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An old-fashioned mystery, a contemporary mystery, and an avant-garde mystery are presented in Three Plots for Poe. This sequence is a tribute to the Gothic genius of Poe who shaped the mystery genre. At the same time, these tales explore three phases of the genres progress and at last escape its Gothic limits altogether. An old-fashioned mystery, Death Calls the Shots invokes the golden age of pulp mysteries in a way that led Jacques Barzun, one of the ultimate authorities on this era, to express his admiration of the story for its mood, plot, pace, and structure. A contemporary mystery,Love in the Modern Landscape offers an unusual blend of evil and intelligence endangering a pair of lovers who appear unequal to the threat. An avantgarde mystery, Still No Ice at the Fish Market opens with a pair of bangsa bomb exploding in the midst of lovemakingand ends up as one of the most unusual literary experiments in many years. Two alternating narrators in this story capture the extremes of classic clarity and Gothic chaos, wit and weirdness, as they hand the story to each other from one chapter to the next until the final chapter blends their separate styles. In all three novels, passionate love affairs become more powerful than evil in competing for the center of the story. As the genius who rules these Gothic games, the ghost of Poe is exorcised at last.
Crystallizing Chaos is a wryly comic tale of balancing academia with action and replacing footnotes with a sense of fun. A high-brow college student, Daniel Coventry, hopes to be a writer. He encounters the forgotten but immensely gifted pulp novelist Stephen Chidley, who wrote action-oriented novels by the dozens in a month apiece while living his adventures. He is also inspired by the novelists granddaughter Dora, who resides in Stephens home near Daniels dorm. Through Daniel, they become entangled with his best professor, Cynthia Schuler, an outspoken feminist and scholar. Cynthia also wrangles with her chauvinist, unfaithful husband and has fallen for her favorite student after many rounds of lovemaking in her office. Each of them confronts the fear of failure. Daniel is afraid of flunking if he cant complete a novel for his graduation. Stephen is afraid thathe abused his fabulous storytelling talents as a pulp writer who came close to greatness only in a single memorable novel. Dora is afraid of any loss of independence. Cynthia is afraid of failing Daniel and of losing him to Dora. Step by comic misstep, they confront their differences and the chasm that divides the ivory tower from popular culture. With a month remaining, they decide that only one solution will enable Daniel to begin his book and race to finish it in time forgraduation: Let him crystallize the chaos of their year-long battle in a way that blends the best of academia and action!
The third novel in the New York Times bestselling Thursday Next series is “great fun—especially for those with a literary turn of mind and a taste for offbeat comedy” (The Washington Post Book World). “Delightful . . . the well of Fforde’s imagination is bottomless.”—People “Fforde creates a literary reality that is somewhere amid a triangulation of Douglas Adams, Monty Python, and Miss Marple.”—The Denver Post With the 923rd Annual Bookworld Awards just around the corner and an unknown villain wreaking havoc in Jurisfiction, what could possibly be next for Detective Thursday Next? Protecting the world’s greatest literature—not to mention keeping up with Miss Havisham—is tiring work for an expectant mother. And Thursday can definitely use a respite. So what better hideaway than inside the unread and unreadable Caversham Heights, a cliché-ridden pulp mystery in the hidden depths of the Well of Lost Plots, where all unpublished books reside? But peace and quiet remain elusive for Thursday, who soon discovers that the Well itself is a veritable linguistic free-for-all, where grammasites run rampant, plot devices are hawked on the black market, and lousy books—like Caversham Heights—are scrapped for salvage. To top it off, a murderer is stalking Jurisfiction personnel and nobody is safe—least of all Thursday. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT
Esplin argues that Borges, through a sustained and complex literary relationship with Poe's works, served as the primary catalyst that changed Poe's image throughout Spanish America from a poet-prophet to a timeless fiction writer.
Giving a close critical reading to major texts by Dickens, Poe, Eliot, Melville, James, Conrad, Lawrence, Joyce, Woolf, and Faulkner, Professor Caserio provides an historical dimension to the developing fate of plot, story, and the novel. In addition, he challenges the major critical positions of Northrop Frye, Roland Barthes, and Edward Said with regard to the interpretation and evaluation of narrative trends. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Edgar Allan Poe (1809–1849) was an American original—a luminous literary theorist, an erratic genius, and an analyst par excellence of human obsession and compulsion. The scope of his literary achievements and the dramatic character of Poe’s life have drawn readers and critics to him in droves. And yet, upon his death, one obituary penned by a literary enemy in the New York Daily Tribune cascaded into a lasting stain on Poe’s character, leaving a historic misunderstanding. Many remember Poe as a difficult, self-pitying, troubled drunkard often incapable of caring for himself. Poe reclaims the Baltimore and Virginia writer’s reputation and power, retracing Poe’s life and career. Biographer and critic James M. Hutchisson captures the boisterous worlds of literary New York and Philadelphia in the 1800s to understand why Poe wrote the way he did and why his achievement was so important to American literature. The biography presents a critical overview of Poe’s major works and his main themes, techniques, and imaginative preoccupations. This portrait of the writer emphasizes Poe’s southern identity; his existence as a workaday journalist in the burgeoning magazine era; his authority as a literary critic and cultural arbiter; his courtly demeanor and sense of social propriety; his advocacy of women writers; his adaptation of art forms as diverse as the so-called “gutter press” and the haunting rhythms of African American spirituals; his borrowing of imagery from such popular social movements as temperance and freemasonry; and his far-reaching, posthumous influence.
In The Scientific Sherlock Holmes, James O'Brien provides an in-depth look at Holmes's use of science in his investigations.
Why was Edgar Allan Poe unable to form either emotional or sexual bonds with the women in his life? Why did he worship at the grave of his friend's mother-a woman he may have loved but who he could have never been intimate with? Why did he marry his 13 year-old cousin and what impact did her tragic death have on his literary creations? Why do the female characters in his short stories endure disturbingly sadistic punishment and torture at the hands of an almost overtly mad husband or acquaintance? Through both a feminist and psychoanalytic analysis, The Fall of the House of Poe attempts to explain Poe's morbid treatment of the female characters in his short stories by examining his own disturbingly tragic experiences with women throughout his short life. Ultimately this book elucidates unequivocally the acute psychological motivations for Poe's profoundly psychoanalytic tales of horror and imagination.