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Contents: Abide with Me * Blessed Assurance * Jesus Calls Us * Nearer, My God, to Thee.
Contents: Jesus Loves Me * Shall We Gather At The River (Fantasia) * Amazing Grace.
THREE GOSPEL PRELUDES
A listing of organ settings, descants, and alternative harmonizations for the tunes of The Hymnal 1982 along with their publishers, volume location in a multi-volume work, or selection location in a collection, and level of difficulty. This book does not contain the music itself.
This third edition is a basic textbook on the development of pipe organ composition in geographically diverse schools. Its nineteen chapters include charts of organ composers and a historical background of contemporary events and figures for each organ composition school. Chapter bibliographies cover readings published in the seventies, eighties, and early nineties. A listing of Bach organ compositions with pagination of various editions is also included.
The exodus of God's chosen Israel is the greatest story of redemption in the Old Testament. In more than 120 Christocentric, devotional meditations on the book of Exodus, Valerius Herberger shows his fervent belief that Jesus Christ is the center of every part of Scripture. Herberger does not seek to give an academic analysis or a grammatical exposition of each passage, but rather to emphasize the life and work of the Son of God. In these meditations the reader will find spiritual and practical applications for every Christian today. Intertwining the words of Scripture and the poetry of the Church's hymnody with his own pastoral insight, Herberger teaches the faith and preaches the truth of salvation in Jesus.
This volume draws together a collection of Robin A. Leaver’s essays on Bach’s sacred music, exploring the religious aspects of this repertoire through consideration of three core themes: liturgy, hymnology, and theology. Rooted in a rich understanding of the historical sources, the book illuminates the varied ways in which Bach’s sacred music was informed and shaped by the religious, ritual, and intellectual contexts of his time, placing these works in the wider history of Protestant church music during the Baroque era. Including research from across a span of forty years, the chapters in this volume have been significantly revised and expanded for this publication, with several pieces appearing in English for the first time. Together, they offer an essential compendium of the work of a leading scholar of theological Bach studies.