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An indispensable collection of one of America's most outspoken and original critics of the second half of the twentieth century Man of letters, political critic, public intellectual, Irving Howe was one of America's most exemplary and embattled writers. Since his death in 1993 at age 72, Howe's work and his personal example of commitment to high principle, both literary and political, have had a vigorous afterlife. This posthumous and capacious collection includes twenty-six essays that originally appeared in such publications as the New York Review of Books, the New Republic, and the Nation. Taken together, they reveal the depth and breadth of Howe's enthusiasms and range over politics, literature, Judaism, and the tumults of American society. A Voice Still Heard is essential to the understanding of the passionate and skeptical spirit of this lucid writer. The book forms a bridge between the two parallel enterprises of culture and politics. It shows how politics justifies itself by culture, and how the latter prompts the former. Howe's voice is ever sharp, relentless, often scathingly funny, revealing Howe as that rarest of critics--a real reader and writer, one whose clarity of style is a result of his disciplined and candid mind.
This book is a vivid reminder of the early days of library development in Ontario. The beautiful buildings which still grace Ontario towns and villages, as illustrated, are a part of our provincial heritage. By the turn of the century, a public library was perceived as an important element in the civic fabric of almost every Ontario community. However, the introduction of the Carnegie grants for library buildings gave impetus to the Ontario government programme for library development, and provided a focus for increased support of library services. Rivalry among neighbouring communities to secure a Carngie library heightened this awareness, as did the publicity – in some instances even controversy – which surrounded each step of the grant seeking, site selection and plan approval process. As well, the hitherto unexplored story of Carnegie grant process in each community has been examined, and the role of one man, James Bertram, secretary to Andrew Carnegie, is revealed in absorbing detail. Library plans and design elements are also discussed, and the influence of a few architects on the building designs is revealed; the fascinating involvement of Frank Lloyd Wright in the Pembroke Carnegie library building is one such example.
Edwin Arlington Robinson's finely crafted, formal rhythms mirror the tension the poet sees between life's immutable circumstances and humanity's often tragic attempts to exert control. At once dramatic and witty, his poems lay bare the loneliness and despair of life in genteel small towns, the tyranny of love, and unspoken, unnoticed suffering. The fictional characters he created in "Ruben Bright," "Miniver Cheevy," and "Richard Cory," and the historical figures he brought to life--Lincoln in "The Master" and the great painter in "Rembrandt to Rembrandt"--harbor demons and passions the world treats with indifference or cruelty. With an introduction that sheds light on Robinson's influence on poets from Eliot and Pound to Frost and Berryman, this collection bring an unjustly neglected poet to a new generation of readers.
Edwin Arlington Robinson (1869-1935) a three-time winner of the Pulitzer Prize, was the first of the great American modernist poets."No poet ever understood loneliness and separateness better than Robinson," James Dickey has observed. Robinson's lyric poems illuminate the hearts and minds of the most unlikely subjects—the downtrodden, the bereft, and the misunderstood. Even while writing in meter and rhyme, he used everyday language with unprecedented power, wit, and sensitivity. With his keen understanding of ordinary people and a gift for harnessing the rhythms of conversational speech, Robinson created the vivid character portraits for which he is best known, among them "Aunt Imogen," "Isaac and Archibald," "Miniver Cheevy," and "Richard Cory." Most of his poems are set in the fictive Tilbury Town—based on his boyhood home of Gardiner, Maine—but his work reaches far beyond its particular locality in its focus on struggle and redemption in human experience.
Whitman, Dickinson, and Melville occupy the center of this anthology of nearly three hundred poems, spanning the course of the century, from Joel Barlow to Edwin Arlington Robinson, by way of Bryant, Emerson, Longfellow, Whittier, Poe, Holmes, Jones Very, Thoreau, Lowell, and Lanier. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.