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Tilling the Church is a theology for the pilgrim church. In this book, Richard Lennan shows how the ecclesial community looks toward the fullness of God’s reign but lives within the flux of history, the site of its relationship to the trinitarian God. In this way, God’s grace “tills” the church, constantly refreshing the tradition of faith and prompting the discipleship that embodies the gospel. Tilling the Church explores the possibilities for a more faithful, just, and creative church, one responsive to the movement of grace. Fruitful engagement with grace requires the church’s conversion, the ongoing formation of a community whose words and actions reflect the hope that grace engenders.
Deffenbaugh calls us to “live in a reciprocal relationship” with our biotic communities-the plants, animals, and other non-human cultures that share our particular places in the world. By rerooting our global lifestyles in the ecological knowledge of our homes, we may truly begin to mend the health of our planet. Deffenbaugh marries Christian theology and spiritual disciplines with Native American mythology and the practice of organic gardening to deepen our engagement with the places in which we live.
This introductory theology text helps students articulate basic Christian doctrines, think theologically so they can act Christianly in a diverse world, and connect Christian thought to their everyday lives of faith. Written from a solidly evangelical yet ecumenically aware perspective, this book models a way of doing theology that is generous and charitable. It attends to history and contemporary debates and features voices from the global church. Sidebars made up of illustrative quotations, key Scripture passages, classic hymn texts, and devotional poetry punctuate the chapters. The first edition of this book has been well received (over 25,000 copies sold). Updated and revised throughout, this second edition also includes a new section on gender and race as well as new end-of-chapter material connecting each doctrine to a spiritual discipline.
Tilling Sacred Grounds examines Black women’s interiority and negotiation of race, gender, and sexuality in religious spaces and religious practices. Phillis Isabella Sheppard argues for the importance of the exchange between interiority and public spaces, and examines religion in cyberspace, art, ritual, and street ministry. She refigures the location of religious experience by retrieving Black women’s interiority as religious space. Often excluded from Black religious studies, interiority is necessary for understanding Black women’s complex and even unconscious relationship with religion. The book weaves a thread by stressing that interiority has subjective, intersubjective, conscious, unconscious, and relational dimensions formed in historical, and social contexts.
Theologian Douglas Harink invites readers to rediscover Romans as a treatise on justice, tracing Paul's thinking on this theme through a sequential reading of the book and finding in each passage facets of the gospel's primary claim—that God accomplishes justice in the death and resurrection of Jesus Messiah.
Grace is amazing. About this all Christians agree. Yet nearly all forms of Christianity put significant limits on grace. Those forms of Christianity which proclaim grace alone actually saves typically don’t believe God gives grace to everyone; while those forms of Christianity which proclaim God gives grace to everyone typically don’t believe grace alone actually saves. Must grace either be that which saves alone but doesn’t go to all, or that which goes to all but doesn’t save alone? In Grace Saves All, David Artman argues that grace saves alone and goes to all. This inclusive approach to Christianity is variously called universal reconciliation, universal salvation, or perhaps most accurately, Christian universalism. He contends that the inclusive/Christian universalist approach is necessary because it offers the only Christian theology which successfully defends the goodness of God. For it logically follows that if God is all-good, all-knowing, and all-powerful, then God must also be all-saving. Often dismissed as a modern feel-good theology, Christian universalism is an ancient, orthodox, and biblical theology which was expounded by early Christians and early church fathers. Artman brings much deserved attention to this wonderful spirituality.
After the landmark work of E. P. Sanders, the task of rightly accounting for Paul's relationship to Judaism has dominated the last forty years of Pauline scholarship. Pitre, Barber, and Kincaid argue that Paul is best viewed as a new covenant Jew, a designation that allows the apostle to be fully Jewish, yet in a manner centered on the person and work of Jesus the Messiah. This new covenant Judaism provides the key that unlocks the door to many of the difficult aspects of Pauline theology. Paul, a New Covenant Jew is a rigorous, yet accessible overview of Pauline theology intended for ecumenical audiences. In particular, it aims to be the most useful and up to date text on Paul for Catholic Seminarians. The book engages the best recent scholarship on Paul from both Protestant and Catholic interpreters and serves as a launching point for ongoing Protestant-Catholic dialogue.
Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period--the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.
Recounts the author's experiences founding a faith-based community garden in rural North Carolina, and emphasizes how growing one's own food can help readers reconnect with the land and divine faith.