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Oxford Studies in Ancient Philosophy is an annual publication which includes original articles, some of substantial length, on a wide range of topics in ancient philosophy, and review articles of major books. Contributors include Mary Margaret Mackenzie, Aryeh Finkelberg, Charles H. Kahn, Christopher Shields, Paul Woodruff, Christopher Gill, Rosalind Hursthouse, G.E.R Lloyd, Henry Maconi, and David Bostock.
Puzzles about time - about past, present and future, and the nature of becoming - have concerned philosophers from the ancient Greeks to the present day. Yet few have been as radical in their thinking as Friedrich Nietzsche. Time and Becoming in Nietzsche's Thought explores Nietzsche's approach to temporality, showing that his metaphorical and literary presentations lend themselves, in surprising detail, to the debates that have engaged other thinkers. Like Heraclitus, Nietzsche is a philosopher of becoming who sees reality as a continual flow of change. Time is an interpretation of becoming, designed to enable its tensions and fluctuations to be grasped conceptually by our minds. From this starting point, Robin Small explores the emergence of sharply contrasting models of temporality which express differing forms of life. The book concludes with a return to Nietzsche's Dionysian vision of playful participation in becoming as a never-ending creation and destruction. Time and Becoming in Nietzsche's Thought reveals Nietzsche as a major contributor to our thinking about temporality and its significance for human life.
This book argues for an integrative dialectic of faith and history. It is a fresh examination of the problem of faith and history. Instead of being a mere liability, it is argued here that the strength of the Christian faith is its historicity. Although modern thought was not always friendly to Christian faith because of its deeply embedded dualism, it raised the critical intellectual issues that Christian theology needed to address. Advancing a more critical understanding of the nature of history than modern thought was generally able to achieve because of its dualistic thinking, this work argues for an integrative dialectic of historical probability and the certainty of faith. "This book gives a comprehensive and fascinating account of the development of the idea of history in correspondence to changing conceptions of the divine reality, from its origin in Ancient Israel and in Greece all the way to the contemporary discussion. It focuses on the rise of critical historical investigation in modern times and on the struggle of modern theology to come to terms with it. It is an important contribution to this discussion. The split between fact and meaning is persuasively identified as a main obstacle and it is shown to be overcome in the reconstruction of history in the light of the eschatological future. Also very helpful is the final chapter on time (space-time) and eternity with its emphasis on Boethius and with its critical remarks on nontrinitarian theistic notions of a personal God." --Wolfhart Pannenberg, University of Munich
This book assembles an international team of scholars to move forward the study of Plato’s conception of time, to find fresh insights for interpreting his cosmology, and to reimagine the Platonic tradition.
Despite the importance of time and cosmology to Western thought, surprisingly little attention has been paid to these issues in histories of Jewish philosophy. Focusing on how medieval philosophers constructed a philosophical theology that was sensitive to religious constraints and yet also incorporated compelling elements of science and philosophy, T. M. Rudavsky traces the development of the concepts of time, cosmology, and creation in the writings of Ibn Gabirol, Maimonides, Gersonides, Crescas, Spinoza, and others.
Physics in Neoplatonist thought, the subject which occupies the second volume of this sourcebook, was innovative: the world of space and time was causally ordered by a nonspatial, nontemporal world, and this view required original thinking
This is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems. This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, which explores statues, wall paintings, coins, monuments, and inscriptions, readers learn that these artworks served as something more: they were created to represent the futures that allied rulers and their people foresaw. The pressure of Roman imperialism drove patrons and artists on the empire’s borders to imbue their creations with increasingly sophisticated ideas about the future, as they wrestled with consequential decisions made under periods of intense political pressure. Comprehensively illustrated and providing an important new approach to Roman material culture at the edge of empire, Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE is suitable for students and scholars working on Rome and its frontiers, as well as Roman material culture more broadly, and those studying the aesthetics of time in art and art history.
Eternity is a unique kind of existence that is supposed to belong to the most real being or beings. It is an existence that is not shaken by the common wear and tear of time. Over the two and half millennia history of Western philosophy we find various conceptions of eternity, yet one sharp distinction between two notions of eternity seems to run throughout this long history: eternity as timeless existence, as opposed to eternity as existence in all times. Both kinds of existence stand in sharp contrast to the coming in and out of existence of ordinary beings, like hippos, humans, and toothbrushes: were these eternally-timeless, for example, a hippo could not eat, a human could not think or laugh, and a toothbrush would be of no use. Were a hippo an eternal-everlasting creature, it would not have to bother itself with nutrition in order to extend its existence. Everlasting human beings might appear similar to us, but their mental life and patterns of behavior would most likely be very different from ours. The distinction between eternity as timelessness and eternity as everlastingness goes back to ancient philosophy, to the works of Plato and Aristotle, and even to the fragments of Parmenides' philosophical poem. In the twentieth century, it seemed to go out of favor, though one could consider as eternalists those proponents of realism in philosophy of mathematics, and those of timeless propositions in philosophy of language (i.e., propositions that are said to exist independently of the uttered sentences that convey their thought-content). However, recent developments in contemporary physics and its philosophy have provided an impetus to revive notions of eternity due to the view that time and duration might have no place in the most fundamental ontology. The importance of eternity is not limited to strictly philosophical discussions. It is a notion that also has an important role in traditional Biblical interpretation. The Tetragrammaton, the Hebrew name of God considered to be most sacred, is derived from the Hebrew verb for being, and as a result has been traditionally interpreted as denoting eternal existence (in either one of the two senses of eternity). Hence, Calvin translates the Tetragrammaton as 'l'Eternel', and Mendelssohn as 'das ewige Wesen' or 'der Ewige'. Eternity also plays a central role in contemporary South American fiction, especially in the works of J.L. Borges. The representation of eternity poses a major challenge to both literature and arts (just think about the difficulty of representing eternity in music, a thoroughly temporal art). The current volume aims at providing a history of the philosophy of eternity surrounded by a series of short essays, or reflections, on the role of eternity and its representation in literature, religion, language, liturgy, science, and music. Thus, our aim is to provide a history of philosophy as a discipline that is in constant commerce with various other domains of human inquisition and exploration.
One of the vital issues in contemporary Christian theology is the problem of a renewed understanding of God's eternity and its relation to time. This is not merely a peripheral doctrinal issue, but lies at the heart of our understanding of God and humanity, and contributes to our entire worldview. This study focuses on a long-standing debate between two competing views on God's eternity: one focused on God's absolute timelessness in classical theism, and the other on God's temporal everlastingness in contemporary panentheism. In contrast to both of these well-worn options, this book presents an alternative Trinitarian analogical understanding of God's eternity and its relation to time, especially through a critical reflection on Karl Barth's and Hans Urs von Balthasar's engagement of the issue. This analogical approach, based on the dynamic and dramatic concepts of God's being-in-relation and of the Triune God's communicative action in eternity and time, has the potential to resolve the debate between absolute timeless eternity and temporal everlasting duration.