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One hundred years after World War III, Howie Ryder seeks revenge on Colonel Jacob and the raiders who attacked his family
Investigates the origin and heyday of black minstrelsy, which in modern times is considered an embarrassment, and discusses whether or not the art form is actually still alive in the work of contemporary performers--from Dave Chappelle and Flavor Flav to Spike Lee.
After The Fall … America's Great Dream is over. Centuries ago it was devastated by the ultimate war. The effects still linger. Food is scarce, water even scarcer and human compassion nowhere to be found. Even so, society is slowly rebuilding itself. But is it a society whose thirst for success is built on an enormous, barbaric lie. Silver Island … an almost legendary place to most Americans. The citadel where the government is building a new and better nation from the ashes of the war-ravaged land. Everyone envies the few children who are chosen to be sent to Silver Island to help realize that dream. At least, that's what Howie Ryder was told when his little sister became one of the Chosen. And that's what he believed before the soldiers slaughtered his parents. Six years on, Howie has discovered the horrifying truth about Silver Island. And will do anything — anything — to rescue his sister from its grip…
Hooters, Hatters, and menacing evil Even in a mystical world where centuries ago animals were magically changed into humans, the land of Makasar us considered strange. Its two major religions are Hatters and Hooters. During the day, Hatters, wearing hats of course, wander about jabbing pointy sticks into bystanders. The night is ruled by the Hooters, who hoot and set fire to people and things. Hospitality is considered a capital crime. And Newlies, the humanize animals, are treated lower than scum. So when Finn, the Master Lizard Maker, finds himself stranded in Makasar-along with his lover, an attractive Newlies named Letitia, and the grandest, most magical creation of his illustrious career, a talking, thinking, rather cantankerous mechanical lizard named Julia Jessica Slagg-his first thought is a quick exit. But the Nuccis-strongman son, mad father, and ever madder grandfather-have other plans for Finn and his loyal companions. There's an odd machine in their basement that needs fixing, and who better to do it than a Master Lizard Maker? There's more here than meets the eye, however, and Finn soon realizes that the future he faces could be very dark indeed.
Before Alaska became a mining bonanza, it was a scenic bonanza, a place larger in the American imagination than in its actual borders. Prior to the great Klondike Gold Rush of 1897, thousands of scenic adventurers journeyed along the Inside Passage, the nearly thousand-mile sea-lane that snakes up the Pacific coast from Puget Sound to Icy Strait. Both the famous—including wilderness advocate John Muir, landscape painter Albert Bierstadt, and photographers Eadweard Muybridge and Edward Curtis—and the long forgotten—a gay ex-sailor, a former society reporter, an African explorer, and a neurasthenic Methodist minister—returned with fascinating accounts of their Alaskan journeys, becoming advance men and women for an expanding United States. In Darkest Alaska explores the popular images conjured by these travelers' tales, as well as their influence on the broader society. Drawing on lively firsthand accounts, archival photographs, maps, and other ephemera of the day, historian Robert Campbell chronicles how Gilded Age sightseers were inspired by Alaska's bounty of evolutionary treasures, tribal artifacts, geological riches, and novel thrills to produce a wealth of highly imaginative reportage about the territory. By portraying the territory as a "Last West" ripe for American conquest, tourists helped pave the way for settlement and exploitation.
Book one in the hit series that's soon to be a major motion picture starring Amandla Stenberg and Mandy Moore--now with a stunning new look and an exclusive bonus short story featuring Liam and his brother, Cole. When Ruby woke up on her tenth birthday, something about her had changed. Something alarming enough to make her parents lock her in the garage and call the police. Something that got her sent to Thurmond, a brutal government "rehabilitation camp." She might have survived the mysterious disease that killed most of America's children, but she and the others emerged with something far worse: frightening abilities they cannot control. Now sixteen, Ruby is one of the dangerous ones. But when the truth about Ruby's abilities--the truth she's hidden from everyone, even the camp authorities--comes out, Ruby barely escapes Thurmond with her life. On the run, she joins a group of kids who escaped their own camp: Zu, a young girl haunted by her past; Chubs, a standoffish brainiac; and Liam, their fearless leader, who is falling hard for Ruby. But no matter how much she aches for him, Ruby can't risk getting close. Not after what happened to her parents. While they journey to find the one safe haven left for kids like them--East River--they must evade their determined pursuers, including an organization that will stop at nothing to use Ruby in their fight against the government. But as they get closer to grasping the things they've dreamed of, Ruby will be faced with a terrible choice, one that may mean giving up her only chance at a life worth living.
Mark Bradford (born 1961) uses materials found in the urban environment such as billboard sheets, posters and newspapers to create expansive, multi-layered paintings comprised entirely of paper. Focused on Bradford's recent body of work inspired by the interstate road network, this new monograph takes its title from a chapter in the memoirs of President Dwight D. Eisenhower about his experience as a member of the Transcontinental Motor Convoy of 1919, which informed his support for a nationwide highway system in the US in the 1950s. Topographical points of reference shift in and out of focus in Bradford's abstract compositions, characterized by ruptures, fractures and incisions that echo the social disruption that followed when interstate highways ripped through communities like Bradford's own in south central Los Angeles. Designed in collaboration with the artist, this volume includes an interview with Susan May and a new essay by Christopher Bedford.
In this sequel to the critically-acclaimed novel that grabbed fans of X-Files and Stranger Things, Jeremy Finley returns with another thriller full of aliens and government cover-ups. For most of his life, William Chance has been the living proof that his grandmother and her fellow researchers into missing people were right all along about the terror from the stars. Now, he’s avoiding the limelight and hiding out from everyone, including his family. He knows he can avoid everything, except for the nightmares: fires, storms, disease and violence – he dreams of it all. When he’s suddenly exposed, he finds that the media, government operatives and renegade true believers are desperate to find him, but he has another mission. Joined by a girl with terrifying abilities, he begins a desperate journey across the United States to find the others who share his dreams to stop what could be the final days of the world. Jeremy Finley’s debut The Darkest Time of Night was called “outstanding” in a starred review from Publishers Weekly and was a June 2018 SIBA Okra Selection. Now, he continues the story of Lynn and William, fifteen years later in a new fast-paced novel full of suspense and government cover-ups, perfect for thriller and supernatural fans alike.
An essential American novel from Sandra Dallas, an unparalleled writer of our history, and our deepest emotions... During World War II, a family finds life turned upside down when the government opens a Japanese internment camp in their small Colorado town. After a young girl is murdered, all eyes (and suspicions) turn to the newcomers, the interlopers, the strangers. This is Tallgrass as Rennie Stroud has never seen it before. She has just turned thirteen and, until this time, life has pretty much been what her father told her it should be: predictable and fair. But now the winds of change are coming and, with them, a shift in her perspective. And Rennie will discover secrets that can destroy even the most sacred things. Part thriller, part historical novel, Tallgrass is a riveting exploration of the darkest--and best--parts of the human heart.
Bluevale was about all Howie had seen of the world. Even his Pa, who knew everything, didn't know much about the way it was before the war. Scriptures said all of the unclean animals had been wiped out. Howie didn't know what that meant exactly. He'd seen horses. And stock of course. Stock looked like humans. 'Cept stock had no soul. That's why they was meat. Howie had a good life for a boy. Then the soldiers came. And what they did to his folks made him grow up right quick. He got his revenge--'cept now the whole darn army was after him. But he had a huge country to run across... and lots of miles to stay alive.