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Simone Kirsch, ex-stripper, sleuth and bad girl, is back in business - and before she has time to crack a bottle of cheap champagne to celebrate the opening of her very own detective agency, she's up to her neck in lethal fun and games. It all starts off quite innocently, when a best-selling crime novelist, Nick Austin, wants to follow her around for a few days as background research for his next novel. But the day after he, his ex-wife and her new lover all appear on the same panel at a writers festival, his ex-wife is found brutally murdered and Nick disappears, leaving Simone with more trouble than she can handle. While she can take murderous bikies, desperate publishers, poetry slams and a crystal meth-addicted psycho killer with literary ambitions in her stride, Simone is also juggling her very pregnant and possibly hormonally unbalanced best friend, Chloe; her ongoing attraction to ex-cop, Alex; and her boyfriend, Sean, who wants her to give up her agency and move to Vietnam.
Smart, sexy and strong-minded Simone Kirsch, ex-stripper and PI, returns in her fourth adventure - up to her neck in lethal fun and games on the writers' festival circuit.
‘On November 2nd armed with a sheaf of visas...one suitcase...and my typewriter, I left humdrum London for the thrilling cities of the world...’ In 1959, Ian Fleming, the creator of James Bond, was commissioned by the Sunday Times to explore fourteen of the world’s most exotic cities. Fleming saw it all with a thriller writer’s eye. From Hong Kong to Honolulu, New York to Naples, he left the bright main streets for the back alleys, abandoning tourist sites in favour of underground haunts, and mingling with celebrities, gangsters and geishas. The result is a series of vivid snapshots of a mysterious, vanished world.
A brilliant, kaleidoscopic narrative of Oklahoma City—a great American story of civics, basketball, and destiny, from award-winning journalist Sam Anderson NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Chicago Tribune • San Francisco Chronicle • The Economist • Deadspin Oklahoma City was born from chaos. It was founded in a bizarre but momentous “Land Run” in 1889, when thousands of people lined up along the borders of Oklahoma Territory and rushed in at noon to stake their claims. Since then, it has been a city torn between the wild energy that drives its outsized ambitions, and the forces of order that seek sustainable progress. Nowhere was this dynamic better realized than in the drama of the Oklahoma City Thunder basketball team’s 2012-13 season, when the Thunder’s brilliant general manager, Sam Presti, ignited a firestorm by trading future superstar James Harden just days before the first game. Presti’s all-in gamble on “the Process”—the patient, methodical management style that dictated the trade as the team’s best hope for long-term greatness—kicked off a pivotal year in the city’s history, one that would include pitched battles over urban planning, a series of cataclysmic tornadoes, and the frenzied hope that an NBA championship might finally deliver the glory of which the city had always dreamed. Boom Town announces the arrival of an exciting literary voice. Sam Anderson, former book critic for New York magazine and now a staff writer at the New York Times magazine, unfolds an idiosyncratic mix of American history, sports reporting, urban studies, gonzo memoir, and much more to tell the strange but compelling story of an American city whose unique mix of geography and history make it a fascinating microcosm of the democratic experiment. Filled with characters ranging from NBA superstars Kevin Durant and Russell Westbrook; to Flaming Lips oddball frontman Wayne Coyne; to legendary Great Plains meteorologist Gary England; to Stanley Draper, Oklahoma City's would-be Robert Moses; to civil rights activist Clara Luper; to the citizens and public servants who survived the notorious 1995 bombing of the Alfred P. Murrah federal building, Boom Town offers a remarkable look at the urban tapestry woven from control and chaos, sports and civics.
Downtowns are more than economic engines: they are repositories of knowledge and culture and generators of new ideas, technology, and ventures. They are the heart of the city that drives its future. If we are to have healthy downtowns, we need to understand what downtown is all about; how and why some American downtowns never stopped thriving (such as San Jose and Houston), some have been in decline for half a century (including Detroit and St. Louis), and still others are resurging after temporary decline (many, including Lower Manhattan and Los Angeles). The downtowns that are prospering are those that more easily adapt to changing needs and lifestyles. In The Heart of the City, distinguished urban planner Alexander Garvin shares lessons on how to plan for a mix of housing, businesses, and attractions; enhance the public realm; improve mobility; and successfully manage downtown services. Garvin opens the book with diagnoses of downtowns across the United States, including the people, businesses, institutions, and public agencies implementing changes. In a review of prescriptions and treatments for any downtown, Garvin shares brief accounts—of both successes and failures—of what individuals with very different objectives have done to change their downtowns. The final chapters look at what is possible for downtowns in the future, closing with suggested national, state, and local legislation to create standard downtown business improvement districts to better manage downtowns. This book will help public officials, civic organizations, downtown business property owners, and people who care about cities learn from successful recent actions in downtowns across the country, and expand opportunities facing their downtown. Garvin provides recommendations for continuing actions to help any downtown thrive, ensuring a prosperous and thrilling future for the 21st-century American city.
When Yosser's best friend, Kylie, comes back from Thrill City she is full of amazing stories about the best ride there - Sita, Snake-Queen of Speed. Yosser knows that she MUST go on the ride but there is no way Dad will pay for such an expensive day-trip. Her only chance is to earn enough money to go. But how? An opportunity presents itself when Kylie's dad's prize ferret, Thunderball Silver the Third, mysteriously goes missing just days before the Grand Ferret Championships. Yosser and Kylie must find a way to catch Thunderball (and the thief!) and make enough money to make their dream come true.
"A monster jump! A giant loop! This track is packed with awesome stunts" (publisher).
"In fifteen essays that challenge the notion that literary and genre fiction are mutually exclusive turns to Cormac McCarthy, Ursula K. Le Guin, Stephen King, and others to discover how contemporary writers engage plot, character, dialogue, and suspense"--Page 4 of cover.
"A brave foray into the interdisciplinary and a serious attempt to cover city life in all its complexity... Franklin′s optimism about the city is refreshing. He revels in the growing human and cultural diversity and the ′re-emergence and spread of a more tolerant, carnivalesque, culture-driven city life′, and he celebrates the city′s ability to offer shelter to the unexpected and the fragile. For Franklin, the city is a product of nature, with all its vicissitudes." - Times Higher Education "Franklin writes with barely restrained optimism as he emphasizes the excitement, vitality and potential of cities. This advances the idea of city lives as assemblages of ‘human and non-human networks of texts, software, culture, behaviour, architecture, trees and gardens’... Franklin uses a wide range of sources in making his case. Historical accounts, search engine statistics and social and cultural theory are all smoothly integrated into the narrative." - Sociology Cities are more important as cultural entities than their mere function as dormitories and industrial sites. Yet, the understanding of what makes a city ′alive′ and appealing in cultural terms is still hotly contested - why are some cities so much more interesting, popular and successful than others? In this engaging discussion of ′city life′ Adrian Franklin takes the reader on a tour of contemporary western cities exploring their historical development and arguing that it is the transformative, ritual and performative qualities of successful cities that makes a difference. Here is a new urban culture characterized by ecological frames of reference; tracking the making of contemporary city life from traditional times, through early modern, machinic and modernised stages of development. Adopting dynamic narrative structures and stories to develop its critical position this book creates a vibrant synthesis of city life from its key components of leisure and tourism, recreation and play, arts and culture, nature and environment, and architecture and public space. Emphasising the importance of experience the book represents the fluid complexity of the city as a living space, an environment and a posthumanist space of transformation. It will be of interest to all those engaging with the difficulties of urban life in sociology, human geography, tourism and cultural studies.
“We could have been called a lot of things: brazen vandals, scared kids, threats to social order, self-obsessed egomaniacs, marginalized youth, outsider artists, trend setters, and thrill seekers. But, to me, we were just regular kids growing up hard in America and making the city our own. Being ‘writers’ gave us something to live for and ‘going all city’ gave us something to strive for; and for some of my friends it was something to die for.” In the age of commissioned wall murals and trendy street art, it’s easy to forget graffiti’s complicated and often violent past in the United States. Though graffiti has become one of the most influential art forms of the twenty-first century, cities across the United States waged a war against it from the late 1970s to the early 2000s, complete with brutal police task forces. Who were the vilified taggers they targeted? Teenagers, usually, from low-income neighborhoods with little to their names except a few spray cans and a desperate need to be seen—to mark their presence on city walls and buildings even as their cities turned a blind eye to them. Going All City is the mesmerizing and painful story of these young graffiti writers, told by one of their own. Prolific LA writer Stefano Bloch came of age in the late 1990s amid constant violence, poverty, and vulnerability. He recounts vicious interactions with police; debating whether to take friends with gunshot wounds to the hospital; coping with his mother’s heroin addiction; instability and homelessness; and his dread that his stepfather would get out of jail and tip his unstable life into full-blown chaos. But he also recalls moments of peace and exhilaration: marking a fresh tag; the thrill of running with his crew at night; exploring the secret landscape of LA; the dream and success of going all city. Bloch holds nothing back in this fierce, poignant memoir. Going All City is an unflinching portrait of a deeply maligned subculture and an unforgettable account of what writing on city walls means to the most vulnerable people living within them.