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Ticket scalping is as much an American staple as apple pie. Beginning as early as the mid-1800s, scalpers, known as "sidewalk men," were charging all the traffic would bear for event tickets. Although these speculators were generally viewed as pariahs and public opinion was against the practice, legal attempts to limit their activities were far from successful. Boston enacted laws as early as 1873, while Pennsylvania followed suit in 1884. Still, such measures did little good since some laws were declared unconstitutional and, for the ones that were upheld, the fines were negligible with jail time rarely served. Over the years, as moral objections to scalping dimmed, the public became more tolerant as the practice became increasingly prevalent. By the 1990s, the capitalist mantras of free market and economic principles of supply and demand were even being used to justify the practice. This volume details the ways in which scalping has changed over the years from a one-man business to an agency-controlled enterprise, from performances by Jenny Lind to Billy Joel. The book examines the general situation, public opinion and legal perception of scalping for four distinct periods: 1850-1899; 1900-1917; 1918-1949 and 1950-2005. Emphasis is placed on the ways in which public and legal perception of the practice has evolved over this period. Scalping, slowly gaining a more positive status, has become more accepted as part of the economic practice of free markets.
Committee Serial No. 25.
Finalist • PEN/ESPN Award for Literary Sports Writing “An inventive, fast-paced look at what have become our modern shrines in a sports-obsessed society.” —Tom Verducci In this “addictive” (Publishers Weekly) romp, intrepid sportswriter Rafi Kohan finagles access to our most beloved fields to find out just what makes them tick: from old-timer Wrigley, creakily adjusting to the twenty-first century, to the oversized monstrosity of Jerry’s World in Dallas. Investigating harrowing logistics and deeply ingrained traditions, Kohan employs his infectious “wit and style” (Christian Science Monitor) to expose the realities of building and maintaining these commercial cathedrals of sports worship. “Highly compelling” (Kirkus Reviews, starred review), The Arena is a must-read for superfans, shameless bandwagoners, athletes, groundskeepers, culture junkies, and anyone who’s ever headed off eagerly to the ballpark to catch a game.
“A clear, comprehensive look at a murky business.” —The Wall Street Journal Your favorite band has just announced their nationwide tour. Should you pay to join their fan club and get in on the pre-sale? No, you decide to wait. But the on-sale date arrives, and the site is jammed. You can’t get on—and the concert is sold out in six minutes. What happened? What now? Music journalists Dean Budnick and Josh Baron chronicle the behind-the-scenes history of the modern concert industry. Filled with entertaining rock-and-roll anecdotes about The Rolling Stones, The Grateful Dead, Pearl Jam, and more—and charting the emergence of players like Ticketmaster, StubHub, Live Nation, and Outbox—Ticket Masters will transfix every concertgoer who wonders just where the price of admission really goes. This edition has an updated epilogue that covers recent industry developments.
Surveys the whole ticket market, attitudes to secondary selling, the scale of the secondary market, legislation relevant to secondary selling, and what the industries have done to tackle touting. The Committee agrees with the Department for Culture, Media and Sport that regulatory intervention should only be introduced as a last resort.