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This archaeological and art-historical study is woven around rock art and ancient metallic articles attributed to Tibet. The silver bowls, gold finial, and copper alloy spouted jars and trapezoidal plaques featured are assigned to the Iron Age and Protohistoric period. These rare objects are adorned with zoomorphic subjects mimicking those found in rock art and embody an artistic zeitgeist widely diffused in Central Eurasia in Late Prehistory. Diverse sources of inspiration and technological capability are revealed in these objects and rock art, shedding light on their transcultural dimension. The archaeological and aesthetic materials in this work prefigure the Tibetan cosmopolitanism of early historic times promoted through the spread of Buddhist ideas, art and craft from abroad.
Focusing on the Eastern half of Stod, this is the third in a series of five volumes that comprehensively document rock art in Upper Tibet. It examines a panoply of graphic evidence found on stone surfaces, supplying an unprecedented view of the long-term development of culture and religion on a large swathe of the Tibetan Plateau.
Focusing on the eastern part of the region, this is the first in a series of five volumes that comprehensively document rock art in Upper Tibet. It examines a panoply of graphic evidence found on stone surfaces, supplying an unprecedented view of the long-term development of culture and religion on a large swathe of the Tibetan Plateau.
Focusing on the central and western parts of the region, this is the second of five volumes that comprehensively document rock art in Upper Tibet. It examines a panoply of graphic evidence found on stone surfaces, supplying an unprecedented view of the long-term development of culture and religion on a large swathe of the Tibetan Plateau.
Himalayan Bronzes focuses on a complete study of 340 medieval-period copper alloy sculptures from the Himalayan regions of Afghanistan, northern Pakistan, Kashmir, Himachal Pradesh, Nepal, and Tibet. For more than 1,500 years, artists in isolated valleys in and adjacent to the mountains of the Himalayas have created magnificent copper-based statues representing deities and spiritual leaders of the Hindu, Buddhist and Bon-Po religions. Author Chandra L. Reedy's multidisciplinary approach to the study of these statues integrates methods and techniques from art history, art conservation, geology, chemistry, statistics, archaeology, and ethnography to answer art historical and anthropological questions. Her guiding premise is that gathering and combining several types of information will result in more and better answers than any one type alone.
Superbly illustrated, this book not only describes the work of
Finally, a book on Tibetan art and antiques with 500 brilliant color photographs that provide a broad survey and visual reference guide. It presents Tibetan thangka and tantric religious art and ritual objects, manuscripts, woodblock prints, document holders, sculptures, furniture, tea services, snuff holders and smoking equipment, swords, daggers, armor, jewelry, textiles, musical instruments, and writing tools and seals. The engaging text is both a brief history of Tibet and information concerning every art form and antique displayed. The arrangement of the materials by type offers a quick and easy reference guide to this wide variety of wares. Values for the items shown are provided in the captions. For anyone with a passion for Tibet, Oriental art, and antiques, this book will be a welcome addition to the reference library.
This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.
While Human-Animal Studies is a rapidly growing field in modern history, studies on this topic that focus on the Ancient World are few. The present volume aims at closing this gap. It investigates the relation between humans, animals, gods, and things with a special focus on the structure of these categories. An improved understanding of the ancient categories themselves is a precondition for any investigation into the relation between them. The focus of the volume lies on the Ancient Near East, but it also provides studies on Ancient Greece, Asia Minor, Mesoamerica, the Far East, and Arabia.
A richly illustrated catalogue of 197 objects, all portraying or representing a wide range of animals, from the ancient Near East, Egypt and the Classical world. Each geographical section is supported by an introductory essay. More Animals in Ancient Art is also available.