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From the author of For Brown Girls with Sharp Edges and Tender Hearts, a celebration of the women at the heart of Latine families Born into a large, close-knit family in Nicaragua, Prisca Dorcas Mojica Rodríguez grew up surrounded by strong, kind, funny, sensitive, resilient, judgmental, messy, beautiful women. Whether blood relatives or chosen family, these tías and primas fundamentally shaped her view of the world—and so did the labels that were used to talk about them. The tía loca who is shunned for defying gender roles. The pretty prima put on a pedestal for her European features. The matriarch who is the core of her community but hides all her pain. In Tías and Primas, the follow-up to her acclaimed debut For Brown Girls with Sharp Edges and Tender Hearts, Mojica Rodríguez explores these archetypes. Fearlessly grappling with the effects of intergenerational trauma, centuries of colonization, and sexism, she attempts to heal the pain that is so often embodied in female family lines. Tías and Primas is a deeply felt love letter to family, community, and Latinas everywhere.
This "electrifying debut" (Los Angeles Times) arms women of color with the tools and knowledge they need to find success on their own terms For generations, Brown girls have had to push against powerful forces of sexism, racism, and classism, often feeling alone in the struggle. By founding Latina Rebels, Prisca Dorcas Mojica Rodríguez has created a community to help women fight together. In For Brown Girls with Sharp Edges and Tender Hearts, she offers wisdom and a liberating path forward for all women of color. She crafts powerful ways to address the challenges Brown girls face, from imposter syndrome to colorism. She empowers women to decolonize their worldview, and defy "universal" white narratives, by telling their own stories. Her book guides women of color toward a sense of pride and sisterhood and offers essential tools to energize a movement. May it spark a fire within you.
A bilingual tale about Little Lilly Lujan who loves her chanclas (flip-flops) going slippety-slappety and flippity-flop. In fact, Lilly refuses any footwear except her favorite pair of flip-flops. "Why does Lilly love her chanclas so much?" her family cries. Lilly doesn't listen. That's why her family nicknames her "Little Chanclas." At baptisms, barbecues, quinceñeras, and picnics, you can hear Little Chanclas going slippety-slap and flippity-flop. Then one day Lilly dances a little too much at a fiesta, her chanclas come apart, a pit bull chews up the remains, and there is no more flip for her flop! Little Chanclas is inconsolable. Crisis ensues as she rejects shoe after shoe. But then a miracle happens. Lilly puts on a pair of soccer shoes. She's a natural. She goes clickety-click. She scores a goal. She's a star! José Lozano is a rising star in the thriving Latino art scene in Los Angeles, California. Born in Los Angeles, his family moved to Juárez, Chihuahua, México, when he was a baby. Growing up on the border, he found many of the cultural touchstones that continue to influence his work today—bad Mexican cinema, lucha libre, fotonovelas, ghost stories, and comic books. Lozano prefers to work in a series, focusing on themes like Mexican wrestlers, paper dolls, and lotería. In fact, the Los Angeles Metro System commissioned his loteria card portraits of various light rail riders for the La Brea/Expo Station. Lozano lives in Fullerton, California, and teaches elementary school in Anaheim.
Welcome to Tia Lola's bed and breakfast! With the help of her niece and nephew and the three Sword Sisters, Tía Lola is opening the doors of Colonel Charlebois' grand old Vermont house to visitors from all over. But Tía Lola and the children soon realize that running a B & B isn't as easy they had initially thought--especially when it appears that someone is out to sabotage them! Will Tía Lola and the kids discover who's behind the plot to make their B & B fail? And will Tía Lola's family and friends be able to plan her a surprise birthday party in her own B & B without her finding out? The last book in the Tía Lola Stories