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"Holy dark and delicious angst. Carian Cole did not hold back. I dare you not to shed a tear." ―L.J. Shen, USA Today & Wall Street Journal bestselling author of VICIOUS My innocence was stolen when I was abducted at five years old. For eleven years I held on by clinging to childhood fairytales. I waited for a prince to someday save me and carry me off to a happily ever after. I had no idea my savior would come as a scarred recluse, covered in tattoos, who can't—or won't—speak a word. Nevertheless, the moment our eyes met I knew he was the one. My prince. With his bare hands, he killed the monster who kept me captive. But people have a way of distorting the truth when the hero looks like a villain. As it turns out, Tyler Grace is many things: A myth. An outcast. A nightmare. Haunted by tragedy, he lives secluded in the forest. Some say they see him ride through town at night—straddling a black motorcycle, his face covered by a skeletal mask. I’ve been warned to stay away, yet I can't stop thinking about him. I ache to hear his voice. And I want nothing more than to break through his walls. I know he's the only one who can break through mine. Do we dare dream of a love that once felt impossible to find? Or will only our horrible, twisted past tie us together? Tied is book two in the All Torn Up series but can be read as a standalone novel.
In the fourth sexy romance by the New York Times bestselling author of Tangled and Twisted, Drew and Kate can’t wait to tie the knot—if they can survive the pre-wedding festivities. For most of my life, I never imagined I’d get married. But Kate did the impossible: she changed me. I think we can all agree I was pretty frigging awesome before, but now I’m even better. The road to this day wasn’t all rainbows and boners. There were mistakes and misunderstandings worthy of a Greek tragedy. But Kate and I made it through with our inexhaustible lust, boundless admiration, and everlasting love for one another intact. That being said, there were some unexpected incidents in Vegas last weekend that could have been a problem. It was kind of…my final test. I know what you’re thinking—what the hell did you do this time? Relax. Let’s not judge, or call for my castration, until you’ve heard the whole story. And hold on tight, because you’re in for a wild ride. Did you expect anything less?
Using Reichenbach's (1947) theory of tenses and temporal structures as a point of departure, McGilvray modifies it to produce a theory of his own. Analysing the difficulties Reichenbach's theory has in explaining the relationship of a speaker to a world, he introduces a new model for this relationship based on the three-interval temporal topology that Reichenbachian theory assigns to the sentences of natural languages. McGilvray explains and defends in detail Reichenbach's theory of tense and temporal structure, criticising and rejecting the major rival theory, found in tense logic. He also applies Reichenbach's nonstandard topology to English, showing that it is correct for the language. A significant aspect of McGilvray's study is the supplementing of Reichenbach's topology by including speakers, sentences, situations, and things spoken about with the temporal intervals. McGilvray relocates and reinterprets a prime source of faulty intuitions concerning time and tense -- our feeling that the past, present, and future must be thought of in terms of the settled, the immediate, and the unsettled. He uses his theory to explain the temporal and semantic structure of complex constructions in English, including propositional attitudes, modals, and conditionals. As well, he adapts the structure that Reichenbach's theory assigns to sentences to the aspects perfective (complete) and imperfective (incomplete). The novel view of temporal and semantic structure developed by McGilvray touches on virtually all the puzzles concerning the philosophy of language -- meaning and meaningfulness, the nature of reference, truth, propositions, and worldmaking. His emphasis is on how the speaker, by articulating sentences and understanding them, is both free and constrained -- free to describe something which can be located at any time and in any world, but constrained by the beliefs, evidence, information, and commitments held or made at the time of speech.
Named a Best Book of the Year by New York Post! From one of our most innovative and celebrated authors, the definitive take on the wildest story of the year— the David-vs.-Goliath GameStop short squeeze, a tale of fortunes won and lost overnight that may end up changing Wall Street forever. Bestselling author Ben Mezrich offers a gripping, beat-by-beat account of how a loosely affiliate group of private investors and internet trolls on a subreddit called WallStreetBets took down one of the biggest hedge funds on Wall Street, firing the first shot in a revolution that threatens to upend the establishment. It’s the story of financial titans like Gabe Plotkin of hedge fund Melvin Capital, one of the most respected and staid funds on the Street, billionaires like Elon Musk, Steve Cohen, Mark Cuban, Robinhood co-CEOs Vlad Tenev and Baiju Bhatt, and Ken Griffin of Citadel Securities. Over the course of four incredible days, each in their own way must reckon with a formidable force they barely understand, let alone saw coming: everyday men and women on WallStreetBets like nurse Kim Campbell, college student Jeremy Poe, and the enigmatic Keith “RoaringKitty” Gill, whose unfiltered livestream videos captivated a new generation of stock market enthusiasts. The unlikely focus of the battle: GameStop, a flailing brick-and-mortar dinosaur catering to teenagers and outsiders that had somehow held on as the world rapidly moved online. At first, WallStreetBets was a joke—a meme-filled, freewheeling place to share shoot-the-moon investment tips, laugh about big losses, and post diamond hand emojis. Until some members noticed an opportunity in GameStop—and rode a rocket ship to tens of millions of dollars in earnings overnight. In thrilling, pulse-pounding prose, THE ANTISOCIAL NETWORK offers a fascinating, never-before-seen glimpse at the outsize personalities, dizzying swings, corporate drama, and underestimated American heroes and heroines who captivated the nation during one of the most volatile weeks in financial history. It’s the amazing story of what just happened—and where we go from here.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
This book constitutes the proceedings of the 14th International Conference on Simulation of Adaptive Behavior, SAB 2016, held in Aberystwyth, UK, in August 2016. The 31 papers presented in this volume were carefully reviewed and selected from 45 submissions. They cover the main areas in animat research, including the animat approach and methodology, perception and motor control, learning and adaptation, evolution, and collective and social behavior.
In this beautiful love story of "forbidden longing" (New York Times bestselling author Penelope Douglas), a sweet young woman and a rough and tough biker are connected in a way they can’t contain—and they’ll do anything they can to be together. When I was five years old, I told Toren Grace we were going to get married someday. He’d been my closest friend, my protector, and my rock since the day I was born. But during my senior year, our relationship slowly changed. Silly conversations morphed into serious heart-to-hearts. Innocent friendship turned to stolen glances. Then one day, an unexpected kiss changed everything. While that kiss was all I’d ever dreamed of, it knocked Tor clear off his axis. His strong moral compass makes it impossible for him to accept our feelings for each other. Because, not only am I eighteen and fifteen years younger than him, I’m the one person he should never, ever want. Tor is my father’s best friend—my pseudo uncle. Neither one of us can stand to betray or hurt my dad, but we can’t keep our relationship hidden forever. Will there be a way for us to find our happily-ever-after? Or will we all be torn apart? Torn is book one in the All Torn Up series but can be read as a standalone novel.
This study offers a new perspective on the object represented by art, specifically by art that succeeds to create in its receiver a sense of “the real”, a sense of approximating the true nature of the represented object that lies outside the artwork. The object that cannot be accessed through a concept, a meaning or a sign, the thing-in-itself, is generally rejected by philosophy as being outside the realm of its concerns. This rejection is surveyed in a number of philosophical discussions, from Kant to Hilary Putnam. Turning to the psychoanalytic object, an object inexhaustible in terms of its external existence, or in terms of its conceptual status or meaning (the object is always suppressed, partly known, inaccessible), another notion of the object. The Real is suggested as what can neither be contained in language nor reduced to a linguistic referent. This solution does not lead away from philosophical interests but rather exposes this dilemma about the object of representation as fundamentally philosophical. Cases of artistic realism discussed range from perspective painting to abstract art, from tragedies to the literary representation of minds.
A journey across four continents to the heart of the conflict over who should own the great works of ancient art Why are the Elgin Marbles in London and not on the Acropolis? Why do there seem to be as many mummies in France as there are in Egypt? Why are so many Etruscan masterworks in America? For the past two centuries, the West has been plundering the treasures of the ancient world to fill its great museums, but in recent years, the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects. Where do these treasures rightly belong? Sharon Waxman, a former culture reporter for The New York Times and a longtime foreign correspondent, brings us inside this high-stakes conflict, examining the implications for the preservation of the objects themselves and for how we understand our shared cultural heritage. Her journey takes readers from the great cities of Europe and America to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She also introduces a cast of determined and implacable characters whose battles may strip these museums of some of their most cherished treasures. For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange, Loot opens a new window on an enduring conflict.