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Chart Throb.The ultimate pop quest. Ninety five thousand hopefuls. Three judges. Just one winner. And that's Calvin Simms, the genius behind the show. Calvin always wins because Calvin writes the rules. But this year, as he sits smugly in judgement upon the mingers, clingers and blingers whom he has pre-selected in his carefully scripted 'search' for a star, he has no idea that the rules are changing. The 'real' is about to be put back into 'reality' television and Calvin and his fellow judges (the nation's favourite mum and the other bloke) are about to become ex-factors themselves. Ben Elton, author of Popcorn and Dead Famous returns to blistering comic satire with a savagely hilarious deconstruction of the world of modern television talent shows. Chart Throb. One winner. A whole bunch of losers.
Gathers photographs by the popular rock musician that show aspects of touring as well as surreal visions of modern life
Jericho Beaumont, a playboy actor whose tawdry past has dampened his career, signs a contract to work with Kate O'Laughlin, a successful Hollywood producer struggling to resist being drawn to him
THE STORY: Take Charlene, a suburban mother who writes erotic screenplays for women in order to support her children; add Clyde, her funny, dangerously obsessive and estranged husband; toss in hormonally overcharged teenagers; and layer it all with
Alison's Bechdel's cartoons are a libidinous commentary on the tsunami of lesbian erotica surging through the culture. The familiar cast of characters will keep readers laughing as their carnal mores are revealed.
NEW YORK TIMES BESTSELLER “It’s undeniably thrilling to find words for our strangest feelings…Koenig casts light into lonely corners of human experience…An enchanting book. “ —The Washington Post A truly original book in every sense of the word, The Dictionary of Obscure Sorrows poetically defines emotions that we all feel but don’t have the words to express—until now. Have you ever wondered about the lives of each person you pass on the street, realizing that everyone is the main character in their own story, each living a life as vivid and complex as your own? That feeling has a name: “sonder.” Or maybe you’ve watched a thunderstorm roll in and felt a primal hunger for disaster, hoping it would shake up your life. That’s called “lachesism.” Or you were looking through old photos and felt a pang of nostalgia for a time you’ve never actually experienced. That’s “anemoia.” If you’ve never heard of these terms before, that’s because they didn’t exist until John Koenig set out to fill the gaps in our language of emotion. The Dictionary of Obscure Sorrows “creates beautiful new words that we need but do not yet have,” says John Green, bestselling author of The Fault in Our Stars. By turns poignant, relatable, and mind-bending, the definitions include whimsical etymologies drawn from languages around the world, interspersed with otherworldly collages and lyrical essays that explore forgotten corners of the human condition—from “astrophe,” the longing to explore beyond the planet Earth, to “zenosyne,” the sense that time keeps getting faster. The Dictionary of Obscure Sorrows is for anyone who enjoys a shift in perspective, pondering the ineffable feelings that make up our lives. With a gorgeous package and beautiful illustrations throughout, this is the perfect gift for creatives, word nerds, and human beings everywhere.
A technophile's wet dream going beyond the limits of an encyclopedia or a record guide, here are essays by musicians and music journalists which illuminate genres techno, house, krautrock, disco, hip-hop, jungle, drum'n'bass, ambient and downtempo. Probing the conceptual origins of synthesised sound and including legendary names Kraftwerk, Giorgio Moroder, Robert Moog and John Cage, the black roots of electronic music are also documented, from free-jass traveller Sun Ra to funk inovators Parliament and Funkadelic. With sections on fusion, dub, post-punk, breakbeats+.
This meticulously edited dark future collection includes the greatest dystopian novels and post-apocalyptic stories - for you to compare with your own prediction based on present events: George Orwell: 1984 Animal Farm Aldous Huxley: Brave New World Sinclair Lewis: It Can't Happen Here C. S. Lewis: That Hideous Strength Yevgeny Zamyatin: We Jack London: Iron Heel H. G. Wells: The Time Machine The First Men in the Moon When the Sleeper Wakes Jonathan Swift: Gulliver's Travels Edward Bulwer-Lytton: The Coming Race Edgar Allan Poe: The Conversation of Eiros and Charmion Owen Gregory: Meccania the Super-State Hugh Benson: Lord of the World Edward Bellamy: Looking Backward: 2000–1887 Equality Mary Shelley: The Last Man William Hope Hodgson: The Night Land Stanley G. Weinbaum: The Black Flame Fred M. White: The Doom of London Series The Four White Days The Four Days' Night The Dust of Death A Bubble Burst The Invisible Force The River of Death Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur Dudley Vinton: Looking Further Backward Richard Jefferies: After London Samuel Butler: Erewhon Edwin A. Abbott: Flatland Anthony Trollope: The Fixed Period Cleveland Moffett: The Conquest of America
The Sleeper Awakes (1910) is a dystopian science fiction novel by H. G. Wells about a man who sleeps for two hundred and three years, waking up in a completely transformed London, where, because of compound interest on his bank accounts, he has become the richest man in the world. The main character awakes to see his dreams realised, and the future revealed to him in all its horrors and malformities. The novel is a rewritten version of When the Sleeper Wakes, a story by Wells that was serialised between 1898 and 1899.