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Historian Alfred W. Crosby looks at hard, accurate throwing and the manipulation of fire as unique human capabilities. Humans began throwing rocks in prehistory and then progressed to javelins, atlatls, bows and arrows. We learned to make fire by friction and used it to cook, drive game, burn out rivals, and alter landscapes. In historic times we invented catapults, trebuchets, and such flammable liquids as Greek Fire. About 1,000 years ago we invented gunpowder, which accelerated the rise of empires and the advance of European imperialism. In the 20th century, gunpowder weaponry enabled us to wage the most destructive wars of all time, peaking at the end of World War II with the V-2 and atomic bomb. Today, we have turned our projectile talents to space travel which may make it possible for our species to migrate to other bodies of our solar system and even other star systems.
Perhaps you know them for their deer dances or for their rich Easter ceremonies, or perhaps only from the writings of anthropologists or of Carlos Castaneda. But now you can come to know the Yaqui Indians in a whole new way. Anita Endrezze, born in California of a Yaqui father and a European mother, has written a multilayered work that interweaves personal, mythical, and historical views of the Yaqui people. Throwing Fire at the Sun, Water at the Moon is a blend of ancient myths, poetry, journal extracts, short stories, and essays that tell her people's story from the early 1500s to the present, and her family's story over the past five generations. Reproductions of Endrezze's paintings add an additional dimension to her story and illuminate it with striking visual imagery. Endrezze has combed history and legend to gather stories of her immediate family and her mythical ancient family, the two converging in the spirit of storytelling. She tells Aztec and Yaqui creation stories, tales of witches and seductresses, with recurring motifs from both Yaqui and Chicano culture. She shows how Christianity has deeply infused Yaqui beliefs, sharing poems about the Flood and stories of a Yaqui Jesus. She re-creates the coming of the Spaniards through the works of such historical personages as AndrŽs PŽrez de Ribas. And finally she tells of those individuals who carry the Yaqui spirit into the present day. People like the Esperanza sisters, her grandmothers, and others balance characters like Coyote Woman and the Virgin of Guadalupe to show that Yaqui women are especially important as carriers of their culture. Greater than the sum of its parts, Endrezze's work is a new kind of family history that features a startling use of language to invoke a people and their past--a time capsule with a female soul. Written to enable her to understand more about her ancestors and to pass this understanding on to her own children, Throwing Fire at the Sun, Water at the Moon helps us gain insight not only into Yaqui culture but into ourselves as well.
Perhaps you know them for their deer dances or for their rich Easter ceremonies, or perhaps only from the writings of anthropologists or of Carlos Castaneda. But now you can come to know the Yaqui Indians in a whole new way. Anita Endrezze, born in California of a Yaqui father and a European mother, has written a multilayered work that interweaves personal, mythical, and historical views of the Yaqui people. Throwing Fire at the Sun, Water at the Moon is a blend of ancient myths, poetry, journal extracts, short stories, and essays that tell her people's story from the early 1500s to the present, and her family's story over the past five generations. Reproductions of Endrezze's paintings add an additional dimension to her story and illuminate it with striking visual imagery. Endrezze has combed history and legend to gather stories of her immediate family and her mythical ancient family, the two converging in the spirit of storytelling. She tells Aztec and Yaqui creation stories, tales of witches and seductresses, with recurring motifs from both Yaqui and Chicano culture. She shows how Christianity has deeply infused Yaqui beliefs, sharing poems about the Flood and stories of a Yaqui Jesus. She re-creates the coming of the Spaniards through the works of such historical personages as Andrés Pérez de Ribas. And finally she tells of those individuals who carry the Yaqui spirit into the present day. People like the Esperanza sisters, her grandmothers, and others balance characters like Coyote Woman and the Virgin of Guadalupe to show that Yaqui women are especially important as carriers of their culture. Greater than the sum of its parts, Endrezze's work is a new kind of family history that features a startling use of language to invoke a people and their past--a time capsule with a female soul. Written to enable her to understand more about her ancestors and to pass this understanding on to her own children, Throwing Fire at the Sun, Water at the Moon helps us gain insight not only into Yaqui culture but into ourselves as well.
Looks at hard, accurate throwing & the manipulation of fire as unique human capabilities. Humans began throwing rocks in prehistory & then progressed to javelins, & bows & arrows. We learned to make fire & used it to cook, drive game, burn out rivals, & alter landscapes. Our exploitation of these 2 capabilities figured in the extinction of many species. In historic times we invented catapults, trebuchets, & flammable liquids as Greek fire. About 1,000 years ago we invented gunpowder, which led to guns & rockets. In the 20th cent. gunpowder weaponry led us to achieve unprecedented mayhem in the most destructive wars of all time. This trend peaked with the V-2 & atomic bomb, at which point species suicide became possible. Illustrations.
About the Contributor(s): John Fuellenbach is a Divine Word Missionary. A teacher at the Beda College in Rome, Fuellenbach has also taught at the Gregorian University and Divine Word Seminary School of Theology in Tagaytay, Philippines. His other books include 'Ecclesiastical Office and the Primacy of Rome', 'Proclaiming His Kingdom', 'Throw Fire', and 'Church: Community for the Kingdom'.
This rare dictionary was begun by Gregory Mengarini, S.J., in the 1840's.