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"Considering the "stranger" as a figure of ambiguity, Sylvie Romanowski explains why the genre was so useful to the Enlightenment. The question of why showing ambiguous strangers is important in that period is addressed in the book's introduction by setting the Enlightenment in the historical context of the seventeenth century. Romanowski then examines Montaigne's "Des Cannibales," showing how these first "outsiders" relate to their eighteenth-century successors. She next considers Montesquieu's Lettres persanes in its entirety, studying the voices of the men, the women, and the eunuchs. She also studies other examples of the genre."--Jacket.
Five centuries after the Calamitous Times have left the Ancient (twenty-first century) World in shambles, new civilizations have arisen from the ashes, most of them intent on re-creating the glories of what they call the Golden Age. Anagaia is the chief of them and tries to submit the rest of the continent to its own control. Tiny Esperia is among a few societies resisting not only Anagaian domination, but its vision of an unsustainable way of life. In this context, a young man, Yaro Seekings, arrives in Esperia as a refugee. Though raised by Esperian missionaries in an Anagaian orphanage, he knows little about his new home. Learning that the differences between the two societies arise from their disparate mythic visions, he is eager to understand that Vision so he can truly integrate himself into Esperian society and perhaps even play some part in redeeming his homeland.
Stopping in place, she felt herself spinning as if she were drunk. Katie saw his face and shook even more. A man that would date a woman his age for many years would suddenly decide one day to do the unthinkable. Taking a sixteen-year-old girl for what she thought would be an errand would turn out to be a nightmare only several minutes later. Having a bag full of fantasies, the man would rape her several times before realizing what he was doing was wrong. Sparing her life, he would drive her home as if he did nothing wrong.Everyone thought that Katie had everything. She was a successful author. Her photography business was taking off. Her modeling career was making a come back. Her three grown children were happy and healthy, and all of her employees loved and respected her. But whenever a door slammed, Katie would see horrible visions of past crimes. After each of these flashbacks, she was left a shaking, pale puddle on the floor. Katie tried to convince herself that these flashbacks would go away with time; instead, they grew more powerful and her family was growing increasingly worried. On top of all of this, Katie met the man of her dreams while on vacation in Florida. Can she be keep everything under control, or will Katie's chaotic world fall apart? Will the man of her dreams be scared off by her troubled psyche? Will her revived modeling career be crushed?
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
“A beautifully written and well-researched cultural criticism as well as an honest memoir” (Los Angeles Review of Books) from the author of the popular New York Times essay, “To Fall in Love with Anyone, Do This,” explores the romantic myths we create and explains how they limit our ability to achieve and sustain intimacy. What really makes love last? Does love ever work the way we say it does in movies and books and Facebook posts? Or does obsessing over those love stories hurt our real-life relationships? When her parents divorced after a twenty-eight year marriage and her own ten-year relationship ended, those were the questions that Mandy Len Catron wanted to answer. In a series of candid, vulnerable, and wise essays that takes a closer look at what it means to love someone, be loved, and how we present our love to the world, “Catron melds science and emotion beautifully into a thoughtful and thought-provoking meditation” (Bookpage). She delves back to 1944, when her grandparents met in a coal mining town in Appalachia, to her own dating life as a professor in Vancouver. She uses biologists’ research into dopamine triggers to ask whether the need to love is an innate human drive. She uses literary theory to show why we prefer certain kinds of love stories. She urges us to question the unwritten scripts we follow in relationships and looks into where those scripts come from. And she tells the story of how she decided to test an experiment that she’d read about—where the goal was to create intimacy between strangers using a list of thirty-six questions—and ended up in the surreal situation of having millions of people following her brand-new relationship. “Perfect fodder for the romantic and the cynic in all of us” (Booklist), How to Fall in Love with Anyone flips the script on love. “Clear-eyed and full of heart, it is mandatory reading for anyone coping with—or curious about—the challenges of contemporary courtship” (The Toronto Star).
A young, Cuban-American woman is accepted into an elite college right as her home life unravels.
Examines the realities of unexplained natural phenomenon and provides explanations that push the boundaries of science. • Looks at animal telepathy and the ability of pigeons to home. • Proves the point that "big questions don't need big science". • Noted scientist Rupert Sheldrake is a former research fellow of the Royal Society. • New Edition with an Update on Results. How does your pet "know" when you are coming home? How do pigeons "home"? Can people really feel a "phantom" amputated arm? These questions and more form the basis of Sheldrake's look at the world of contemporary science as he puts some of the most cherished assumptions of established science to the test. What Sheldrake discovers is that certain scientific beliefs are so widely taken for granted that they are no longer regarded as theories but are seen as scientific common sense. In the true spirit of science, Sheldrake examines seven of these beliefs. Refusing to let intellectual dogmatism influence his search for the truth, Sheldrake presents simple experiments that allow the curious and the skeptical to join in his journey of discovery. His experiments look at how scientific research is often biased against unexpected patterns that emerge and how a researcher's expectations can influence the results. He also examines the taboo of taking pets seriously and explores the question of human extrasensory perception. Perhaps most important, he questions the notion that science must be expensive in order to achieve important results, showing that inexpensive methods can indeed shake the very foundations of science as we know it. In this compelling and intelligent book, Sheldrake offers no preconceived wisdom or easy answers--just an open invitation to explore the unknown, create new science, and perhaps, even change the world.
First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.
In her startling new collection of poetry, Alice Derry contemplates an awkward, even taboo, subject -- the persecution and suffering of the German population before, during, and after World War II. Sparked by her desire to capture in verse the torment of her German cousins, who had survived the horrors of war only to be separated by the division of Germany, Derry composed these poems over a quarter century, ultimately chronicling the anguish of an entire people who "deserved" their lot, a people permanently tainted by the horrifying events of the Third Reich and the Holocaust. "Before I realized that I was becoming part of a contaminated language and people, I was part of them", writes Derry in her powerful introductory essay, an eloquent discussion of racism, ethnic prejudice, and learned hatred. Indeed, Derry's intensely personal poems have an immediacy that approaches documentary. She divides the poems into two sections, the first telling the stories of her German relatives trapped behind the Iron Curtain, often from their point of view. "When I felt our first son move inside me . . . / I walked into the cold, muddy spring, / the rubbled streets, and took my place / in the food lines". The second section ponders the distinct experiences of German Americans. By giving voice to a group that Americans and others have been given permission to hate, Derry eloquently reveals a subtle truth about blame and guilt -- in the end we are all implicated, all human suffering is a part of each of us.
“There’s something strange about that kid.” At least that’s what everyone says, but they don’t know the truth. Perfect for fans of Stranger Things, this classic novel continues to enthrall. Katie Welker is used to being alone. She would rather read a book than deal with other people. Other people don’t have silver eyes. Other people can’t make things happen just by thinking about them! But these special powers make Katie unusual, and it’s hard to make friends when you’re unusual. Katie knows that she’s different but she’s never done anything to hurt anyone so why is everyone afraid of her? Maybe there are other kids out there who have the same silver eyes…and the same talents…and maybe they’ll be willing to help her.