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Groundbreaking, provocative novels that challenge gender assumptions—in stories of aliens and humans, women and men, and the shifting nature of identity. The James Tiptree, Jr. Award was established to acknowledge works of science fiction or fantasy that expand or explore our understanding of gender. The three novels in this collection each embody that continually evolving challenge in boldly original and highly imaginative ways. A Woman of the Iron People: The inaugural winner of the Tiptree Award in 1991, this “excellent, anthropologically oriented SF tale” (Publishers Weekly) examines the fear and fascination on both sides when a group of human scientists discovers an advanced yet seemingly primitive alien culture. “Fascinating . . . Very wise and funny . . . Full of complicated and irresistible people, some of them human.” —Ursula K. Le Guin Waking the Moon: Nebula Award–winning author Elizabeth Hand serves up a seductive, post-feminist thriller in which a college freshman accidentally discovers the existence of the Benandanti, a clandestine order devoted to suppressing the powerful Moon Goddess and secretly manipulating the world’s governments and institutions. “A potent socio-erotic ghost story.” —William Gibson Larque on the Wing: A middle-aged housewife’s thoughts become reality when her rebellious inner child takes control, and she transforms herself into a fearless gay man. This is a moving, funny, surprising, and transcendent tale of one woman’s unusual quest to come to terms with who she truly is. “Springer effectively uses fantasy to evoke midlife soul-searching. . . . An engrossing novel about gender and self-formation.” —Publishers Weekly
Short fiction, novel excerpts, and essays that have won the James Tiptree, Jr. Award are featured in a anthology of thought-provoking fiction that explores and expands gender roles and includes works by Suzy McKee Charnas, Ursula K. Le Guin, Pat Murphy, and Joanna Russ, among others. Original.
An anthology exploring sexuality and gender identiy includes a mix of fiction and nonfiction by such authors as Ursula K. Le Guin, Ted Chiang, and Vonda N. McIntyre.
James Tiptree, Jr. burst onto the science fiction scene in the 1970s with a series of hard-edged, provocative short stories. Hailed as a brilliant masculine writer with a deep sympathy for his female characters, he penned such classics as Houston, Houston, Do You Read? and The Women Men Don't See. For years he corresponded with Philip K. Dick, Harlan Ellison, Ursula Le Guin. No one knew his true identity. Then the cover was blown on his alter ego: A sixty-one-year-old woman named Alice Sheldon. As a child, she explored Africa with her mother. Later, made into a debutante, she eloped with one of the guests at the party. She was an artist, a chicken farmer, a World War II intelligence officer, a CIA agent, an experimental psychologist. Devoted to her second husband, she struggled with her feelings for women. In 1987, her suicide shocked friends and fans. The James Tiptree, Jr. Award was created to honor science fiction or fantasy that explores our understanding of gender. This fascinating biography by Julie Phillips, ten years in the making, is based on extensive research, exclusive interviews, and full access to Alice Sheldon's papers.
The first novel from the award-winning author of Brightness Falls from the Air, a writer “known for gender-bending, boundary-pushing work” (Tor.com). Up the Walls of the World is the 1978 debut novel of Alice Sheldon, who had built her reputation with the acclaimed short stories she published under the name James Tiptree Jr. A singular representation of American science fiction in its prime, Tiptree’s first novel expanded on the themes she addressed in her short fiction. “From telepathy to cosmology, from densely conceived psychological narrative to the broadest of sense-of-wonder revelations, the novel is something of a tour de force” (The Science Fiction Encyclopedia). Known as the Destroyer, a self-aware leviathan roams through space gobbling up star systems. In its path is the planet Tyree, populated by telepathic wind-dwelling aliens who are facing extinction. Meanwhile on Earth, people burdened with psi powers are part of a secret military experiment run by a drug-addicted doctor struggling with his own grief. These vulnerable humans soon become the target of the Tyrenni, whose only hope of survival is to take over their bodies and minds—an unspeakable crime in any other period of the aliens’ history . . . Praise for James Tiptree Jr. “[Tiptree] can show you the human in the alien and the alien in the human and make both utterly real.” —The Washington Post “Novels that deal with the mental gymnastics of superminds, or with concepts like eternity and infinity, are doomed to fall short of the mark. But Tiptree’s misses are more exciting than the bulls‐eyes of less ambitious authors.” —The New York Times
James Tiptree, Jr. was the pseudonym of Alice B. Sheldon (1915-1987), in whose honor the Tiptree Awards are given annually. She wrote some of the best short SF ever, winning two Hugos and three Nebulas. This book brings together stories previously uncollected-including an early one published under her own name in The New Yorker-and many of her colorful non-fiction pieces, mainly autobiographical, published under the Tiptree name (1970-1987). What shines through in this book is the magnetic and charming personality of the author, one of the most influential SF personalities of her era.
When Belinda Hernshaw learns that she is supposed to marry a native prince on the planet New Hope, she plans her escape with the help of the old family robot
Annual collection of outstanding science fiction stories, showcasing the highest levels of creativity and craft in the genre.
Stories for women, for men, and for the rest of us. Female, male, gay, bisexual, straight, transgender, human, alien, or simply other, the Tiptree Award honors fiction that explores and expands our notions of gender. This anthology includes the most recent Tiptree winners and short-listed stories plus thought-provoking tales from previous years and essays that continue the conversation. As one of the Tiptree judges said, "I'm damned if I know what gender is, but I do know when a story is about it." This year's winners, according to juror Cecilia Tan, "stand completely opposed in so many ways--you could almost say they define the opposite edges of what is conceivable for the Tiptree. Haldeman, the well-known, Hemingway-esque, male, very American, hard SF writer at one end, and Sinisalo, the European, not well known (in the U.S. and within our genre, I mean), female contemporary-fantasy writer at the other." Camouflage by Joe Haldeman considers what would happen if a shape-shifting alien predator became, essentially, human. This ageless, sexless entity can take any form. Initially indifferent to gender, the creature faces a gender choice as it grows more human. Haldeman has previously won five Hugo Awards, four Nebula Awards, and the World Fantasy Award. Johanna Sinisalo's winning novel was published in the United States as Troll: A Love Story (Grove Press, 2004), in the United Kingdom as Not Before Sundown (Peter Owen, 2003), and in Finland as Ennen päiävanlaskua ei voi (Tammi, 2000). "A deft novel of how human society is ruled by complex territorial relationships," Cecilia Tan writes of this novel. Sinisalo has previously won the prestigious Finlandia Prize and is known in her home country for her writing for television and comic strips as well as for her science fiction and fantasy.
“Three Years with the Rat is a mind-warping thriller that will make you question reality as you conceive of it. One of the most assured and haunting debuts I’ve read in recent memory.” —Blake Crouch, author of Dark Matter After several years of drifting between school and go-nowhere jobs, a young man is drawn back into the big city of his youth. The magnet is his beloved older sister, Grace: always smart and charismatic even when she was rebelling, and always his hero. Now she is a promising graduate student in psychophysics and the center of a group of friends who take “Little Brother” into their fold, where he finds camaraderie, romance, and even a decent job. But it soon becomes clear that things are not well with Grace. Always acerbic, she now veers into sudden rages that are increasingly directed at her adoring boyfriend, John, who is also her fellow researcher. When Grace disappears, and John shortly thereafter, the narrator makes an astonishing discovery in their apartment: a box big enough to crawl inside, a lab rat, and a note that says This is the only way back for us. Soon he embarks on a mission to discover the truth, a pursuit that forces him to question time and space itself, and ultimately toward a perilous confrontation at the very limits of imagination. This kinetic novel catapults the classic noir plot of a woman gone missing into the twenty-first-century city, where so-called reality crashes into speculative science. Jay Hosking's Three Years with the Rat is simultaneously a mind-twisting mystery that plays with the very nature of time and the story of a young man who must face the dangerously destructive forces we all carry within ourselves.