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Tiggie, the daughter of a high-profile television and print journalist and a top corporate accountant, believes herself talentless and too fat. She dreams of being a famous photographer - photographers make images, their own doesn't matter. When Tiggie scores the role of a lifetime, she realises that this will set her roly-poly image in concrete. Her life has suddenly become very busy and extremely complicated. The powerful and glamorous world of television, a liberal school, an ambitious school production, pre-occupied parents, unlikely friendships and personal struggles culminate in a momentous, bitter-sweet year for Tiggie.
"With deft, wry prose and a credible plot, Fraser holds our interest and leaves us clamoring for more Jemima Shore mysteries."--Publishers Weekly
Could a mysterious music box hold the key to unlocking the puzzle behind a gruesome murder for Detective Inspector Silas Quinn? London, 1914. Despite a number of setbacks, rehearsals for The Hampstead Voices' Christmas concert are continuing apace. The sold-out event is raising funds for war refugees, and both Winston Churchill and Edward Elgar are expected to attend. But the most disturbing setback of all occurs when the choirmaster, Sir Aidan Fonthill, is discovered dead at a piano, a tuning fork protruding from his ear. Detective Chief Inspector Silas Quinn and his team from the Special Crimes Department at New Scotland Yard soon discover that Sir Aidan had a number of enemies, but who hated him enough to carry out such a heinous crime? Could the answer be linked to a mysterious music box delivered to Sir Aidan's house shortly before the murder, and can Silas solve the puzzle of the music box enigma and catch the killer before the concert takes place?
"Collection of stories, essays, and photographs providing a window into America during a tumultuous era bookended by the presidencies of Barack Obama and Donald Trump."--
Winner of the NZ Post Children's Book Awards, this compelling novel explores truth and lies, guilt, grief and love. 'So where does the truth lie?' said Jeremiah. 'Huh, truth lies. Truth lies,' I said, giving up before I started, knowing I could never explain. Months after her life has been brought to a standstill, Catriona Stuart is embarking on a painful search for the truth. The truth about her boyfriend, Jeremiah, and his dangerous brother Simeon. The truth about her mother, about her past, and most of all about herself and her secret and why her world fell apart.
List of members included in each volume except v. 1.
This study is concerned with how readers are positioned to interpret the past in historical fiction for children and young adults. Looking at literature published within the last thirty to forty years, Wilson identifies and explores a prevalent trend for re-visioning and rewriting the past according to modern social and political ideological assumptions. Fiction within this genre, while concerned with the past at the level of content, is additionally concerned with present views of that historical past because of the future to which it is moving. Specific areas of discussion include the identification of a new sub-genre: Living history fiction, stories of Joan of Arc, historical fiction featuring agentic females, the very popular Scholastic Press historical journal series, fictions of war, and historical fiction featuring multicultural discourses. Wilson observes specific traits in historical fiction written for children — most notably how the notion of positive progress into the future is nuanced differently in this literature in which the concept of progress from the past is inextricably linked to the protagonist’s potential for agency and the realization of subjectivity. The genre consistently manifests a concern with identity construction that in turn informs and influences how a metanarrative of positive progress is played out. This book engages in a discussion of the functionality of the past within the genre and offers an interpretative frame for the sifting out of the present from the past in historical fiction for young readers.
A fair-haired beauty at 19, Lady Mairi is heiress apparent to her father Lord Dunwythie's rich barony. He has carefully taught her how to manage their estates, but a feud between his clan and the Maxwell clan is brewing as the two families edge toward a clan war - their dispute over money owed. Mairi's father believes he owes nothing, and of course Mairi sides with him. When the impulsive and blue-eyed Rob Maxwell chances to meet Mairi in a barley field, they feel instant attraction, despite their families' antagonisms. Knowing he must put his clan first, Rob enacts a plan to force Dunwythie to pay his debt: Rob kidnaps Mairi, making the abduction appear the work of a stranger; then he and his sheriff-brother offer to help Dunwythis rescue his daughter IF, and only if, he will pay them the monies due. Yet after Rob captures Mairi's body, she captures his heart. When Dunwythie summons the aid of the most powerful clan in all Scotland (the Douglases), clan-tensions rise to a fever pitch. Love takes its own feverish course, as Mairi and Rob join forces to prevent a clash between hot-headed clans, and to protect their budding love.
Over three consecutive Olympic games, Ohno has come to symbolize the very best of the competitive spirit--remaining equally gracious in victory and defeat, always striving to improve his performance, and appreciating the value of the hard work of training as much as any reward it might bring.