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*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors. ContentsThe haunted house -- The trial for murder -- The signal-man.
Jack is not a normal boy. He can talk to ghosts. In his new home, an aging farmhouse, he meets the Ghost Mother, a grief-stricken spirit who becomes very attached to him...too attached. He learns that the Ghost Mother is preying in the cruelest imaginable way on four child ghosts who are trapped in the house, stealing their energy to sustain her own. Before Jack can figure out how to help them, the Ghost Mother takes possession of his real mother’s body. Jack wants to fight back, but he has severe asthma and risks fatal attacks with any physical exertion. It will take all his resources, and his mother’s as well, to fight off the Ghost Mother and save the ghost children from a horrible fate.
He was the successor of Edgar Allan Poe and a harbinger of H. P. Lovecraft, penning some of the most shocking, savage horror stories in the English language. His dark, literary universe was haunted by shadowy monsters who never quite revealed themselves, only stalking in the dim background like woodland predators around a campfire. And what better stories for any campfire's company: he wrote twilight tales of seductive werewolves, zombie resurrections, nights spent with corpses in empty houses, haunted cabins, killer robots, wartime ghost stories, invisible predators, reincarnated spirits, family curses, ghoul-haunted graveyards, jilted ghosts' violent revenges, mysterious disappearances, spectral visions, guilt-maddened murderers, and battlefield carnage. There was never a better author to read around the snapping flare of a lonely campsite than the rustic, existential horror stories of Ambrose Bierce. In death, as in life, Bierce is defined by contradictions. He was a mystical materialist, a cynical idealist, and a compassionate curmudgeon. His stories - especially those which we can classify as horror or fantasy - illustrate a world which fails to live up to its promises. As he wrote in "The Devil's Dictionary," a ghost is the outward sign of an inward fear - a visual signifier of a spiritual sickness. His stories are loaded with spooks of this sort. These are the ghosts of what should be. They are the ghosts of a murdered potential: the potential to do life well - properly, as it should be. His stories are haunted by monsters of automated technology ("Moxon's Master"), intellectual insecurity ("The Damned Thing"), sexual anxiety ("Eyes of the Panther"), and hereditary corruption. Failure is the chief of all these phantoms, however. Failure to do what one ought, and become what one should. This was a deeply personal boogeyman for Bierce. One which cast its shadow over his life and stamped its footprints into his fiction. What he left behind him, after vanishing into the dusty Mexican air, was a universe bedeviled by disappointment - in mankind, in the universe, and in himself. It is a raw and savage universe, but one dimly illuminated by Bierce's frustrated idealism. We can see the shadows for that light, but in those shadows, what monsters lurk.
A beautifully illustrated collection of thirteen original spine-tingling tales perfect for middle schoolers. A finger against the inside of a mirror . . . A wood where the trees look back . . . A basement door blocked by a brick wall so thick, it stifles the screams from below . . . This original collection of chilling poems and tales contains the only true ghost stories in existence (as the book itself will tell you)—thirteen eerie encounters perfect for sharing . . . if you dare. Accompanied by striking illustrations and building to a truly spine-tingling conclusion, this haunting book will consume the imagination and keep readers of every age up long past their bedtimes. Praise for Ghost “A delightfully horrific and atmospheric collection to share aloud or under the blankets with a long-lasting flashlight. . . Perfect for children who want a good scare!” —School Library Journal,starred review “Readers may not wish to read this chilling collection of stories and poems alone at night. . . . Ghastly and imaginative storytelling for the young—and not-so-young.” —Kirkus Reviews, starred review
»The Damned Thing« is a short story by Ambrose Bierce, originally published in 1893. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«
Rooted in place, slipping between worlds - a rich collection of unnerving ghosts and sinister histories. 'An impressive line-up of established and emerging names.' The Sunday Times 'These eerie, unsettling stories are guaranteed to send shivers down your spine.' Daily Express Eight authors were given the freedom of their chosen English Heritage site, from medieval castles to a Cold War nuclear bunker. Immersed in the past and chilled by rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. 'Subtly evocative of human relations loss, grief, or the fear of loneliness.' TLS 'A satisfying and spooky read.' Sun Also includes a gazetteer of English Heritage properties which are said to be haunted.
This annotated and illustrated edition of the entire stories and poems of Edgar Allan Poe brings the author to life as never before. Photographs of Poe's many loves and the literary figures he satired in his stories are included.
Considered by many to be the most terrifying writer in English, M.R. James was an eminent scholar who spent his entire adult life in the academic surroundings of Eton and Cambridge. His classic supernatural tales draw on the terrors of the everyday, in which documents and objects unleash terrible forces, often in closed rooms and night-time settings where imagination runs riot. Lonely country houses, remote inns, ancient churches or the manuscript collections of great libraries provide settings for unbearable menace, from creatures seeking retribution and harm. These stories have lost none of their power to unsettle and disturb. This edition presents all of James's published ghost stories, including the unforgettable 'Oh, Whistle and I'll Come to You, My Lad' and 'Casting the Runes', and an appendix of James's writings on the ghost story. Darryl Jones's introduction and notes provide a fascinating insight into James's background and his mastery of the genre he made his own. --! From publisher's description.
The dead wreak revenge on the living, paintings come alive, spectral brides possess mortal men and a priest devours human flesh in these chilling Japanese ghost stories retold by a master of the supernatural. Lafcadio Hearn drew on the phantoms and ghouls of traditional Japanese folklore - including the headless 'rokuro-kubi', the monstrous goblins 'jikininki' or the faceless 'mujina' who stalk lonely neighbourhoods - and infused them with his own memories of his haunted childhood in nineteenth-century Ireland to create these terrifying tales of striking and eerie power. Today they are regarded in Japan as classics in their own right. Edited with an introduction by Paul Murray
This illustrated and annotated edition of Blackwood's most influential and mesmerizing weird fiction, ghost stories, and strange tales is the only one of its kind available on the market. Richly annotated, bolstered with introductory essays for each story, and complete with chilling chiaroscuro illustrations, it presents a treasure trove to the ardent Blackwoodian. Welcomed by many as the most skillful practitioner of the British weird tale, Algernon Blackwood was capable of simultaneously creating a misanthropic, Lovecraftian cosmos devoid of compassion for petty, materialistic mankind, and a transcendental, Emersonian universe, pregnant with spirituality and wonder. At once horrifying and fantastical, chilling and euphoric, Blackwood's poetic prose and undisputed mastery of psychological terror make him an unavoidable giant in the realms of weird fiction, fantasy, and horror.