Download Free Through The Eyes Of A Stranger Book in PDF and EPUB Free Download. You can read online Through The Eyes Of A Stranger and write the review.

Five centuries after the Calamitous Times have left the Ancient (twenty-first century) World in shambles, new civilizations have arisen from the ashes, most of them intent on re-creating the glories of what they call the Golden Age. Anagaia is the chief of them and tries to submit the rest of the continent to its own control. Tiny Esperia is among a few societies resisting not only Anagaian domination, but its vision of an unsustainable way of life. In this context, a young man, Yaro Seekings, arrives in Esperia as a refugee. Though raised by Esperian missionaries in an Anagaian orphanage, he knows little about his new home. Learning that the differences between the two societies arise from their disparate mythic visions, he is eager to understand that Vision so he can truly integrate himself into Esperian society and perhaps even play some part in redeeming his homeland.
Marissa, a shy self-conscious girl with a twisted leg, is attracted to a strikingly handsome visitor to her uncle's carousel but begins to suspect that he is a psychotic serial killer.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
Since the release of Rosemary's Baby in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods---from close textual readings and structuralist genre criticism to psychoanalytical, feminist, and ideological analyses---the authors examine individual films, directors, and subgenres. In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (Night of the Living Dead, The Exorcist, and Halloween) and particularly problematic films (Don't Look Now and Eyes of Laura Mars) with discussions of such central thematic preoccupations as the genre's representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal. In addition, American Horrors includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.
How and why does sexual attraction happen? This book is an exploration of the universal yet highly individualized experience of being sexually attracted to another person. Incorporating interviews, research findings, and excerpts from romantic and erotic literature, lyrics, and film, Sexual Attraction: The Psychology of Allure explores a subject that is central to the human experience and highly relevant in not only personal, intimate interactions but also other relationships. Although the causes and effects of sexual attraction have been studied, sexual attraction itself-how we experience others in terms of their sexual attractiveness-remains a neglected, rarely researched topic. James Giles presents jargon-free information that is accessible and fascinating to the general reader as well as highly useful and informative to students and researchers in social psychology, sexology, sex and marital therapy, and relationship counseling. The book explores subjects such as how sexual attraction is fundamentally different from other forms of interpersonal attraction and how at the heart of sexual attraction lies the experience of allure-something that makes one feel helplessly drawn toward an intimate physical joining with the sexually attractive person. The allure of strangers, cross-sex friends, sexual friends ("friends with benefits"), and romantic partners are all addressed, revealing the often subtle heterosexual attraction that typically exists between men and women in all their relationships, including between those who are ostensibly "just friends."
An anthology of poems written between 2008 to 2021, Through Eyes Unseen offers a collection of freeform poems that touch on a variety of topics - from sadness, to unrequited love, to even the hallmarks of capitalism.
This book considers how the non-religious self is performed publicly online, and how digital culture and technology shapes this process. Building on a YouTube case study with women vloggers, it presents unique empirical data on non-organized atheism in the United States. Lundmark suggests that the atheist self as performed online exists in tension between a perception of atheism as sinful and amoral in relation to hegemonical Christianity in the U.S., and the hyperrational, male-centered discourse that has characterized the atheist movement. She argues that women atheist vloggers co-effect third spaces of emotive resonance that enable a precarious counterpublicness of performing atheist visibility. The volume offers a valuable contribution to the discussion of how the public, the private, and areas in-between are understood within digital religion, and opens up new space for engaging with the increased visibility of atheist identity in a mediatized society.