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This is a new edition of this classic book which includes, in its over 700 postcards, many new, powerful propaganda images from nations on both sides of this epic conflict. Here are cards from the Queen's Collection, cards from America, Australia, Austria, Belgium, Britain, Bulgaria, Canada, Czechoslovakia, Egypt, France, Germany, Holland, Italy, Rumania, Salonika, Serbia... All are faithfully reproduced from the original, whether in dramatic black and white or in exuberant colour and they are all at least 100 years old. But this is not just a picture book.Here is a rich treasure trove to be dipped into for dilettante pleasure or to be read seriously as a thematic and contemporary history of the war. These cards have been collected over many years and a good number are rare and extremely valuable, both intrinsically and for the fascinating information contained in the informative running text and in the thoughtful captions (an example appears below, just one of the over 700). This is essential reading for anyone who wishes to sense the feelings and emotions of those who lived through, and fought in, the First World War; readers will appreciate the Twitter-like brevity of the captions, the power of the images and enjoy the chase to understand what lies behind them.This handsome and fascinating book uses hundreds of the immensely popular picture postcards of the '14-'18 period to document the course and effects of the Great War, with all its dramatis personae, its humour, suffering, patriotism, sentimentality and fervour.
When war takes two young men far from the peaceful streets of Pocatello, Idaho, an intense friendship develops on the battlefront. These friends find there can be life after tragedy and that sometimes the one we need most desperately to forgive is ourself.
Author Kenneth Haw was born to a family of wanderers, migrant workers, and moonshiners. His parents, both born in Oklahoma, traveled west to Arizona, California, Oregon, and Washington, following the crops, before settling in the small town of Casa Grande, Arizona. Ken and his family lived in at least thirty-three different places before settling in Mesa, Arizona, in the early sixties. In 1962, Ken was faced with the choice of going to prison for vandalism at an early age or entering the US Air Force and trying to turn his life around. Just Wait til Your Dad Gets Home is the story of Kens decision, which, right or wrong, made him the man, husband, and father he is today. This coming-of-age memoir follows the life of a decorated law enforcement officer who overcame humble beginnings and a dysfunctional family life in a migrant farm worker family. His story is filled with rich detail about his life in Arizona and in the Southwest, sharing a variety of experiences in the Dallas Police Department and of some headline-grabbing fraud cases. He also chronicles the death of his mother. In this memoirone that leaves more questions than answers about his lifeKen recalls the varied experiences of his life and how they shaped him throughout the years.
Was This Heaven? provides detailed depictions of homes and clothing and hairstyles, of celebrations and ceremonies, of church, school, and social activities, of farm animals and city streets, of the multitudinous ways of living full and satisfying lives. Lyell Henry wisely gives priority to people over place, shortchanging public buildings in favor of cards that cast a more direct light on early Iowans' lives and minds. Last spring's flood, the Christmas tree in the parlor, high school graduation, the annual family picnic, the whistle-stop visit of President Taft, and true-life encounters with gigantic hogs and outsize ears of corn all combine to form a pleasantly rich visual record of the mental and physical worlds of the many Iowans featured. These postcards convey images of people who found great joy in their daily lives. With the publication of Was This Heaven? Iowans at the end of the twentieth century can look back across the decades and recapture that same joy in these fresh and effervescent images.
Daniel, a British soldier, has completed a deployment into India's North Western Frontier in the spring of 1914. He returns to London and the Army Reserves. Daniel embraces a new life and career with his family ... until Britain declares war. Daniel reports for duty and arrives in France with the British Expeditionary Force while the conflict is still a mobile war. During the retreat from Mons, Daniel's battalion receives orders to go into action. The Irish are eager, but the German Hammer appears unstoppable. Although a small French village will become synonymous with his regiment's valour, Daniel's wife, Mary, and sons Steven and David are in the dark without word of their loved one's fate. Finally, The Times publishes The Honour Roll. Daniel's name is among the columns of those listed as Missing. One uncertain word changes their lives forever. This stirring epic chronicles the courage of a soldier and his family through the entire tragedy that becomes World War 1. From the home front and its hospital wards, to the battle front and beyond, if you read only one book to commemorate the Great War's centennial, let it be My Kingdom. Based on a true story.
From the New York Times bestselling author Kristin Hannah comes a powerful novel of love, loss, and the magic of friendship. . . . now a #1 Netflix series! In the turbulent summer of 1974, Kate Mularkey has accepted her place at the bottom of the eighth-grade social food chain. Then, to her amazement, the "coolest girl in the world" moves in across the street and wants to be her friend. Tully Hart seems to have it all---beauty, brains, ambition. On the surface they are as opposite as two people can be: Kate, doomed to be forever uncool, with a loving family who mortifies her at every turn. Tully, steeped in glamour and mystery, but with a secret that is destroying her. They make a pact to be best friends forever; by summer's end they've become TullyandKate. Inseparable. So begins Kristin Hannah's magnificent new novel. Spanning more than three decades and playing out across the ever-changing face of the Pacific Northwest, Firefly Lane is the poignant, powerful story of two women and the friendship that becomes the bulkhead of their lives. From the beginning, Tully is desperate to prove her worth to the world. Abandoned by her mother at an early age, she longs to be loved unconditionally. In the glittering, big-hair era of the eighties, she looks to men to fill the void in her soul. But in the buttoned-down nineties, it is television news that captivates her. She will follow her own blind ambition to New York and around the globe, finding fame and success . . . and loneliness. Kate knows early on that her life will be nothing special. Throughout college, she pretends to be driven by a need for success, but all she really wants is to fall in love and have children and live an ordinary life. In her own quiet way, Kate is as driven as Tully. What she doesn't know is how being a wife and mother will change her . . . how she'll lose sight of who she once was, and what she once wanted. And how much she'll envy her famous best friend. . . . For thirty years, Tully and Kate buoy each other through life, weathering the storms of friendship---jealousy, anger, hurt, resentment. They think they've survived it all until a single act of betrayal tears them apart . . . and puts their courage and friendship to the ultimate test. Firefly Lane is for anyone who ever drank Boone's Farm apple wine while listening to Abba or Fleetwood Mac. More than a coming-of-age novel, it's the story of a generation of women who were both blessed and cursed by choices. It's about promises and secrets and betrayals. And ultimately, about the one person who really, truly knows you---and knows what has the power to hurt you . . . and heal you. Firefly Lane is a story you'll never forget . . . one you'll want to pass on to your best friend.
"When I Return in Spring" is the true-to-life story of a very troubled time in our nation's history when families were torn apart by the call to arms, and our American way of life was threatened by the enemies of freedom. It is written in a novel format in order to make it more reader friendly. This historic account of World War II is as a firm reminder that our freedom cannot be taken for granted, but that it has been purchased with a price and must be earned anew by each generation. It is one soldier's personal account of the bitter air war over Germany where more that fifty percent of those sent into combat failed to return. It brings to light a little known death march of five thousand American prisoners of war, forced to walk for over five hundred miles across Germany in the dead of winter on a starvation diet, where over two thousand of them died of exposure, disease and starvation. Because war does not present a pretty picture, the author has seen fit to dull the graphic scenes of violence to avoid offense to tender minds. The story line and language, devoid of vulgarity, crudeness and profanity, have been adapted for the family audience and can be enjoyed by young and old alike, and is often read as a family project. Delbert D. Lambson
The seeds of irreverent humour that inspired the likes of Wayne and Shuster and Monty Python were sown in the trenches of the First World War, and The Dumbells—concert parties made up of fighting soldiers—were central to this process. Soldiers of Song tells their story. Lucky soldiers who could sing a song, perform a skit, or pass as a “lady,” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.
THE NO. 1 SUNDAY TIMES BESTSELLER Head back down to Clarkson Farm with the latest bestseller from our favourite welly-wearing wannabe farmer, Jeremy Clarkson ___________ Enthusiastic trainee farmer Jeremy Clarkson made just £144 in his first year at Diddly Squat Farm. This year he's determined to do better. Not because he now knows what he's doing. But because he's fed up of getting stick from Kaleb. Yet farming continues to be a challenge. For instance . . . · Loading a grain trailer was more demanding than flying an Apache gunship? · Cows were more dangerous than motor-racing? · It's easier to get planning permission to build a nuclear plant than to turn a barn into a restaurant? Jeremy's always got a plan. Loads of them. Often cunning. Not always greeted with wild enthusiasm by Kaleb and Cheerful Charlie, however . . . ___________ PRAISE FOR DIDDLY SQUAT 'Clarkson has done more for farmers in one series than Countryfile achieved in 30 years' James Rebanks, author of A Shepherd's Life 'Clarkson has showcased the passion, humour and personalities of the people who work throughout the year to grow the nation's food . . . and brought an understanding of many of the issues faced by farmers to the British public' National Farmers Union 'A deserving Farming Champion of the Year' Farmers Weekly 'I don't know anything about farming. It's like David Attenborough doing jet-skiing, or Nicholas Witchell saying, "I'm going to be a cage fighter'" Jeremy Clarkson
Audio Drama and Modernism traces the development of political and modernist sound drama during the first 40 years of the 20th Century. It demonstrates how pioneers in the phonograph age made significant, innovative contributions to sound fiction before, during, and after the Great War. In stunning detail, Tim Crook examines prominent British modernist radio writers and auteurs, revealing how they negotiated their agitational contemporaneity against the forces of Institutional containment and dramatic censorship. The book tells the story of key figures such as Russell Hunting, who after being jailed for making ‘sound pornography’ in the USA, travelled to Britain to pioneer sound comedy and montage in the pre-Radio age; Reginald Berkeley who wrote the first full-length anti-war play for the BBC in 1925; and D.G. Bridson, Olive Shapley and Joan Littlewood who all struggled to give a Marxist voice to the working classes on British radio.