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Beginning sometime during the 1960¿s, a scam of unprecedented proportions hit naïve American collectors of Civil War and Wild West memorabilia: a flood of allegedly antique brass and bronze belt buckles, purportedly manufactured by the famed Tiffany & Company of New York, along with other companies such as E. Gaylord of Chicopee Falls, Massachusetts, and Anson Mills, started turning up at flea markets, gun shows, and other venues all across the United States. The only problem was, neither Tiffany nor the others ever made these buckles. Furthermore, they were all of modern manufacture. Then, in order to further deceive collectors, a book, Tiffany & Gaylord Express & Exhibition Belt Plates, attributed to Percy Seibert appeared circa 1970 (not 1950 as falsely claimed on its copyright page), and made all kinds of outlandish claims regarding the history of these buckles. That book is being reprinted here, with the addition of a preface and an index, to assist those who continue to collect these fun, but certainly fake, ¿antiques.¿ This book has been sponsored by the Internet¿s leading authority on the Bogus Buckles: www.bogusbuckles.com
Accoutrement Belt Plates: Exposed is a reprint of a catalog of fake belt buckles, allegedly created by the famed Tiffany & Co., that is believed to have first appeared sometime during the late 1970 ́s or early 1980 ́s. The original book was designed for one purpose - to deceive and confuse naïve collectors who were purchasing fake Tiffany & Co. brass and bronze belt buckles with a passion. These buckles appear to have been imported from England, in great quantities, as part of one of the greatest hoaxes ever perpetrated upon the American antiquities market. Accoutrement Belt Plates contains photographs of most of the bogus buckles (and buttons) that were created. Buckles are identified by name and an esoteric cataloging number has been assigned to each - most likely as part of an attempt to make these buckles appear as genuine antiques. Disturbingly, many modern collectors of these buckles still believe that they date back to the 1800¿s. Since their first appearance, these fantasy items have fetched outlandish prices in flea markets, gun shows, and swap meets across America. None of these buckles; however, were made until the 1960 ́s, at the very earliest. As to be expected, the company credited with originally printing this book, ¿Tiffany & Co. of London, England,¿ never existed - the real Tiffany & Co. is based out of New York. This new edition is presented in an attempt to halt the bogus belt buckle scam and the seemingly never ending promotion of them as genuine antiques. A preface has been added to provide readers with a bit of background on the buckle scam, photographs of some of the buckles mentioned but not contained in the original are presented for the first time, and the book is now fully indexed. While the original edition was part of a well planned scheme, it has been reproduced here to provide collectors with one important tool: it remains the only known record that lists most (but not all) of the bogus buckles and is therefore, valuable to those with an interest in them.
The extraordinary fecundity of the photographic medium between the first and second world wars can be persuasively attributed to the dynamic circulation of people, of ideas, of images, and of objects that was a hallmark of that era in Europe and the United States. Voluntary and involuntary migration, a profusion of publications distributed and read on both sides of the Atlantic, and landmark exhibitions that brought artistic achievements into dialogue with one another all contributed to a period of innovation that was a creative peak both in the history of photography and in the field of arts and letters. Few, if any, collections of photography capture the imaginative spirit of this moment as convincingly as the Thomas Walther Collection at The Museum of Modern Art.0This volume represents an important chapter in the rich and complex lives of these works, providing ample evidence of the brilliance of the photographers practicing on both sides of the Atlantic in the interwar period.00Exhibition: Museo d'arte della Svizzera italiana, Lugano, Switzerland (25.04-01.08.2021) / Jeu de Paume, Paris, France (14.09.2021-30.01.2022) / CAMERA, Turin, Italy (03-06.2022).
Visit to the falls is a diary of his journey from New York city to Albany, Niagara Falls, Kingston, Ont., Montreal, and Quebec.