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When Alice steps through the mirror in Lewis Caroll’s Alice's Adventures in Wonderland, she removes herself from the centre of vision and perspective, restoring the autonomy of everything else that lies "beyond" the mirror. Similarly, the philosopher who wishes to engage with the contemporary medial system must pass through the screen, recognising the autonomy of the non-human components of the system, but also understanding the human role within the system itself. Perched between philosophy and otherdisciplines such as psychology, sociology, neuroscience, computer science, electronics, cultural studies, French médiologie, German Medienarchäologie, and first-order cybernetics, this book challenges our contemporary screen experience and provides the reader with new tools with which to understand it, as well as novel insights into the role of philosophy in the digital condition. Its aim, ultimately, is to lay the foundations of a general theory of being and culture by examining them through their technological manifestations.
Life on the Screen is a book not about computers, but about people and how computers are causing us to reevaluate our identities in the age of the Internet. We are using life on the screen to engage in new ways of thinking about evolution, relationships, politics, sex, and the self. Life on the Screen traces a set of boundary negotiations, telling the story of the changing impact of the computer on our psychological lives and our evolving ideas about minds, bodies, and machines. What is emerging, Turkle says, is a new sense of identity—as decentered and multiple. She describes trends in computer design, in artificial intelligence, and in people’s experiences of virtual environments that confirm a dramatic shift in our notions of self, other, machine, and world. The computer emerges as an object that brings postmodernism down to earth.
Why it is a mistake to let commercial entertainment serve as America's de facto ambassador to the world
This book is about the transition that musicals went through when they traveled from the stage to the screen. While the approach is critical, the style is readable and yields fascinating knowledge on the many things that did and didn't happen as theatre and film have merged throughout the past century.Hischak'sanalysis covers productions from The Desert Song (1927), to Chicago (2002).
Winner of the 2022 Gradiva® Award for Best Book – Historic Moment for Reflection! This book offers real-time, intimate reflections on Dr. Friedberg’s patients as they struggle with COVID-19 and its disruptive, dispiriting fallout. Through a Screen Darkly identifies the psychological distress caused by the pandemic, examining how the particular elements of COVID-19 – its ability to be spread by those who seem not to have it, its intractability, the long-term uncertainty that it engenders – leave even relatively stable people shaken and unsure of the future. The book examines how, amidst radical uncertainty and the prospect of massive social change, such people learn to become resilient. The main theme of the book is that, of necessity, we learn to adapt. Though we still can only see "darkly," we can call on the resources that we have, as well as those we can reasonably acquire, so as to retain a sense of our dignity and purpose. Through a Screen Darkly examines what is possible now as the pandemic runs its course. It makes no predictions of how all this will ultimately play out, but offers a time capsule of how people have coped with a disease that landed suddenly and that we still do not fully understand. Offering a series of intense encounters with worried, traumatized people, this book will be invaluable to in-training and practicing psychiatrists, as it points to the several possible directions for our national, psychological recovery from the pandemic.
In the style of a cinematic travel journal, film columnist and critic Jeffrey Overstreet of Christianity Today and lookingcloser.org leads readers down paths less traveled to explore some of the best films you've never seen. Examining a feast of movies, from blockbusters to buried treasure, Overstreet peels back the layers of work by popular entertainers and underappreciated masters. He shares excerpts from conversations with filmmakers like Peter Jackson, Wim Wenders, Kevin Smith, and Scott Derrickson, producer Ralph Winter, and stars like Elijah Wood, Ian McKellan, Keanu Reeves, and the cast of Serenity, drawing "war-stories" from his encounters with movie stars, moviemakers, moviegoers, and other critics in both mainstream and religious circles. He argues that what makes some films timeless rather than merely popular has everything to do with the way these artists--whether they know it or not--have captured reflections of God in their work. Through a Screen Darkly also includes a collection of reviews, humorous anecdotes, and on-the-scene film festival reports, as well as recommendations for movie discussion groups and meditations on how different films echo the myriad ways in which Christ captured the attention and imagination of culture.
The book defines and helps provide key solutions for some of the greatest leadership challenges facing global managers today. Leadership Through the Screen is a business leadership guidebook that tells a story. Written in an easy-to-read manner, each chapter highlights a single issue through the eyes of a fictional VP of marketing. The authors have done the research and included it in these pages so that business leaders do not have to. This book is meant to serve as a map to help modern managers weave their way through many of the fundamental challenges of leading people in a global and virtual realm. It provides the tools, knowledge, and potential solutions these leaders can use to forge successful and productive virtual teams.
The women in the linked short story collection Once Removed carry the burdens imposed in the name of intimacy--the secrets kept, the lies told, the disputes initiated--as well as the joy that can still manage to triumph. A singer with a damaged voice and an assumed identity befriends a silent, troubled child; an infertile law professor covets a tenant's daughterly affection; a new mother tries to shield her infant from her estranged mother's surprise Easter visit; an aging shopkeeper hides her husband's decline and a decades-old lie to keep her best friends from moving away. With depth and an acute sense of the fragility of intimate connection, Colette Sartor creates stories of women that resonate with emotional complexity. Some of these women possess the fierce natures and long, vengeful memories of expert grudge holders. Others avoid conflict at every turn, or so they tell themselves. For all of them, grief lies at the core of love.
Although films affect and reflect the way Americans look at politics, they have received far less attention than television or newspapers. This is changing, particularly on college campuses, where courses on politics and film are growing in popularity. This book consists of short essays on approximately fifty American political films. It is distinctive in two ways. Firstly, it defines politics broadly enough to include a range of films, not only on obviously political topics such as the presidency, congress, and elections, but also on the media, law and courts, war and peace, and a variety of policy issues. Secondly, it goes beyond plot and dialogue to discuss the language of film, including visual aspects, sound, mise-en-scène, and other ways that films communicate their messages to audiences. Each chapter begins with a brief introduction to the films included. The essays also explain the political context of each film and, when films are based on historical events, discuss the accuracy of their depictions. References to additional sources are included at the end of each essay. This book explores the extent to which films take on the political issues of the day and their influence on public perceptions of politics. Do films support the status quo or do they challenge it?
Stories Seen Through Screen Doors The Roots and Branches of Black Southern Experience A truth seldom recognized is that there are almost as many African American southern experiences as there are states and cities in the South. Our lives as southern black people intersect, but they also diverge into unique patterns of learning, growth, and discovery. The stories contained in this collection illustrate some of those similarities as well as the differences. Wanda Macon shares with millions of African Americans a southern soil that is rich in family, church, and racial repression, but she also highlights the spiritedness of a tomboyish young girl, too smart for her preschool age, formed by a variety of occurrences in her small southern community. "The Courts," a horseshoe shaped neighborhood and home to twenty-three families located in fictional Friarsdale, Mississippi, is the site for experience, memory, reflection, and locating one's self in the history of the geography as well as the history of family and community. By Trudier Harris, University Distinguished Research Professor Department of English, The University of Alabama Tuscaloosa, Alabama