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Through Many Dangers, Toils and Snares, originally published in 1985, was the first book to make an in-depth examination of the cadre of African American lawmakers in Texas after the Civil War. Those few books that addressed the subject at all treated black legislators en masse and offered little or nothing about their individual histories. Early scholars tended to present isolated events of the violence and political deterrents inflicted upon black voters but said very little about how these obstacles affected black lawmakers. Author Merline Pitre has departed from this traditional method and relied upon the untapped original materials found on these black lawmakers. This third edition features a new preface and extended, updated appendixes, ensuring that this study will remain useful to political scientists, sociologists, and historians of Texas political history, Afro-American history, and revisionists of Reconstruction.
ROBERT KIRK (KIRKWOOD), an enlisted man, served with the 42nd and 77th Highland Regiments in North America. He covered 5000 miles by foot, canoe, whaleboat, and transport ship. He was wounded, captured by Shawnees, and nearly scalped, but he lived to write his memoirs, which are published here for the first time since 1775. This book constitutes a superb team effort with paintings by renowned artist, Robert Griffing; an excellent and insightful introduction by best-selling British historian, Stephen Brumwell; and annotations, biographical notes, and essays by historians, Lt. Col. Ian McCulloch and Timothy Todish.
The Republican Union League of America played a major role in the Southern Reconstruction that followed the American Civil War. A secret organization introduced into Texas in 1867 to mobilize newly enfranchised black voters, it was the first political body that attempted to secure power by forming a biracial coalition. Originally intended by white Unionists simply to marshal black voters to their support, it evolved into an organization that allowed blacks to pursue their own political goals. It was abandoned by the state’s Republican Party following the 1871 state elections. From the beginning the use of the league by the Republican party proved controversial. While its opponents charged that its white leadership simply manipulated ignorant blacks to achieve power for themselves, ultimately encouraging racial conflict, the League not only educated blacks in their new political rights but also protected them in the exercise of those rights. It gave blacks a voice in supporting the legislative program of Gov. Edmund J. Davis, helping him to push through laws aimed at the maintenance of law and order, securing basic civil rights for blacks, and the creation of public schools. Ultimately, its success and its secrecy provoked hostile attacks from political opponents, leading the party to stop using it. Nonetheless, the Union League created a legacy of black activism that lasted throughout the nineteenth century and pushed Texas toward a remarkably different world from the segregated and racist one that developed after the league disappeared.
“Enriches and complicates African American and women’s history by connecting threads of race, gender, class, and region.” —Darlene Clark Hine, John A. Hannah Professor of History, Michigan State University Winner of the Liz Carpenter Award from the Texas State Historical Association Women of all colors have shaped families, communities, institutions, and societies throughout history, but only in recent decades have their contributions been widely recognized, described, and celebrated. This book presents the first comprehensive history of Black Texas women, a previously neglected group whose 150 years of continued struggle and some successes against the oppression of racism and sexism deserve to be better known and understood. Beginning with slave and free women of color during the Texas colonial period and concluding with contemporary women who serve in the Texas legislature and the United States Congress, Ruthe Winegarten organizes her history both chronologically and topically. Her narrative sparkles with the life stories of individual women and their contributions to the work force, education, religion, the club movement, community building, politics, civil rights, and culture. The product of extensive archival and oral research and illustrated with over 200 photographs, this groundbreaking work will be equally appealing to general readers and to scholars of women’s history, black history, American studies, and Texas history. “Occasionally a book comes along that is monumental in scope, overwhelming in amount of research, and so powerful in its impact as to be categorized at once as a lasting contribution to our knowledge of humankind. Black Texas Women is one of those rare books.” —The Journal of American History
The dangerous work of leading change--somebody has to do it. Will you put yourself on the line? To lead is to live dangerously. It's romantic and exciting to think of leadership as all inspiration, decisive action, and rich rewards, but leading requires taking risks that can jeopardize your career and your personal life. It requires putting yourself on the line, disrupting the status quo, and surfacing hidden conflict. And when people resist and push back, there's a strong temptation to play it safe. Those who choose to lead plunge in, take the risks, and sometimes get burned. But it doesn't have to be that way say renowned leadership experts Ronald Heifetz and Marty Linsky. In Leadership on the Line, they show how it's possible to make a difference without getting "taken out" or pushed aside. They present everyday tools that give equal weight to the dangerous work of leading change and the critical importance of personal survival. Through vivid stories from all walks of life, the authors present straightforward strategies for navigating the perilous straits of leadership. Whether you're a parent or a politician, a CEO or a community activist, this practical book shows how you can exercise leadership and survive and thrive to enjoy the fruits of your labor.
Challenging the central place that "practices" have recently held in Christian theology, Lauren Winner explores the damages these practices have inflicted over the centuries Sometimes, beloved and treasured Christian practices go horrifyingly wrong, extending violence rather than promoting its healing. In this bracing book, Lauren Winner provocatively challenges the assumption that the church possesses a set of immaculate practices that will definitionally train Christians in virtue and that can't be answerable to their histories. Is there, for instance, an account of prayer that has anything useful to say about a slave-owning woman's praying for her slaves' obedience? Is there a robustly theological account of the Eucharist that connects the Eucharist's goods to the sacrament's central role in medieval Christian murder of Jews? Arguing that practices are deformed in ways that are characteristic of and intrinsic to the practices themselves, Winner proposes that the register in which Christians might best think about the Eucharist, prayer, and baptism is that of "damaged gift." Christians go on with these practices because, though blighted by sin, they remain gifts from God.
This anthology brings together the late Barry A. Crouch's most important articles on the African American experience in Texas during Reconstruction. Grouped topically, the essays explore what freedom meant to the newly emancipated, how white Texans reacted to the freed slaves, and how Freedmen's Bureau agents and African American politicians worked to improve the lot of ordinary African American Texans. The volume also contains Crouch's seminal review of Reconstruction historiography, "Unmanacling Texas Reconstruction: A Twenty-Year Perspective." The introductory pieces by Arnoldo De Leon and Larry Madaras recapitulate Barry Crouch's scholarly career and pay tribute to his stature in the field of Reconstruction history.
In Amazing Grace Discovery author John Hadley explains and clarifies the true meaning behind the lyrics to Amazing Grace, providing a detailed look at this special hymn, its creator, and the grace that inspired them both.