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Thrice Fiction is filled with stories, art, and a few surprises from a variety of talented contributors.
SOS FROM A FUTURE THAT WILL NEVER BEIt's amazing enough when Murdoch Ross's brilliant grandfather invents a machine that can send messages to itself in the past or the future. But when signals begin to arrive without being sent, Murdoch realizes that every action he takes changes the future that would have been...and that the world he lives in has already been altered!Then a new message arrives from the future: The world is doomed!
A Thrice-Told Tale is one ethnographer's imaginative and powerful response to the methodological issues raised by feminist and postmodernist critics of traditional ethnography. The author, a feminist anthropologist, uses three texts developed out of her research in Taiwan--a piece of fiction, anthropological fieldnotes, and a social science article--to explore some of these criticisms. Each text takes a different perspective, is written in a different style, and has different "outcomes," yet all three involve the same fascinating set of events. A young mother began to behave in a decidedly abherrant, perhaps suicidal manner, and opinion in her village was sharply divided over the reason. Was she becoming a shaman, posessed by a god? Was she deranged, in need of physical restraint, drugs, and hospitalization? Or was she being cynically manipulated by her ne'er-do-well husband to elicit sympathy and money from her neighbors? In the end, the woman was taken away from the area to her mother's house. For some villagers, this settled the matter; for others the debate over her behavior was probably never truly resolved. The first text is a short story written shortly after the incident, which occurred almost thrity years ago; the second text is a copy of the fieldnotes collected about the events covered in the short story; the third text is an article published in 1990 in American Ethnologist that analyzes the incident from the author's current perspective. Following each text is a Commentary in which the author discusses such topics as experimental ethnography, polyvocality, authorial presence and control, reflexivity, and some of the differences between fiction and ethnography. The three texts are framed by two chapters in which the author discusses the genereal problems posed by feminist and postmodernist critics of ethnography and presents her personal exploration of these issues in an argument that is strongly self-reflexive and theoretically rigorous. She considers some feminist concerns over colonial research methods and takes issues with the insistence of some feminists tha the topics of ethnographic research be set by those who are studied. The book concludes with a plea for ethnographic responsibility based on a less academic and more practical perspective.
Three Blind Mice. Three Blind Mice. See how they run? No. See how they can make all sorts of useful literary elements colorful and easy to understand! Can one nursery rhyme explain the secrets of the universe? Well, not exactly—but it can help you understand the difference between bildungsroman, epigram, and epistolary. From the absurd to the wish-I’d-thought-of-that clever, writing professor Catherine Lewis blends Mother Goose with Edward Gorey and Queneau, and the result is learning a whole lot more about three not so helpless mice, and how to fine tune your own writing, bildungsroman and all. If your writing is your air, this is your laughing gas.* *That’s a metaphor, friends.
NEW YORK TIMES BESTSELLER • Hailed as “a combination of Eloise and Sherlock Holmes” by The Boston Globe, Flavia de Luce returns in a Christmas mystery from award-winning author Alan Bradley. In spite of being ejected from Miss Bodycote’s Female Academy in Canada, twelve-year-old Flavia de Luce is excited to be sailing home to England. But instead of a joyous homecoming, she is greeted on the docks with unfortunate news: Her father has fallen ill, and a hospital visit will have to wait while he rests. But with Flavia’s blasted sisters and insufferable cousin underfoot, Buckshaw now seems both too empty—and not empty enough. Only too eager to run an errand for the vicar’s wife, Flavia hops on her trusty bicycle, Gladys, to deliver a message to a reclusive wood-carver. Finding the front door ajar, Flavia enters and stumbles upon the poor man’s body hanging upside down on the back of his bedroom door. The only living creature in the house is a feline that shows little interest in the disturbing scene. Curiosity may not kill this cat, but Flavia is energized at the prospect of a new investigation. It’s amazing what the discovery of a corpse can do for one’s spirits. But what awaits Flavia will shake her to the very core. Praise for Thrice the Brinded Cat Hath Mew’d “Mystery fans seeking novels of wit, an immersive English countryside setting, and rich characterizations will be rewarded with this newest entry in the award-winning series.”—Library Journal (starred review) “There is such a thing as willing suspension of disbelief brought on by sheer outlandish charm, and that’s what [Alan] Bradley and some delicious writing have tapped.”—London Free Press “Flavia’s first-person narration reveals her precocious intellect as well as her youthful vulnerability.”—Shelf Awareness “Flavia is once again a fun, science-loving protagonist. . . . This series entry ends on a note that begs for the next story.”—Library Reads “An eleven-year-old prodigy with an astonishing mind for chemistry and a particular interest in poisons.”—The Strand Magazine (Five of the Best Historical Heroines) “Bradley’s preteen heroine comes through in the end with a series of deductions so clever she wants to hug herself. So will you.”—Kirkus Reviews
The year is 225 AD and the Roman Empire is on the brink of a precipice.It will take a man with iron in his veins to set things right and accomplish the impossible.From a humble upbringing, a boy emerges who is destined to change history.This is the story of Lucius Domitius Aurelianus.Part I: The ScythianWhen the farm they work on is attacked, the boy Lucius and the old man Nik are forced to flee the clutches of their pursuers. They find refuge from Rome among the Roxolani, the noble horse warriors in the land of Scythia.Nik reveals his true identity and his pivotal role in the fate of the Empire. The boy finds a home among the barbarians and is accepted into their warrior culture.But a storm descends upon the tribes when the warlike Goths migrate westwards towards the lands of Rome. Lucius is fostered to the distant Huns to strengthen ancient tribal bonds in a bid to repel the invaders.On his journey, he meets a mysterious stranger who becomes his friend and mentor. A man who has a desire for the Empire to prosper.To survive the merciless Huns and the onslaught of the Goths, the boy becomes a warrior without equal, guided by the hands of the gods.Will the half barbarian boy be able to save his people or does his destiny lie elsewhere?
Researchers have studied marriage for decades, but how is the transition to married life actually experienced by the couples involved? From an insider's perspective, Thrice Told Tales examines married couples' own stories of their relationship. A representative sample of 199 African-American and 177 White married couples were asked to tell the story of their relationship. It provides accounts of courtships, weddings, honeymoons, their adjustment in the early years, and hopes for the future. These stories were first collected a few months after their weddings, and again in the third and seventh years of their marriages. What features of their relationship do the couples highlight as central in the early years? How do their stories change over time? What can we learn about couples' marital well-being by analyzing their stories? How do the stories of men and women, and of White and African-American couples differ? These questions were systematically addressed using extensive coding schemes and comprehensive quantitative analyses. Details of the coding system and procedures are included, making this volume a useful reference for any researcher contemplating analysis of narrative data. However, the key points are also explained in simple prose and illustrated with quotes from the couples' own stories, making the book accessible to anyone with an interest in how young couples experience married life today.
There's a new witch in town! Life in Brooklyn takes a strange turn when Effie discovers MAGIC runs in the family. A middle-grade graphic novel adventure filled with magical hjinks for fans of Phoebe and Her Unicorn and Making Friends. Could there really be witches in Brooklyn?! Effie's aunts are weird. Like, really WEIRD. Really, really, really WEIRD! The secretly-magic kind of weird and that makes Effie wonder . . . does this mean she can do magic, too? Life in Brooklyn takes a strange twist for Effie as she learns more about her family and herself. With new friends who will do whatever they can to be there for her, a cursed pop-star, and her magically-inclined aunts--Effie's life is about to get interesting.
The companion to Ferris' madcap "Once Upon a Marigold" and "Twice Upon a Marigold" offers evil plot-twists, sweet romance, and the kidnapping of the royal princess.
A collection of new writing from Surrealists and those outside the mainstream edited by RW Spryszak. Stories, poems, and strange encounters by Paul McRandle, Verónica Cabanillas Samaniego, Alan Gullette, Peter Dubé, Anatoly Kudryavitsky, John M Bennett, Dale Houstman, J. Karl Bogartte, Kirby Olson, AE Reiff, Mazduda Hassan, Angel Dionne, Louise Kaestner, Valery Oisteanu, David Nadeau, C.R. Resetarits, Stephen Kirin, Julian Semilian, James Not'in, Allan Graubard, Judyth Emanuel, Stuart Inman, Jake Berry, Eleanor Levine, Philip Kane, nate maxson, James Terry, Agnes Hanying Ong, Andrew Romanelli, and John Allen.