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Through the South Seas With Jack London is a travelogue by Martin Johnson. It gives a winded and thrilling account of the expedition of Jack London to the valley of the Typee, Tahiti, Bora Bora, Fiji, Samoa, the Solomons, and Australia.
Accounts of dare-devil exploits have always been read with deep interest. One of the salient features of human nature is curiosity, a desire to know what is being said and done outside the narrow limits of one's individual experience, or, in other words, to learn the modes of life of persons whose environment and problems are different from one's own environment and problems. To this natural curiosity, the book of travel is particularly gratifying. But when we add to the fact that such a narrative treats of races and conditions almost unknown to the inhabitants of civilised countries the consideration that those voyageurs to whom the adventures fell are men and women already prominently before the public, and so deserving of that public's special confidence, the interest and value of such a work will be seen to be extraordinarily enhanced. The cruise of Jack London's forty-five-foot ketch Snark was followed eagerly by the press of several continents. The Snark alone was enough to compel attention, but the Snark sailed by Jack London, a writer of world-wide celebrity, was irresistible. The venture caught the world's fancy. Periodicals devoted columns to a discussion of the Snark and her builder, and to the daring crew who sailed the tiny craft for two years through the South Seas. When it became known that such a voyage was in contemplation, hundreds of persons wrote to Mr. London, begging that he allow them to accompany him. On the other extreme, they were legion who threw up their hands in horror at the mere suggestion....
Through the South Seas With Jack London is a travelogue by Martin Johnson. It gives a winded and thrilling account of the expedition of Jack London to the valley of the Typee, Tahiti, Bora Bora, Fiji, Samoa, the Solomons, and Australia.
"Jack London's Tales of Cannibals and Headhunters" is set in the romantic and dangerous South Seas and illustrated with the original artwork and several maps.
“South Sea Tales” is a fantastic 1911 collection of short stories written by Jack London, most of which centre around island communities or life abroad a ship. The stories include: “The House of Mapuhi”, “The Whale Tooth”, “Mauki”, “'Yah! Yah! Yah!'”, “The Heathen”, “The Terrible Solomons”, “The Inevitable White Man”, and “The Seef of McCoy”. This volume will not disappoint lovers of the short story form, and it constitutes a must-read for fans and collectors of London's seminal work. John Griffith London (1876 – 1916), commonly known as Jack London, was an American journalist, social activist, and novelist. He was an early pioneer of commercial magazine fiction, becoming one of the first globally-famous celebrity writers who were able to earn a large amount of money from their writing. London is famous for his contributions to early science fiction and also notably belonged to "The Crowd", a literary group an Francisco known for its radical members and ideas. Other notable works by this author include: “Martin Eden” (1909), “The Kempton-Wace Letters” (1903), and “The Call of the Wild” (1903). Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
Roslyn Jolly is Lecturer in English at the University of New South Wales, Australia. She is the author of Henry James: History, Narrative, Fiction (OUP, 1993).
Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others--most often as protagonists--in his short fiction. Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas. With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.