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(Limelight). Ranging from rollicking farce to gentle satire to bitter domestic drama, these plays Torchbearers , The Show-Off and Craig's Wife reveal Kelly as a master theatrical craftsman, an unflinching observer of human character, and a playwright to be remembered. HARDCOVER.
THE STORY: Mio, believing that his father was innocent of the crime for which he was executed, pursues his long search for proof of his innocence. Following new evidence, his path crosses that of Miriamne, a strange creature who lives with her fami
This book focuses on the re-evaluation of four Maxwell Anderson plays within the context of the emergence of the New Woman and the perception of a marriage crisis in the United States during the 1920s. The four plays under consideration are White Desert (1923), Sea-Wife (1924), Saturday’s Children (1927), and Gypsy (1929). These plays are largely forgotten and, even when the titles appear in Anderson scholarship, coverage has tended to be cursory and dismissive. This work represents a fresh approach and re-assessment of an American playwright who bore a significant impact on the drama of his time, serving not only to place Anderson’s work more effectively within the context of American theatre during the 1920s, but also to bridge the gap between his work and the marriage-related plays of the late twentieth and early twenty-first centuries.
Now reissued – William March's 1954 classic thriller that's as chilling, intelligent and timely as ever before. This paperback reissue includes a new P.S. section with author interviews, insights, features, suggested reading and more. What happens to ordinary families into whose midst a child serial killer is born? This is the question at the center of William march's classic thriller. After its initial publication in 1954, the book went on to become a million–copy bestseller, a wildly successful Broadway show, and a Warner Brothers film. The spine–tingling tale of little Rhoda Penmark had a tremendous impact on the thriller genre and generated a whole perdurable crop of creepy kids. Today, The Bad Seed remains a masterpiece of suspense that's as chilling, intelligent, and timely as ever before.
From the 1920s through the 1950s Maxwell Anderson was one of the most important playwrights in America. His thirty-three produced plays make him a leader among these playwrights of America's most creative era in the theater, and a number of his plays have shown a lasting vitality and importance. What Price Glory (1924) dramatized the disillusionment and horror of World War I . With Elizabeth the Queen (1929), Winterset (1935), and High Tor (1936), Anderson revived poetic drama in the modern theater. His versatility as a playwright was further reflected in the satire Both Your Houses (1933), the historical parable Joan of Lorraine (1946), and the musical play Lost in the Stars (1949). This edition of Anderson's letters spans his adult life -- from 1912, shortly after he graduated from the University of North Dakota, to 1958, just before his death. Arranged chronologically, the letters reveal in full and intimate detail the development of his career, his methods of work, his relationships with theater people, his conceptions of himself as a playwright and of the nature of the theater, and his ideas about his plays, all of which focused on an inner moral struggle. Every aspect of his work and personality emerges in these letters, which serve as an autobiography in the rough. Each letter is fully annotated, permitting the reader to become a party to the correspondence. The editor has provided an informative introduction to the letters and also a substantial chronology of Anderson's life that incorporates the first complete bibliography of his plays, poems, essays, fiction, and screenplays. An appendix includes Anderson's previously unpublished statements about his life and his plays. Dramatist in America, the first edition of letters by a major American playwright, takes on added importance for its representative quality. It reveals the cultural and theatrical conditions under which a vital generation of playwrights created this country's finest period in the drama.
Instructivo, ameno y documentado de manera soberbia, este libro constituye el primer estudio relevante sobre Maxwell Anderson publicado en España. El trabajo de DiNapoli ofrece una excelente introducción a este interesante aunque controvertido dramaturgo
"I need an audience—-so watch out!" With these James T. Farrell announced his intention of becoming a writer. He was to realize this ambition in manifold ways through his prolificacy, versatility, and his achieved recognition as a formidable figure in American literature. The material contained in this book grew out of initial research for a critical study which disclosed the chaotic state of Farrell's literary affairs and the urgent need for a bibliography. The task was not to be an easy one, for many of Farrell's writings were printed in obscure publications both in the United States and abroad. Edgar M. Branch has ferreted out, producing his compilation with enthusiasm and accuracy. This book is a definitive guide to Farrell's writings published in newspapers, magazines, pamphlets, and books, from the time of his high­school days through 1957. It includes both the fiction (novels, short stories, one poem, and one play) and the nonfiction (essays, articles, statements, manifestoes, newspaper columns, etc.), and in many cases descriptions of these writing are appended when deemed necessary. As a further aid to students and researchers, Branch has listed many reprints and dates of writing for the individual short stories and has provided two appendices giving foreign editions of books and tape recordings of unpublished speeches. This detailed bibliography, the first on Farrell ever printed, is supplemented by a preface by Farrell and a foreword by the author. Edgar Branch has directed his attention to the more inaccessible of Farrell's writings and to the clarification of the voluminous abundance of written material that Farrell has produced. Through this book it is possible to trace Farrell's fluctuating status as a writer, his shifting position among editors, critics, and readers. The data included other clues to the evolution and growth of his ideas and relationships with his contemporaries, providing insight into his changing political affiliations and the motivation and development of his fiction. A Bibliography of ]ames T. Farrell's Writings will be a valuable practical aid to scholars and students of literature and Americana, for it makes available a scholarly compilation of the extensive list of writings by one of America's most distinguished and controversial contemporary writers.