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A Rome-based American historian tells the extraordinary story of Caterina Sforza, perhaps the most prominent woman of Renaissance Italy, who was a wife, a mother, a leader, and a warrior with the courage to battle a Borgia pope, the charm to beguile a Medici husband, and the fierceness to make Machiavelli himself wince.
Between her birth in 1463 as the illegitimate daughter of the Duke of Milan, to her death in 1509 as a member of the powerful Medici family, Caterina Sforza's life crossed the firmament of Italy's High Renaissance like a shooting star. In her 46 years she bore eight children and buried three husbands. She was painted by Botticelli, slandered by Machiavelli, and feted by Pope Sixtus IV. She was celebrated as a warrior who fearlessly led her own troops into battle, and ruthlessly defended her city-state of Forli, but Caterina was eventually defeated, imprisoned and raped by Cesare Borgia. Remembered as the author of a recipe book that went through more than 100 editions, Caterina was honoured at her death as 'without a doubt the first lady of Italy'. Her youngest son would become - like her - a brilliant soldier and a national hero, and the next four generations of her descendants would include two Dukes of Tuscany, a queen of France, and a queen of England.
A powerful collection of stories about women who murdered—for revenge, for love, and even for pleasure—rife with historical details that will have any true crime junkie on the edge of their seat In every tragic story, men are expected to be the killers. There are countless studies and works of art made about male violence. However, when women are featured in stories about murder, they are rarely portrayed as predators. They’re the prey. This common dynamic is one of the reasons that women are so enthralled by female murderers. They do the things that women aren’t supposed to do and live the lives that women aren’t supposed to want: lives that are impulsive and angry and messy and inconvenient. Maybe we feel bad about loving them, but we eat it up just the same. Residing squarely in the middle of a Venn diagram of feminism and true crime, She Kills Me tells the story of 40 women who murdered out of necessity, fear, revenge, and even for pleasure.
Adriatic recounts the shared history of the countries around the sea, from Italy to Croatia and beyond, from the Romans to the present.
A revealing history of women who were a power behind the papal throne. Engaging, controversial and sometimes illuminating.
This study extends from the Neapolitan Revolution of 1799 to the first unification of Italy in 1861, and presents insights into the work of feminist authors who responded to the Italian Risorgimento in their writings, including novels, poetry and non-fiction political analyses. The narratives of these women form a cohesive view of emerging feminism in the nineteenth century in response to the Italian Risorgimento. A number of American and British women who lived in Italy (Emma Hamilton, Margaret Fuller and Elizabeth Barrett Browning), as well as Italian women (Eleonora Fonesca Pimentel and Cristina Belgiojoso), participated directly in the developing events of the Risorgimento revolutions for Italian independence and unification, while British, French and American authors who travelled to Italy, including Mary Shelley, George Sand, Marie d’Agoult (Daniel Stern) and Edith Wharton joined their cause and rallied support for democracy, civic justice and gender equality. These authors promoted gender equality through their feminist narratives and political analyses of the Italian Risorgimento.