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From the New York Times–bestselling author of the Indian Lake trilogy: Three stories that uncover what’s lurking just beyond your headlights . . . Take a road trip into your darkest nightmares with three stories from the modern master of horror and “one of the best writers working today” (NPR). Here, Bram Stoker Award–winning author Stephen Graham Jones gives evil an all-too-familiar face, whether it’s the man from the dog shelter, a colleague at a work convention, or even just your phone. Horror can reach you everywhere and when you least expect it . . . In “Interstate Love Affair,” a serial killer’s unique way of disposing of his victims’ bodies gives roadkill an even more gruesome meaning. “No Takebacks” tracks how an app goes from an idea to coding to letting loose its creator’s darkest impulses. And there’s nowhere to hide during “The Coming of Night,” when a predator’s latest kill sets off a creepy-crawly timebomb inside of him. Buckle up for page-turning scares from “a genuine horror superstar” (Esquire).
From bestselling author Dowell comes a "funny and winning" ("Kirkus Reviews")tale of one teen's quest for normalcy--and the much more exciting detours shetakes along the way.
The story of the final recordings of one of the greatest jazz musicians of the twentieth century
From New York Times bestselling author Harry Turtledove, the modern master of alternate history, a novel of alien contact set in the tumultuous year of the Watergate scandal. It's 1974, and Jerry Stieglitz is a grad student in marine biology at UCLA with a side gig selling short stories to science fiction magazines, just weeks away from marrying his longtime fiancée. Then his life is upended by grim-faced men from three-letter agencies who want him to join a top-secret "Project Azorian" in the middle of the north Pacific Ocean—and they really don't take "no" for an answer. Further, they're offering enough money to solve all of his immediate problems. Joining up and swearing to secrecy, what he first learns is that Project Azorian is secretly trying to raise a sunken Russian submarine, while pretending to be harvesting undersea manganese nodules. But the dead Russian sub, while real, turns out to be a cover story as well. What's down on the ocean floor next to it is the thing that killed the sub: an alien spacecraft. Jerry's a scientist, a longhair, a storyteller, a dreamer. He stands out like a sore thumb on the Glomar Explorer, a ship full of CIA operatives, RAND Corporation eggheads, and roustabout divers. But it turns out that he's the one person in the North Pacific who's truly thought out all the ways that human-alien first contact might go. And meanwhile, it's still 1974 back on the mainland. Richard Nixon is drinking heavily and talking to the paintings on the White House walls. The USA is changing fast—and who knows what will happen when this story gets out? Three Miles Down is both a fresh and original take on First Contact, and a hugely enjoyable romp through the pop culture, political tumult, and conspiracies-within-conspiracies atmosphere that was 1974. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
When med student Hale is called home by his ailing mother on Halloween night, he and a group of friends are trapped in an inescapable cycle of violence.
Celebrated novelist Ray McCarthy stumbles upon a time anomaly that takes him back to his adolescence in the year 1984. He proceeds to use it in an attempt to undo the 2016 murder of his best friend.
The author, an Indian himself, profiles the lives of many Native Americans and how people treat them just because of their race. Even in today's society the uneasy relations between Indians and white's is still fueled by mistrust, stereo-types and casual violence.
From the award-winning author, “the kind of collection that lodges in your brain like a malignant grain of an evil dream” (Laird Barron, author of The Imago Sequence). Winner of the This Is Horror Award Finalist for the Shirley Jackson Award Finalist for the Bram Stoker Award This is not your cookie-cutter horror collection. Stephen Graham Jones has taken nightmarish visions from his fevered imagination and crafted them into pieces of literary genius. If the absolute fear doesn’t sweep you away, his lyrical and haunting prose will. As Joe R. Lansdale states in the introduction, “You need this book. If you like anything close to horror, and also like your stories to have elements other than just standing in the darkness with a bloody knife, you have the right book. Enjoy.” Does holding your breath for two minutes during the scariest part of a horror movie invite the terror in? Just ask the kids who go to the local theater in “Thirteen.” In “Doc’s Story,” even the most beloved family tales have teeth—that’s what happens when you’re born into a werewolf pack. And a father doesn’t have to think twice when he’s given one chance to make the ultimate sacrifice in “Snow Monsters.” In these fifteen stories, Jones coaxes our greatest fears from the shadowy corners of our minds, and we can’t turn away. “With razor-sharp prose . . . he pummels us in a full-court press of discomfort, paranoia, and a desire to keep the lights on.” —Pantheon Magazine “Jones is a true master of the horror short story. Inventive, quirky, unexpected and masterful.” —Jonathan Maberry, New York Times–bestselling author
“This strange, subtle story of father-son disaffection and disjointed love is told with [Jones’s] signature narrative inventiveness and dark humor.” —Kris Saknussemm, author of Private Midnight If drinking mercury from a thermometer didn’t kill him, maybe spray painting in an unventilated garage would. Or so Nolan’s father thought. One inspired yet failed suicide attempt after another, each with a note to his son—with only a hint of accusation. But as Nolan sits in an empty office building, the last customer service employee for a nearly obsolete video game, those many suicide notes come back to haunt him. As do the levels of the game that no one plays anymore. And now a homicide detective is on the phone. Maybe his father was right when he wrote that he was teaching Nolan not to give up, that the only way to understand what happened was to make it to the end of the game. But there’s no cheatcode that’s going to get Nolan through this . . . “Two unreliable narrators, a bunch of suicide letters, and a plot that collapses on itself just like the characters do—Stephen Graham Jones is our contemporary Jorge Luis Borges.” —Michael Kimball, author of Big Ray “Like Lethem and Murakami before him, Jones mines his genre fiction past to bring us a work of startling literary merit. Mystery, horror, sci-fi: the ingredients are all in there.” —David Goodwillie, author of Kings County “[A] stark exploration of guilt, grief, and fear. . . . And did I mention that it’s funny? Unplug your consoles, kids, and play this book.” —Zack Wentz, author of The Garbageman and the Prostitute
A “shrewd, funny, and sometimes devastating” novel about the things we desire and the things we throw away (Entertainment Weekly). A New York Times Notable Book A highly inventive, corrosively funny story of our times, Want Not exposes three different worlds in various states of disrepair—a young freegan couple living off the grid in New York City; a once-prominent linguist, sacked at midlife by the dissolution of his marriage and his father’s losing battle with Alzheimer’s; and a self-made debt-collecting magnate, whose brute talent for squeezing money out of unlikely places has yielded him a royal existence, trophy wife included. Want and desire propel these characters forward toward something, anything, more, until their worlds collide, briefly, randomly, yet irrevocably, in a shattering ending that will haunt readers long after the last page is turned. “Its pleasures are endless."—Joshua Ferris, author of Then We Came to the End “Terrific…The novel may begin with prickly satire, it may dig deep into America’s disposable lifestyle, but it ultimately pivots to scenes of surprising tenderness…a novel to hoard.”—The Washington Post “Leaps nimbly from topic to topic…from freeganism to conspicuous consumption; from Manhattan's Alphabet City to residential New Jersey to the backwoods of Tennessee; and from neighbors with nothing but geographical location in common to sisters who share nothing but blood….Sitting down with Want Not is like finding yourself opposite the most interesting person at a dinner party. It pulls you in immediately; makes you shake your head in wonder and delight at your new companion's wit, originality, and compelling turns of phrase; and, best of all, surprises you into laughter.”—Pittsburgh Post-Gazette “For readers who relish extravagant language, scathing wit and philosophical heft, Want Not wastes nothing.”—Kirkus Reviews (starred review)