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Includes the plays Rag and Bone, Mr Marmalade and Vigils 'Precocious and formidably talented' (The New Yorker), Noah Haidle is now considered 'one of the most foremost playwrights of his generation' (Boston Globe). This collection celebrates the arrival of Haidle's virtuosic theatrical talent by bringing together three of his most acclaimed plays to date. Rag and Bone , in which two brothers run an under-the-counter business in human hearts and emotions - 'delightful moments of absurdity' (New York Times) Mr Marmalade, in which four-year-old Lucy delivers a crash-course in contemporary relationships, 'alternately hilarious and heartbreaking' (The New Yorker) and Vigils, 'a simple, sweet exploration of human memory and grief' (Variety)
"Ms. Bioh, a native New Yorker whose parents emigrated from Ghana in 1968, has made it her mission, theatrically and personally, to tell stories about African and African-American characters that buck expectation and defy stereotype." (New York Times) This first collection of plays from American contemporary playwright Jocelyn Bioh brings together a trilogy of celebrated work recently seen in New York and around the world. Merry Wives: Set in South Harlem, amidst a vibrant and eclectic community of West African immigrants, Merry Wives is a New York story about tricks of the heart. A raucous spinoff featuring the Bard's most beloved comic characters, this hilarious farce tells the story of the trickster Falstaff and the wily wives who outwit him in a new celebration of Black joy, laughter, and vitality. Nollywood Dreams: It's the nineties and in Lagos, Nigeria, the "Nollywood" film industry is exploding. Looking to make the first Nollywood film with Western crossover appeal, Gbenga Ezie, Nigeria's hottest director, has decided to host an open casting call for the female lead of his new romantic drama/thriller "The Comfort Zone." Casting for the film draws on more emotions than expected in this imagining of what the growing Nollywood film scene was like as it rose to become the phenomenon it is today. School Girls; Or The African Mean Girls Play: Paulina, the reigning queen bee at Ghana's most exclusive boarding school, has her sights set on the Miss Universe pageant. But the arrival of Ericka, a new student with undeniable talent and beauty, captures the attention of the pageant recruiter--and Paulina's hive-minded friends. This buoyant and biting comedy explores the universal similarities (and glaring differences) facing teenage girls across the globe. How far would you go to be queen bee?
"Three Plays by Brieux" is a book by Eugène Brieux, considered the second greatest playwright in Europe, which discusses issues such as sexually transmitted diseases. This book also contains plays based on social topics including maternity, health, etc. It is a book that exposes the mind to important concepts about humanity.
Unusual among Shakespeare's plays in that it drew theatrical responses from the outset, The Taming of the Shrew continues to inspire adaptations and interpretations that respond to its fascinating, if provocative, representation of a husband's dominance of his wife. This annotated collection of three early modern English plays allows readers to explore the relationship between Shakespeare's Shrew and two closely related plays of the same genre, the earlier of which, the anonymous The Taming of a Shrew (whether inspired by Shakespeare's play or vice-versa), once enjoyed a level of popularity that likely surpassed that of Shakespeare's play. The editors' Introduction brilliantly illuminates points of comparison between the three, their larger themes included, and convincingly argues that Shakespeare's Shrew is seen all the more vividly when the anonymous A Shrew and Fletcher's table-turning The Tamer Tamed are waiting in the wings.
In English translation. Three plays representative of an important period in twentieth-century drama! A good part of modern drama owes its techniques and its intense awareness of social and psychological problems to the German playwright who was awarded the Nobel Prize for Literature in 1912. Hauptmanns achievements had great influence on many outstanding writers, among them Eugene ONeill, who felt a special indebtedness to the European master. These three plays are superb examples of Hauptmanns wide range and offer students an opportunity to become acquainted with the work of a supremely accomplished writer. The Weavers, perhaps his most famous play, reveals the bitter lives of the wretched handweavers of the 1840s and their abortive rebellion. Hannele centers on an abused, motherless child, abandoned to a poorhouse, who creates her own fantasy world of dreams and legends. The Beaver Coat is a delightful satire about a washerwoman who quickly learns that she cannot advance very far through honest labor alone, and proceeds accordingly.
Written in 1602-4, between Hamlet and the other great tragedies, Shakespeare's three Problem Plays are so called because they do not fit easily into the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses. Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text. In the first part of his study, Marsh highlights the multiple interpretations these plays provoke and provides useful sections on methods of analysis to encourage readers to develop their views independently. The second part of the book discusses the Problem Plays in relation to the playwright's other works, and examines their cultural and historical contexts. A comparison of five modern critical views and helpful suggestions for further reading provide a bridge to continuing study. In this essential guide to a complex set of plays, Marsh does not seek to reconcile the thorny issues these dramas leave open: rather, he equips the reader with the necessary critical tools to fashion their own synthesis.
In Whispers Along the Patio, two paintings and a bizarre set of events bring five very different and lonely people to dine by candlelight. But will the pursuit of private passion cause chaos among this disparate company? Also includes: Nice Dorothy and The Last Thrash.
The Lisbon Traviata, is a powerfully moving tragicomedy about a crumbling homosexual marriage. And in Frankie and Johhnie in the Claire de Lune, a man and a woman, not young, not old, no great beauties, either one, come together in a fresh and witty display of emotional fireworks. McNally himself describes the final piece, the bitingly honest and uproariously funny It's Only a Play, as his attempt to describe what it was like to work in Broadway in the 1980s.