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The moment I saw her walk through the door of Forbidden Ink, I knew she was the one. With her wide hips, thick thighs, and perfect breasts, she's every man's wet dream. Add to that her dark, soulful eyes, pouty lips, and a body covered in gorgeous art, and I knew I needed to make her mine. She's a walking contradiction of sass and strength and determination, hidden by insecurity and self-doubt. She's everything I could ever want or need, but she doesn't see what I see. I want to take away her pain. To be the one to make her laugh, to make all her dreams come true. I need to prove to her that I'm not him, that no matter what, I'll be right there beside her. Loving her. If only she could see herself through my eyes, she would understand we were made for each other.
Through His Eyes is a collection of quotes and poetry. A book that will show you what True Love is all about, something that is very rare these days. It is about the language of love that should never die in our lives. Love that will ignite a flame in your heart and keep you warm throughout your life.
An instant #1 New York Times bestseller! From Ainsley Earhardt, the #1 New York Times bestselling author of Take Heart, My Child; The Light Within Me; and I’m So Glad You Were Born and “FOX & Friends” journalist, comes a book celebrating everyday wonders and miracles. Ainsley Earhardt reflects on her experiences as a mother and viewing wonders of the world through a child’s eyes in this stunning follow up to Take Heart, My Child. So often as we race through life, we need the wisdom and perspective of a child to remind us what is important and what should be celebrated and remembered: the everyday joys and miracles and simple pleasures of life. Our children teach us and awaken our own inner child.
Eve, Sarah, Deborah, Mary, the woman at the well... women have played pivotal roles in redemptive history. Their case studies reveal God's perspective on women, then and now. Few biblical teachings have been as misunderstood and muddled by those inside and outside the church as its instruction concerning women. Through His Eyes answers the question "What does God think about women, and how does he treat them?" by walking readers through several biblical case studies. Through His Eyes begins with Eve and a series of Old Testament examples that demonstrate the respect God gives to women and their significant place in salvation history. In the New Testament we see how God blessed Mary by calling her to be the mother of our Savior and how beautifully Jesus treated women. Here is a happy exposition of the dignity and glory the Lord showers on women. The author encourages women to delight in their creation and calling, and he challenges men to honor women as does the Lord himself.
Carmen West likes to paint.Art, she believes, makes up for the lack of light in her. Even if it comes in the form of a boy who carries the sun in his eyes.Asa San Román is afraid his looks are all that he'll be liked for.He's reckless, sometimes hotheaded, incredibly passionate and likes to drown him-self in whatever takes the insecurities away. Carmen is satisfied living with her heart under wraps, but then she meets Asa, who wears his on his sleeve-and he reminds her that even after the darkest of nights, comes the breaking of light.Asa is fine with trying to erase parts of his identity, but then she meets Carmen, the girl with midnight hair and thundercloud eyes-who teaches him that beauty doesn't lie in the colour of his skin, but runs soul-deep instead.Asa and Carmen fall into place beside each other like two halves of a jigsaw puzzle-perfectly into place.But then one of them embarks on a journey of self-love while the other still struggles to admit they have too many open wounds that need healing.And when two people, regardless of the intensity of their feelings, are in complete-ly different points of their lives......is love really enough?
When a middle-aged alcoholic is found brutally battered to death on a roadside in West London, the case is assigned to a nameless detective sergeant, a tough-talking cynic and fearless loner from the Department of Unexplained Deaths at the Factory police station. Working from cassette tapes left behind in the dead man's property, our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn't expect is that digging for the truth will demand plenty of lying, and that the most terrible of villains will also prove to be the most attractive. In the first of six police procedurals that comprise the Factory series, Derek Raymond spins a riveting, and vividly human crime drama. Relentlessly pursuing justice for the dispossessed, his detective narrator treads where few others dare: in the darkest corners of London, a city of sin plagued by unemployment, racism and vice, and peopled by a cast of low-lifes, all utterly convincing and brought to life by Raymond's pitch-perfect dialogue.
An outer-borough boy moves to the foreign land of Manhattan and befriends Lou Reed, in a novel by the Emmy-winning actor and screenwriter: “A winner.”—Library Journal Matthew is a sixteen-year-old living in Jackson Heights, Queens, in 1976. After he loses his two most important male role models, his father and grandfather, his mother uses her inheritance to uproot Matthew and herself to a posh apartment building in Manhattan. Although only three miles from his boyhood home, “the city” is a completely new and strange world. Soon, he befriends (and becomes a quasi-assistant to) Lou Reed, who lives with his transgender girlfriend in the same building. And the drug-addled, artistic/shamanic musician will eventually become an unorthodox father figure to Matthew, as he moves toward adulthood, adjusts to a new life, and falls head over heels for a girl wise beyond her years. “Imperioli can definitely write, and he gets high marks for the verisimilitude and empathy that he evokes.”—Booklist (starred review) “A coming-of-age tale dashed with relatable angst and humor.”—Entertainment Weekly “Some fictional trips into 1970s New York abound with nostalgia; this novel memorably opts for grit and heartbreak.”—Kirkus Reviews
“A fast, smart novel, brighter than a meteor and twice as scary. Stephen Woodworth provides shocks and thoughts in equal measure, and climbs right to the top!”—Greg Bear In a world where the dead can testify against the living, someone is getting away with murder. Because to every generation are born a select few souls with violet-colored eyes, and the ability to channel the dead. Both rare and precious—and rigidly controlled by a society that craves their services—these Violets perform a number of different duties. The most fortunate increase the world's cultural heritage by channeling the still-creative spirits of famous dead artists and musicians. The least fortunate aid the police and the law courts, catching criminals by interviewing the deceased victims of violent crime. But now the Violets themselves have become the target of a brutal serial murderer—a murderer who had learned how to mask his or her identity even from the victims. Can the FBI, aided by a Violet so scared of death that she is afraid to live, uncover the criminal in time? Or must more of her race be dispatched to the realm that has haunted them all since childhood? Praise for Through Violet Eyes “Chilling . . . shades of Minority Report and The Eyes of Laura Mars . . . tantalizing puzzle rife with red herrings, one made all the more entertaining by brisk pacing and strong internal logic.”—Publishers Weekly a“Wow . . . one cool idea and Stephen Woodworth makes it work like fine oiled machinery. Full of energy and suspense, Through Violet Eyes is a great and original first novel. I look forward to his next.”—Joe R. Lansdale “An eerie and compelling page-turner that maps the terra incognita between the living and the dead, loss and redemption, desire and grief, at the same time exploring what it means to be human in a frightening otherworld that too closely evokes our own reality.”—Elizabeth Hand