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Indian classical music is so enduring that it is exempt from oblivion. It is destined to live in all ages of this world. This book on North Indian classical music (also known as Hindustani music) tells you, simply and informally, about the most popular 101 raga-s, and 161 topics commonly mentioned in conversation, articles and books on Hindustani music. It is the best tool to learn about and enjoy this genre of music, which is a significant component of World Music. More details at www.SoundOfIndia.com An audio CD containing aroha, avaroha and pakad of each of the 101 raga-s, is available. Please visit http://www.SoundOfIndia.com and click on Products. This book is being translated into French, Hindi and Gujarati.
Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag , or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertoriesnullincluding that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).
A collection of six Indian raags (3 Hindustani and 3 Carnatic), re-imagined for piano, and simplified for fledgling pianists (both children and adults). The purpose is to provide an introductory experience of classical Indian music-making in an easy, hands-on way at a piano, offering a very accessible first encounter with improvisation. It is designed for near-beginners through to early intermediate players, and can be used as a stepping stone to the 258-page book for more advanced pianists: How to Play Indian Sitar Raags on a Piano (Intensely Pleasant Music, 2016). Indian raags have an extraordinary musical heritage dating back several centuries - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy - freely combining elaborate composed melodies with carefully rehearsed improvisation. Contents: Raags Latangi, Madhuvanti and Todi (each in 3 versions: really easy, easy, and quite easy/not so easy), plus Vachaspati, Patdeep, & Desh. Accompanying mp3s (free downloads).
Bonnie C. Wade studies khyal and the cultural history behind the art.
Tailored to the new Edexcel GCSE Music specification - For exams 2011 onwards - the Edexcel GCSE Music Revision Guide presents all of the key information that Edexcel students need to know for success in their written exam, without unnecessary detail and complications. Included are key facts about each of the 12 set works, revision tips, a reminder of how to write about the elements of music, test-yourself questions, a comprehensive glossary and more. This concise and logical revision guide has been written by an experienced teacher and to help you to achieve the best results possible.