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THE STORIES: TELL-TALE is the story of Emil, the mild-mannered undertaker whose unspoken passion for a local real-estate woman who comes to all his funerals leads him to commit crimes and plot a way to confess his true feelings before time--and bodi
PIM refers to both the practice and the study of the activities people perform to acquire, organize, maintain, and retrieve information for everyday use. This book's approach and major contribution to the field is the integrative treatment of PIM-related research. Growing out of a workshop sponsored by the National Science Foundation, it brings together scholars from major universities and researchers from companies such as Microsoft Research, Google, and IBM.
"The setting is a dreary, empty laundromat at 3 a.m. Alberta, a rather formal older woman, enters and begins to sort her laundry. She is soon joined by Deedee, a brash and rough spoken young woman who, at first glance, seems to be the complete opposite of the reserved, carefully spoken Alberta. As they go about their chores a conversation begins, and it becomes apparent that Alberta might prefer to be alone. As for Deedee, her natural ebullience leads her to reveal more than Alberta cares to know about her childhood and, although she makes light of it, the heartache she feels now that her husband is cheating on her. In time Alberta unbends, confessing that her own life is not as tidy as Deedee had assumed. In the end, the two hear each other out and come to a better understanding of how to deal with the isolation and rejection that life can inflict"--Page 4 of cover.
A fabulous collection of essays on memory in the real world. The leading scholars have been assembled to produce a volume that is intellectually rich, up-to-date, and truly important. - Elizabeth F. Loftus, Distinguished Professor, University of California, Irvine "An invaluable resource for anyone wishing to access the current state of knowledge of, or contemplating research into, the growing area of applied memory research." - Graham Davies, Editor, Applied Cognitive Psychology The SAGE Handbook of Applied Memory is the first of its kind to focus specifically on this vibrant and progressive field. It offers a broad and comprehensive coverage of recent theoretical and empirical research advances in the psychology of memory as they apply to a range of applied issues, and offers advanced students and researchers the opportunity to survey the literature in the psychology of memory across a range of applied domains. Arranged into four sections: Everyday Memory; Social and Individual Differences in Memory; Subjective Experience of Memory; and Eyewitness Memory, this handbook provides a comprehensive summary and evaluation of scientific memory research as well as theory in a broad range of applied topics including those in cognitive, forensic and experimental psychology. Brought together by world-leading scholars from across the globe, The SAGE Handbook of Applied Memory will be of great interest to all advanced students and academics with an interest in all aspects of applied memory.
In this one-of-a-kind collection of monologue plays, Eric Lane and Nina Shengold have gathered a breathtaking array of human voices and stories by master playwrights and emerging new writers. Each of the plays, ranging from one-acts and ten-minute plays to full-length works, creates a rich and specific world. In these pages, readers will meet a dazzling group of dramatic and comic characters: an actress chasing a role as a prison guard on a soap opera, an Indian waiter new to America, a lesbian performance artist taking her father to Auschwitz, a surfer dude trying to summarize the plot of Moby-Dick in under two minutes, and a Dutch librarian hunting down a book that's 123 years overdue. Because each selection is a complete monologue, Talk to Me is an unprecedented source for actors in search of material for auditions, classes, and performances, as well as a literary gold mine for anyone who loves drama. From the Trade Paperback edition.
Many issues remain unresolved in sexuality. In some cases this is because the infor mation is not available to resolve them. In others it is, but the available conclusions the information supports block its acceptance, because they conflict with the posi tions of dominant groups in the politics of sexuality. Possibly the most obvious example is the determination of many theorists to ignore the evidence that while men rarely report being sexually assaulted, when questioned in community surveys, they make up a third of the victims, and a quarter of the perpetrators of sexual assault are women. These findings are incompatible with the feminist theory that sexual assault is not a sexual act, but normal male behavior motivated politically, to maintain men's dominance of women. Most research supporting the theory investigated women only as victims and men only as aggressors. Some feminists have dismissed the need for any research to support their beliefs on the ground that such research is "busy work" establishing what women already know. One belief considered not to require re search is that heterosexual pornography made for a male audience increases the prevalence of rape by encouraging rape-supportive attitudes of male aggression and female submission. No criticism has been directed at the soft-core pornography of "Mills and Boon" stories written for women that promote similar attitudes.
1977. New York City. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he’s doing and the money sucks. But he’s a director. He gets hired by a client on life support in the most depressing hospital in New York. Gets peed on by a lion. Explains peristalsis to a Tony winner. Makes a movie and goes to Sundance. Goes back to little movies when it bombs. Keeps hustling, shooting anything. Is an a**hole, pays the price, finally learns when and how to be an a**hole and becomes one of the industry’s stars. Years go by and it’s not what he expected. It’s harder, weirder, and funnier. But it worked out. It worked out great, actually.