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This newly engraved edition will be very useful to all piano students and teachers. A necessary step to prepare for the Preludes and Fugues. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
This collection includes a preface and table of embellishments by William Mason.
Bach composed these Inventions in 1722/3 for the instruction in keyboard playing and composition of his eldest son, Wilhelm Friedemann, who was then just 12. Richard Jones's edition of these pieces is also available from ABRSM in a 'Signature' Series edition, where they are combined with the (three-part) Sinfonias and given more textual commentary.
This critical survey of Thomas Bernhard's novels highlights a recurring theme of 'three' in Bernard's work. Thomas J. Cousineau argues that each of Bernhard's novels, although firmly anchored in Austrian history, emerges from an archetypal story involving three figures: protagonist, scapegoat and author.
Like the two-part inventions, Bach's three-part inventions (also known as Sinfonias) were composed as instructional material for his son, Wilhelm Friedemann. In researching the sinfonias, Willard A. Palmer discovered that previous editors had misinterpreted an important note in Sinfonia No. 11. Such careful research is a hallmark of Palmer's Bach editions.
24 Short piano pieces, not very difficult but intricate, shapely, crafted. Really in a class of their own. Sheet music for piano. Should be fun to learn.
This edition of J. S. Bach's Inventions I-XV, and Sinfonias I-XV has been edited by Dr. Hans Bischoff and translated by Alexander Lipsky. It includes a three-page preface with a table of embellishments.
The edition of Johan Sebastian Bach's fifteen 3-Part Inventions, edited by Carl Czerny, contains editorial additions, including dynamics, fingering and tempo indications.
This classic volume presents 15 of J.S. Bach's famous three-part inventions, transcribed for the piano by celebrated pianist Ferruccio Busoni. With his characteristic flair and insight, Busoni provides a fresh interpretation of these timeless works, making them accessible to pianists of all levels. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.