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Over the past four centuries botanists and gardeners in the British Isles have gathered, maintained and propagated many varying species of plants. Their work has been documented in innumerable books and articles which are often difficult to trace. The Dictionary of British and Irish Botanists and Horticulturalists represents a time-saving reference source for those who wish to discover more about the lives and achievements of the horticulturalists listed. The dictionary's utility comes not only from indicating the major publications of the named authors, but also the location of their herbaria and manuscripts.; The previous 1977 edition of the Dictionary has for many years been a much used source of information for botanists, botanic artists and archivists. In this revised edition the scope has been expanded to include among its 13,000 entries flower painters in addition to botanical artists over 1400 entries and, for the first time, garden designers.; Finally the Dictionary should have international appeal since so many botanists and gardeners worked on collective plants overseas, in particular in North America and the British Commonwealth.; Each entry gives, wherever possible, details of dates and places of birth and death, educational qualifications, professional posts, honours and awards, publications, location of plant collections, manuscripts, drawings and portraits. Its main function, however, is to provide further biographical references to books and periodicals. Comprehensive classified indices facilitate access by professions and activities, countries, and plant interests.
"Irish Watercolors and Drawings offers a unique chronicle of Irish history. The exquisite watercolors, drawings, and pastels reproduced here capture a broad range of Irish experience, extending beyond picturesque landscapes and pretty colleens to Irish emigrants arriving in America, polar expeditions, Maori encampments, army barracks, horse races, taverns, grand country houses, and the interiors of Irish cabins." "Key Irish artists such as George Barret, Francis Danby, Frederick William Burton, and Jack Yeats, along with many less well known figures, are seen in historical and social contexts. Irish painters abroad - in North America, Australia, New Zealand, India, and elsewhere - are treated in a special section. Artists who visited and were inspired by Ireland are also represented." "The comprehensive text accompanies more than 400 illustrations, among them many unfamiliar works from museums and private collections around the world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This is a biography of Henry's life & artistic achievements, especially his idyllic landscape paintings of the west of Ireland.
A New History of Ireland is the largest scholarly project in modern Irish history. In 9 volumes, it provides a comprehensive new synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, down to the present day. Volume VII covers a period of major significance in Ireland's history. It outlines the division of Ireland and the eventual establishment of the Irish Republic. It provides comprehensive coverage of political developments, north and south, as well as offering chapters on the economy, literature in English and Irish, the Irish language, the visual arts, emigration and immigration, and the history of women. The contributors to this volume, all specialists in their field, provide the most comprehensive treatment of these developments of any single-volume survey of twentieth-century Ireland.
Lady Gregory, Abbey Theatre founder and patron of W. B. Yeats, writer and daughter of a Galway landowner, became a key figure in the Irish Revival. This new biography investigates Augusta Gregory's varied relationships and the contradictions and achievements of her life. This portrait of a fascinating woman places Lady Gregory in the Ireland of her time, showing how her nationalism in politics and literature shaped her life and work.
"Botanical illustration and flower painting are perhaps two of the most skilled and captivating forms of expression in the history of art and Irish artists have excelled in these fields. The author presents a general survey of the subject from an Irish standpoint, covering the period from 1729 to the end of the twentieth century and defining the styles and techniques of the individual artists. Considerable original research into both public and private collections has led to fascinating new insights into two hundred years of art history in which flower painters and botanical artists. past and present, have made a unique contribution. Throughout the book the author charts the triumphs, the solid achievements, the successes and failures in a series of concise biographies of over seventy artists ranging from the relatively unknown to the widely acclaimed. There is also a chapter on the work of professional and amateur Irish botanical artists working abroad in Australia, New Zealand, Sri Lanka, South Africa, Jamaica and Burma. A short appendix relates how the original botanical drawing is translated into a variety of attractive print forms. There is currently a great revival of interest in botanical illustration and flower painting and this book is the first to chronicle the extensive and important Irish contribution to the two genres. It makes available for the first time to a wider public the work of Irish botanical illustrators and flower painters." --Publisher description.
"This book highlights the principal themes and elements in the making of the landscape, and the sources which can assist historians and historical geographers in studying and understanding Irish landscape history. Major and local sources relating to the natural environment, cultural landscapes and the built environment are explored. The book also looks at representations of landscapes in literature, painting and other artistic sources which can provide insights into the nature of real and imagined worlds of the past. The ultimate source which features prominently throughout this study is the landscape itself on which generations before us have inscribed the marks of their presence in fields, farms, houses, villages, towns, roads, lanes and the infrastructure of settlement."--BOOK JACKET.