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To the Church of Christ. Who is God and what evidence is there that what he says is real and true? What are the promises of God? Has God delivered on his promises? If The God of the Bible is the one and only true god is there a logical way to see and know the things he claims is true? In this Book Thunder Vision I would like to make the case that the book of revelation gives us the ability to see the evidence on all these questions. In the post modern world we live we are bombarded with questions about God and our faith in god that are hard to answer. We hear Questions like these almost every day. People are looking for the truth, some belief the bible at face value and some look for more concrete evidence. In the end we all have to look at the evidence in the Creation and more importantly his revealed will in his law and through his Son Jesus Christ. Because of my belief and faith in God as an Evangelical Christian and student of the Bible, faith has been essential for understanding his Promises. On the other hand I want to show you there are Logical numerical patterns encoded in the Chapters and verses of the book of revelation that will enhance your faith which in turn authenticates the words of God by using simple math. Addition, division, subtraction. This plays on our intellect and in turn helps us to understand what he is saying. This pattern of numbers or seals in the book of revelation lets us see God and his promises to us in the rest of the bible clearer than ever before. The Bible was written to us by God through many people through the ages, as we look back into history at His promises in the light of the seven seals, this helps us understand him more. The seals coincide with the seven days of creation in genesis and we see this pattern throughout the bible as a whole. So when God references ideas and promises in Prophesies in the seven seal structure we can always get a better sense what he is talking about. My hope is that we will learn to love him more through Johns teaching in the book of Revelation.
Eyewitness accounts of Rolling Thunder’s remarkable healings, legendary control over the weather and animals, and inspiring teachings • Includes accounts of Rolling Thunder by his grandson Sidian Morning Star Jones, Stanley Krippner, Alberto Villoldo, Larry Dossey, William Lyon, Jean Millay, John Perry Barlow, Stephan Schwartz, Ed Little Crow, Leslie Gray, Oh Shinna Fast Wolf, Jürgen Kremer, and David Sessions, among others • Shows how his teachings and powers have transcended his death and how many of his climate change predictions have come to pass One of the most celebrated and controversial Native American medicine men of the 20th century, Rolling Thunder (1916-1997) was known for his remarkable healings and for his ability to call on the forces of Nature, typically in the form of thunder clouds. He was also a passionate activist who worked to trigger social change on behalf of Native American tribes. Sought after as a lecturer and workshop leader, he used the money he earned from teaching to construct Meta Tantay, a community in the Nevada desert. In this book, edited by his grandson Sidian Morning Star Jones and longtime friend Stanley Krippner, we hear directly from people profoundly changed by Rolling Thunder, whether through direct experience or through his teachings. We learn of his legendary interactions with animals and the forces of Nature and hear from witnesses to his remarkable healings, including the healing of a young boy where a “mist wolf” was seen by several people. We learn of Rolling Thunder’s inspiring impact on men and women now devoted in service to humankind and the Earth and read stories both insightful and humorous from friends that prove his climate change predictions true. Revealing his trickster teachings, his legendary shamanic powers, his devotion to the Earth, and how his impact did not stop with his death, these stories of Rolling Thunder from a variety of sources demonstrate how transformation can come even while walking gently on the Earth.
Since the early 1980s, Jim Jarmusch has produced a handful of idiosyncratic films that have established him as one of the most imaginatively allusive directors in the history of American cinema. Three of his films—Dead Man (1995), Ghost Dog (1999), and The Limits of Control (2009)—demonstrate the director’s unique take on Eastern and Aboriginal spirituality. In particular, they reflect Jarmusch’s rejection of Western monotheism’s fear-driven separation of life and death. While these films address historical issues of imperialism, colonialism, and genocide, they also demonstrate a uniquely spiritual form of resistance to conditions that political solutions have not resolved. The impact of Dead Man, Ghost Dog, and The Limits of Control cannot be fully felt without considering the multicultural sources from which the writer/director drew. In The Jarmusch Way, Julian Rice looks closely at these three films and explores their relation to Eastern philosophy and particular works of Western literature, painting, and cinema. This book also delves deeply into the films’ association with Native American culture, a subject upon which Rice has written extensively. Though he has garnered a passionate following in some circles, Jarmusch remains critically underappreciated. Making a case that this director deserves far more serious attention than he has received thus far, The Jarmusch Way thoroughly discusses three of his most intriguing films.
A sweeping account of Medieval North America when Indigenous peoples confronted climate change. Few Americans today are aware of one of the most consequential periods in ancient North American history-the Medieval Warm Period of seven to twelve centuries ago (AD 800-1300 CE). On every page of this book, readers will be led down the same paths walked by Indigenous people a millennium ago, some trod by Spanish conquistadors just a few centuries later. The book will follow the footsteps of priests, pilgrims, traders, and farmers who took great journeys, made remarkable pilgrimages, and migrated long distances to new lands. Along the way, readers will discover a new history of a continent that, like today, was being shaped by climate change-or controlled by ancient gods of wind and water. Through such elemental powers, the history of Medieval America was a physical narrative, a long-term natural and cultural experience in which Native people were entwined long before Christopher Columbus arrived or Hernan Cortes conquered the Aztecs. The book's dozen chapters cover a lot of ground, focusing on some remarkable parallels between pre-contact American civilizations separated by a thousand miles or more. Key archaeological sites are featured in every chapter, all of which link in an evidentiary trail a great religious movement that swept Mesoamerica, the Southwest, and the Mississippi valley, sometimes because of worsening living conditions and sometimes by improved agricultural yields thanks to global warming a thousand years ago.
This Guide includes the primary and secondary works and summaries of plays of 15 prominent African American women playwrights including Lorraine Hansberry, Ntozake Shange, Adrienne Kennedy, Alice Childress, Zora Neale Hurston, Georgia Douglas Johnson. During the last 10 to 15 years, critical consideration of contemporary as well as earlier black women playwrights has blossomed. Plays by black women are increasingly anthologized and two recently published anthologies devote themselves solely to black women dramatists. In light of the growing interest in scholarship concerning African American women playwrights, researchers and librarians need a bibliographical source that brings together the profiles interviews, critical material and primary sources of black female playwrights. This guide will provide a bibliographical essay reviewing the scholarship of black women playwrights as well as for each playwright: a biography, summaries of each play detailed annotations of secondary material, and list of primary sources.