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"A small masterpiece" (National Post)-An utterly original first novel from a rising international star On a cold, rainy night, an aging bachelor named George Ticknor prepares to visit his childhood friend Prescott, now one of the leading intellectual lights of their generation. Reviewing a life of petty humiliations, and his friend's brilliant career, Ticknor sets out for the dinner party-a party at which he'd just as soon never arrive. Distantly inspired by the real-life friendship between the great historian William Hickling Prescott and his biographer, Ticknor is a witty, fantastical study in resentment. It recalls such modern masterpieces of obsession as Thomas Bernhard's The Loser and Nicholson Baker's The Mezzanine and announces the arrival of a charming and original novelist, one whose stories have already earned her a passionate international following. "A perceptive act of ventriloquism, [Ticknor] rewards thought and rereading, and offers a finely cadenced voice, intelligence and . . . moody beauty." -Catherine Bush, The Globe and Mail "Confoundedly strange [and] fascinating." -Nicholas Dinka, Quill & Quire
Illusions, delusions, or faulty beliefs prevent us from seeing clearly and acknowledging what we truly are ... beyond personality and even beyond individuality. In sharing the simple facts of his life experience, Art Ticknor takes us on an extraordinary journey, which hopes "to inspire another with a possibly unimagined possibility, and to encourage another to persevere." With a natural storyteller's voice and conversational style that draws the reader in and pulls us gently along, he conveys his view that the journey beyond the mind, to the solid ground of being, will bring full satisfaction to life.
Wildly acclaimed in Canada, this book marks the debut of a remarkable young writer first published by McSweeney's when she was twenty-three and living at home with her dad and brother. The Middle Stories is a strikingly original collection of stories, fables, and short brutalities that are alternately heartwarming, cruel, and hilarious. This edition, marking the 10th anniversary of The Middle Stories, will be designed in the newly iconic McSweeney's paperback style, and will be published shortly before Heti's newest novel, How Should A Person Be?, emigrates from Canada via Henry Holt & Co.
Ticknor, Howard, and Overstreet offer educators insights into the how-tos of culturally responsive pedagogy. They build on their experiences and research of CRP to offer vignettes of literacy instruction that may be common in K-12 classrooms. These examples are offered as a way to situate how teachers may use research based and effective literacy practices while ignoring the identities and experiences of their students. They disrupt the vignettes using theories and concepts presented in the chapter to make visible how each practice could be reimagined to integrate more culturally responsive strategies. Example lessons and activities are provided in each chapter that offer readers glimpses into CRP thinking and decision making. Guiding prompts are also included for readers to use the chapter topic and example lessons to consider ways to be more culturally responsive teachers for their students and in their local communities.
This is a study of some of the central questions in literary publishing in mid-nineteenth-century North America and Britain, addressed through examination of the unusually rich archives of a unique publishing firm. Boston-based Ticknor and Fields, one of the pre-eminent literary publishers of its time, enjoyed close links with Britain, and also developed new production, distribution, and marketing skills as the settlement of North America pushed ever further west. Michael Winship has studied the firm's business records and publications in detail: he reveals what Ticknor and Fields published, its costs of production, the ways it marketed and distributed its books, and the profits it made. Winship goes on to explore the implications of the firm's work for the book trade in general, and to show how an investigation of Ticknor and Fields enriches our understanding of the literary and cultural history of Britain and North America.
Reprint of the original, first published in 1876.
PEN/Hemingway Award Winner: An “enthralling” novel of a woman trapped within a tragically dysfunctional family (Entertainment Weekly). From the New York Times–bestselling author of The Excellent Lombards and A Map of the World, this is “an extraordinary story of a family’s disintegration [that] will be compared to Jane Smiley’s A Thousand Acres” (People). It follows Ruth Grey, a young woman in a tiny Illinois farm town, who has lost her father to World War II, and constantly faces her unhappy mother’s wrath—when she isn’t being ignored in favor of her math-prodigy brother. As Ruth navigates her lonely life, she strives to find happiness and pleasure where she can, but the world may conspire to defeat her. “A sly and wistful, if harrowing, human comedy . . . [An] original voice in fiction and one well worth listening to.” —The Boston Sunday Globe “Unforgettably, beat by beat, Hamilton maps the best and worst of the human heart and all the mysterious, uncharted country in between.” —Kirkus Reviews “Hamilton’s story builds to a shocking crescendo. Her small-town characters are as appealingly offbeat and brushed with grace as any found in Alice Hoffman’s or Anne Tyler’s novels.” —Glamour
THE NEW YORK TIMES BESTSELLER Women in Clothes is a book unlike any other. It is essentially a conversation among hundreds of women of all nationalities—famous, anonymous, religious, secular, married, single, young, old—on the subject of clothing, and how the garments we put on every day define and shape our lives. It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations. Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.