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When Duty To Your Country Is All You Have To Live For, How Do You Go On Living? Ericha is a woman with nothing—not even her father’s name. Following her mother’s death she is guided to Horstberg in search of answers and contentment. When her path repeatedly crosses with the brooding Stefan Heinrich, she is drawn to him by feelings too profound to ignore. The love they share is intense and undeniable, but Ericha’s ignorance of Stefan’s circumstances puts her on a scale in his life opposite to the country he rules and the wife he loathes. While Stefan questions daily what kind of madness drove him to marry the deceptive and tawdry Johanna Von Bindorf, a princess from the neighboring country of Kohenswald, he is torn between his commitment to do what is right and his love for a woman that he cannot have; a woman who fills his aching soul. Years of spiraling downward in hopelessness finally drive him to make Ericha a part of his life as far as it is possible, while deep inside he knows that eventually a price for his happiness will have to be paid. As Ericha develops a deep bond with the legendary Abbi du Woernig, she unknowingly breathes life back into the heart and soul of Horstberg. But happiness and peace for the entire family are fleeting and fragile. Both Stefan and Ericha quickly realize the price for their choices is higher than either of them ever could have imagined. When Horstberg’s freedom is bargained for with the life of its ruler, Stefan knows that he must sacrifice everything to once again prove himself worthy to serve the people of his country with dignity and to live his life with the woman he loves.
Reprint of the original, first published in 1876.
"Text and detailed drawings follow the planning and construction of a "typical" castle and adjoining town in thirteenth-century Wales."--Title page verso.
An epic quest, a dragon, a knight in shining armor—this classic children’s story is the perfect read for 3rd and 4th graders who love medieval fantasy. A magical toy castle plunges 10-year-old William into a wild fantasy adventure—where he discovers the true meaning of courage. When his beloved caretaker Mrs. Phillips tells him she's leaving, William is devastated. Not even her farewell gift of a model medieval castle helps him feel better—though he has to admit it’s fascinating. From the working drawbridge and portcullis to the fully-furnished rooms, it's perfect in every detail. It almost seems magical. And when William looks at the silver knight, the tiny figure comes to life in his hand—and tells him a tale of a wicked sorcerer, a vicious dragon, and a kingdom in need of a hero. Hoping the castle's magic will help him find a way to make his friend stay, William embarks on a daring quest with Sir Simon, the Silver Knight—but he will have to face his own doubts and regrets if he's going to succeed. William’s story continues in The Battle for the Castle, available as a redesigned companion edition.
When little twelve-year-old Molly arrives at Castle Hangnail to fill the vacancy for a wicked witch, the minions who dwell there have no choice but to give her the job, and at first it seems she'll be able to keep the castle open, but Molly has quite a few secrets that could cause trouble.
"As England's largest castle and premier royal residence, Windsor Castle is of outstanding importance: historically, architecturally, artistically and in the life of the nation. This authoritative history of the Castle, the first to be published in 100 years, draws upon new research and primary sources to present a general account of Windsor Castle and its immediate environs from around AD700 to the present day, setting this iconic building against the background of wider social, political and cultural events in the life of the monarchy and the nation. Not only is the book richly illustrated with historical drawings, watercolours and photographs from the Royal Collection and elsewhere, it also includes newly commissioned photography and 3D reconstructions of the Castle at key points in its development, showing how this historic site has changed and evolved over 13 centuries."--
When William's new friend, Igor, accidentally releases a horde of goblins, the two must journey to Goblin Land to undo the damage.
The story of Seville’s Archive of the Indies reveals how current views of the sixteenth and seventeenth centuries are based on radical historical revisionism in Spain in the late 1700s. The Invention of the Colonial Americas is an architectural history and mediaarchaeological study of changing theories and practices of government archives in Enlightenment Spain. It centers on an archive created in Seville for storing Spain’s pre-1760 documents about the New World. To fill this new archive, older archives elsewhere in Spain—spaces in which records about American history were stored together with records about European history—were dismembered. The Archive of the Indies thus constructed a scholarly apparatus that made it easier to imagine the history of the Americas as independent from the history of Europe, and vice versa. In this meticulously researched book, Byron Ellsworth Hamann explores how building layouts, systems of storage, and the arrangement of documents were designed to foster the creation of new knowledge. He draws on a rich collection of eighteenth-century architectural plans, descriptions, models, document catalogs, and surviving buildings to present a literal, materially precise account of archives as assemblages of spaces, humans, and data—assemblages that were understood circa 1800 as capable of actively generating scholarly innovation.
From the flood that remade the earth in the Old Testament to the 1931 China floods that killed almost four million people, from the broken levees in New Orleans to the almost yearly rising waters of rivers like the Mississippi, floods have many causes: rain, melting ice, storms, tsunamis, failures of dams and levees, acts of vengeful gods. They have been used as deliberate acts of war to cause thousands of casualties. Flooding kills far more people than any other natural disaster. In this cultural and natural history of floods, John Withington tells stories of the deadliest floods the world has seen while also exploring the role of the deluge in religion, mythology, literature, and art. Withington describes how aspects of floods—the power of nature, human drama, changed landscapes—have fascinated artists, novelists, and filmmakers. He examines the ancient, catastrophic flood that appears in many religions and cultures and considers how the symbol of the flood has become a key icon in world literatures and a component of the contemporary disaster movie. Withington also depicts how humans try to defend themselves against these merciless encroaching waters and discusses the increasing danger floods pose in a future beset by climate change. Filled with illustrations, Flood offers a fascinating overview of our relationship with one of humanity’s oldest and deadliest foes.