from issues of Sports Illustrated.
The year 2009 is a landmark in the history of New York, and America. It's the 400th anniversary of Henry Hudson's arrival along the river that bears his name. With public initiatives and media attention on commemorative events and exhibits at a fever pitch throughout the year, the stage is set for New York 400, a one-of-a-kind celebration of the greatest city in America. With unprecedented access to the Museum of the City of New York's vast archive, this is a visual history of the city of New York like none other, focusing not merely on landmarks but also on everyday life in the city over the past four centuries. The people, arts, culture, politics, and drama unfold through hundreds of rarely seen photographs and a fascinating profile of the city that never sleeps. Featuring essays from leading historians of the distinct epochs of Gotham, this volume takes us from the days of Director-General Petrus Stuyvesant in the seventeenth century through to mayors Giuliani and Bloomberg in the modern melting pot that is New York in the twenty-first century. The Museum of the City of New York has a unique mandate—to explore the past, present, and future of New York, and to celebrate the city's heritage of diversity, opportunity, and perpetual transformation. Its unparalleled collections, including photography, sculpture, costumes, toys, and decorative arts, enable the museum to present a variety of exhibitions, public programs, and publications investigating what gives New York its singular character.
Through the careful selection of striking images and dedicated colourization research, Retrographic will take you on a visual tour of the distant past. Many of these moments are already burned into our collective memory through the power of photography as shared by people across the 177 year long Age of the Image. And now, these visual time capsules are collected together for the first time and presented in living colour.
A picture-rich field guide to American photography, from daguerreotype to digital. We are all photographers now, with camera phones in hand and social media accounts at the ready. And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly—and happily—outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing styles. In a series of short, engaging essays, Kim Beil uncovers the origins of fifty photographic trends and investigates their original appeal, their decline, and sometimes their reuse by later generations of photographers. Drawing on a wealth of visual material, from vintage how-to manuals to magazine articles for working photographers, this full-color book illustrates the evolution of trends with hundreds of pictures made by amateurs, artists, and commercial photographers alike. Whether for selfies or sepia tones, the rules for good pictures are always shifting, reflecting new ways of thinking about ourselves and our place in the visual world.
Russell Lee is widely acclaimed as one of the most outstanding documentary photographers of the twentieth century. His images of American life during the Great Depression, created for the Farm Security Administration between 1936 and 1942, hold a preeminent place in one of history's best-known and most useful photographic collections. This famous body of work demonstrates Lee's extraordinary ability to reveal the humanity of his subjects and to become a part of the communities he photographed. It also displays Lee's superior technical ability—his legendary skill in using a flash enabled Lee to create some of the finest candids in the history of photography. Russell Lee Photographs is the first book to show the full range and quality of Lee's entire oeuvre beyond the FSA work, as well as the first major publication of his photographs since F. Jack Hurley's 1978 book, Russell Lee: Photographer (long out of print). The book contains over 140 images, 101 of which have never appeared in book publication. The photographs are grouped into suites of images that represent all of Lee's important, non-FSA subjects: early work from New York City and Woodstock; the Spanish-speaking people of Texas; the mentally and physically disabled; political campaigns, including the Kennedy-Johnson campaign of 1960; commercial work for chemical and other companies; a portfolio of images of Italy; and quintessential scenes of small-town life. Setting Lee's images in context are a foreword by John Szarkowski, one of America's leading photography curators and critics, and an introduction by Lee's friend and fellow photography educator J. B. Colson, who offers fascinating personal insights into Lee's life and career. Considering Russell Lee's stature in American photography, it is surprising that much of his post-FSA work is unknown to the public and has been seldom seen even in the photography community. By making these images readily available for the first time, this book gives long-overdue recognition to the full range and excellence of Lee's work. Russell Lee Photographs is the essential book on this major American photographer.
"... a tour through the most influential images in science"--Jacket.