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Do you want to travel with your favorite pet on the Magic Carpet to the wonders of the world? It is very easy to do so by reading this book. The book will tell you unusual stories and transport you into the adventures. Be careful; dont stay there too long. Return home to your family, and tell them about your journey.
An exploration of the fast food industry in the United States, from its roots to its long-term consequences.
Fully revised and updated, this text adds coverage of mashups and auto-tune, explores recent developments in file sharing, and includes an expanded conclusion and bibliography.
As the students of Belton University learn to navigate the world of music, they discover friendship, fortitude, and love in a variety of ways. Contact author to sign-up for her newsletter, and you’ll receive a signed postcard of The Chronicles of Music Majors and an invitation to join her Music Fiction Book Club. A Change in the Winds Brandon, a sophomore bass player at Belton University, grows bored playing the same repetitive lines at the back of the orchestra. He rouses from his stupor when an attractive flutist plays a beautiful solo from the fourth movement of Dvorak's Symphony No. 8. How can Brandon attract her attention without raising the ire of the conductor? Maybe all he needs is a change in the winds. “Bach” from the Grave Freshman bassoonist Adam Heckel faces hazing in the music fraternity at Belton University while organist Miguel Guzmán struggles to overcome the pain of his past while preparing music for All Saints Day. When the two friends cross paths in an eerie locale Halloween night, will they finally find the brotherhood they both desperately need? Christmas Glee Club Sophia, the lead soprano of the Belton Glee Club, faces losing her celebrity date to the sorority formal due to a required concert for the university donors. When the lead tenor falls sick with laryngitis, Brett fills in for his role as Santa. Can Sophia and Brett pull off the concert together at the last minute? No Strings Attached Alone on Valentine's Day with only his viola for a date, Vince decides to drown his sorrows at the university coffee shop. In a room full of love-struck couples, Gaby's alternative guitar music doesn't quite strike a romantic tone. Can she find anyone who appreciates her original style? Brass at the Beach Etta, a tuba player for the Belton University Symphony, is forced to face her fears of the ocean when the orchestra travels to the Caribbean for a concert. French horn player Terrence makes it his mission to help Etta become more comfortable with the sea. Will Etta find a way to be noticed in spite of her position at the back of the orchestra? On their beach excursion, the two learn to view life through a different set of lenses. Get a “Händel” on It Violinist Karen dominates the music scene at Belton University until a transfer student usurps her position and forces Karen to play "second fiddle," much to her chagrin. When the unforeseen happens during their performance of Handel's Messiah, will Karen do what it takes to save the performance? The Ivory Touch Pauline, a senior piano major at Belton University, nearly lives at the music school as she prepares for her capstone recital. Her boyfriend Trenton, a jazz trumpet player, convinces her to perform an insane duet with him for the final number. While they dedicate themselves to rehearsals, the Coronavirus sweeps the globe. The worldwide pandemic jeopardizes everything Pauline holds dear, including her recital, family, and romantic relationship. How will she adapt to this devastating twist her senior year? Return to Mozart After graduating from Belton with a degree in harp performance, Lisandra begins her studies as a graduate composition student at Johann Conservatory in New York City under renowned composition teacher Amadeus Gruber, a descendant of Mozart. When the city is devastated by the pandemic, Lisandra must choose between returning to her family in Estonia, or continuing to work with Gruber in the city under quarantine. Does Lisandra possess what it takes to finish Gruber’s Symphony and continue Mozart’s legacy?
'Blown to Bits' is about how the digital explosion is changing everything. The text explains the technology, why it creates so many surprises and why things often don't work the way we expect them to. It is also about things the information explosion is destroying: old assumptions about who is really in control of our lives.
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
(E-Z Play Today). Seven vocal selections from the Rodgers and Hammerstein's 1949 classic. Includes: Bali Ha'i * Dites-Moi (Tell Me Why) * Some Enchanted Evening * A Wonderful Guy * Younger Than Springtime.
Henry Lafayette Dodge has long been a familiar name in 19th century American Southwestern history. As one of the earliest and most effective Indian agents to the Navajo, he has been portrayed as a congenial, sympathetic and compassionate advocate for the tribe—a veritable role model. The Navajo knew him as Red Shirt, a man they came to respect, appreciate and trust. Those who knew Dodge admitted, although often grudgingly, that he had unrivaled influence over the tribe. By today’s sensibilities, Henry L. Dodge was hardly a role model. In his youth, he was irresponsible, hot-headed and violent. As an adult, he was sued for assault and battery, land fraud, breach of promises and misuse of public funds. He apparently couldn’t be trusted with money, his own or others’. Finally brought down by scandal, he fled Wisconsin in the dead of night, abandoning his career, his wife and his children, leaving them nearly destitute. How then should history assess him? Honestly: precisely as he was, an ambitious and imperfect man. The honest telling gives a straightforward account of not only Henry L. Dodge, but what became the veritable mythology of the West, from the bawdy old French Missouri river towns to the raucous lead mining districts of southwest Wisconsin, through the slaughter of the Winnebago and Black Hawk wars to the invasion of New Mexico and the chaos of the Indian frontier; it is a gritty personal tale of the true West.
There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.