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As we go about our daily lives, we create stories, weave poems, make magical moments, at times without realizing it. Some moments in time are worth revisiting while others are better left unexplored. However, those could be the ones that need further scrutiny and may hide deeper, more important themes in life. Our stories are like peering through an old-fashioned kaleidoscope, reflecting images of bits of colored glass constantly shifting, changing, creating new designs and patterns. Our memories are kaleidoscopes. Our stories are kaleidoscopes. Our lives are kaleidoscopes. So, what's your story? Use the prompts after each story or poem to journal your story as you make your way through life. Our journey is not yet over.
Flora Gamez Grateron's newest book, Open Doors, Cuentos de Familia: A Tribute to Family Life with Prompts for Journaling, is a lovely partner to her first book Through the Door, Cuentos de Casa: Stories and Poems with a Generous Sprinkle of Spanish. Grateron continues building her relationship with the reader by leading them through writing activities with prompts, examples, and gentle encouragement. She draws readers into her engaging memories, experiences, and musings with vivid details and images. Her stories and poems remind readers that even the seemingly brief moments of their lives are worth exploring. Open Doors, Cuentos de Familia is an array of delightful stories and poems that will tug at your heart.
In the summer of 1931, folklorist Espinosa traveled throughout northern New Mexico asking Spanish-speaking residents for tales of olden times. These tales are available once again, in the original Spanish and now for the first time in English translation.
This book explores six texts from across Spanish America in which the coming-of-age story ('Bildungsroman') offers a critique of gendered selfhood as experienced in the region’s socio-cultural contexts. Looking at a range of novels from the late twentieth century, Staniland explores thematic concerns in terms of their role in elucidating a literary journey towards agency: that is, towards the articulation of a socially and personally viable female gendered identity, mindful of both the hegemonic discourses that constrain it, and the possibility of their deconstruction and reconfiguration. Myth, exile and the female body are the three central themes for understanding the personal, social and political aims of the Post-Boom women writers whose work is explored in this volume: Isabel Allende, Laura Esquivel, Ángeles Mastretta, Sylvia Molloy, Cristina Peri Rossi and Zoé Valdés. Their adoption, and adaptation, of an originally eighteenth-century and European literary genre is seen here to reshape the global canon as much as it works to reshape our understanding of gendered identities as socially constructed, culturally contingent, and open-ended.
These 13 short stories by 5 authors of the era include 4 tales by Miguel de Unamuno along with the works of Valle-Inclán, Blasco Ibánez, Baroja, and "Azorín" (José Martínez Ruiz).
This book presents an analysis of Spanish prepositional clauses () - complement and adverbial clauses. The goal is to examine the syntax and evolution of those clauses and their components in Spanish, contrasting them with other European languages. Prepositional argument and adjunct clauses are grammatical in present-day Spanish. However, Medieval Spanish only attests the latter; the former were not frequent until the 16th/17th centuries. Both types are examined in their syntactic evolution and properties, including clausal nominality, argumenthood, nature of prepositions, and optionality. Latin and Portuguese, French, and Italian - both in their present-day and past forms - are studied and compared to Spanish. Likewise, several Germanic languages are surveyed. These languages show variable grammatical degrees of . The comparison reveals aspects which challenge the commonly accepted conclusions about the clausal patterns of each language. This study offers a novel approach to the analysis of Spanish prepositional clauses by looking at its properties and formation not only from within but also in contrast with other languages. It argues for cross-linguistically valid categories and explanations in order to comprehend the properties of human language.
This book reconstructs the poetics of Carmen Martín Gaite by viewing the concept of journey as a fundamental principle upon which she bases and elaborates her narrative writing of the 1990s. Five novels published in this period receive critical attention, all of which coincide with the last trips taken by the writer to New York: Caperucita en Manhattan (1990), Nubosidad variable (1992), La reina de las nieves (1994), Lo raro es vivir (1996) and Irse de casa (1998). To the extent that the journey is the essence of the narrative under consideration, the concept is analysed as an aesthetic practice and an attempt to identify a series of actions, which allow us to link the writer’s novels with two areas that have previously received only scant critical scrutiny: geography and the visual dimension. This book presents a comparative and interdisciplinary analysis of space in Martín Gaite’s narrative as well as in her collages, drawings and paintings.
This collection offers a rich sampling of the finest Mexican prose published from 1843 to 1918. Nine short stories appear in their original Spanish text, with expert English translations on each facing page.