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The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.
Curt Columbus endows these timeless dramas Seagull, Uncle Vanya, Three Sisters and Cherry Orchard with dialogue that is faithful to the russian original but dazzlingly attuned to contemporary audiences.
While the influence of Chekhov in modern theater worldwide, and especially in America, has been immense, translations into English have tended to be too literary and have not communicated the full emotional power and precise attention to detail of Chekhov's Russian. Milton Ehre began translating Chekhov's plays to provide professional theaters with performance texts that capture the feel and rhythms of spoken, rather than written, language. Chekhov for the Stage is the first publication of his revised versions of The Three Sisters, Uncle Vanya, The Cherry Orchard, and The Sea Gull. Ehre's sensitive renderings of these classics make this volume the translation of choice for performers and directors, teachers, and the general reading public.
Three of the greatest plays in American literature collected in one volume This important new omnibus edition features an illuminating foreword by playwright John Guare and an extensive afterword for each play drawing on unpublished letters and other unique documentary material prepared by Tappan Wilder. Our Town—Wilder's timeless 1938 Pulitzer Prize-winning look at love, death, and destiny is celebrated around the world and performed at least once each day in the United States. The Skin of our Teeth—Wilder's 1942 romp about human follies and human endurance starring the Antrobus family of Excelsior, New Jersey. Winner of the Pulitzer Prize for Drama in 1943. The Matchmaker—Wilder's brilliant 1954 farce about money and love starring that irrepressible busybody Dolly Gallagher Levi. This play inspired the Broadway musical Hello, Dolly!.
SIX CHARACTERS IN SEARCH OF AN AUTHOR * HENRY IV * THE MOUNTAIN GIANTS Pirandello ranks with Strindberg, Brecht, and Beckett as a seminal figure in modern drama. Innovative and influential, he broke decisively with the conventions of realist theatre to foreground the tensions between art and reality. In his best known play, six characters, imagined but then abandoned by their author, intrude on the rehearsals of a provincial theatre company in an attempt to play out their family drama. In the brilliant Henry IV, a young man believes himself to be the Holy Roman Emperor; attempts to cure him of his delusion have disastrous consequences. The Mountain Giants is Pirandello's last, unfinished masterpiece, in which he moves towards the mythical, and make-believe and real life once more become entangled. The play reflects its author's growing anxiety about the function of art under a fascist regime. This new edition includes Pirandello's important Preface to Six Characters, an essential critical document for understanding the play that made him famous. Anthony Mortimer's lively and performable translations remain scrupulously faithful to the letter and spirit of the originals.
Mae West, wise-cracking vaudeville performer, was one of the most controversial figures of her era. Rarely, however, do people think of Mae West as a writer. In Three Plays By Mae West, Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--Sex (1926), The Drag (1927) and Pleasure Man (1928). With an insightful introduction by Schlissel, this book offers a unique look into to the life and early career of this legendary stage and screen actress.
Three of Strindberg's most famous plays, including Miss Julia, the basis for the major motion picture Miss Julie, starring Jessica Chastain and Colin Farrell The plays in this volume focus on the tumultuous relationships between men and women, whether they are father and daughter, brother and sister, or lovers. Miss Julia is a ruthlessly realistic depiction of an upper-class woman's seduction of a servant, emphasizing the differences and the antagonism between them. In The Father a mom is brought to madness and driven out of his home by the suspicion that his daughter is not his own child, while Easter centers on a family in need of redemption for its sins and suffering, and finding forgiveness at a season of rebirth. Strindberg's acute psychological analysis and his dramatization of naked emotion within a natrualistic domestic setting make him one of the great innovators of modern theater. Peter Watts's powerful translation is accompanied by an introduction and a preface to each of the dramas, which place the plays in the context of Strindberg's life. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Plutarch of Chaeronea is one of the great story-tellers of antiquity, a writer whose ability to create unforgettable scenes matches the grandeur of his subject matter. The heroes of his Lives were the great men of antiquity, often greatly flawed, but with tragic depth and epic stature.
Newly repackaged, three plays by Federico García Lorca In these three plays, Federico García Lorca's acknowledged masterpieces, he searched for a contemporary mode of tragedy and reminded his audience that dramatic poetry—or poetic drama—depends less on formal convention that on an elemental, radical outlook on human life. His images are beautiful and exact, but until now no translator had ever been able to make his characters speak unaffectedly on the American stage. Michael Dewell of the National Repertory Theatre and Carmen Zapata of the Bilingual Foundation of the Arts have created these versions expressly for the stage. The results, both performable and readable, have been thoroughly revised for this edition, which has an introduction by Christopher Maurer, the general editor of the Complete Poetical Works of García Lorca.
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