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Seven years older than Felix Mendelssohn, Bernhard Molique was a violin prodigy, who at age 18 was appointed concertmaster in Munich and at 24 became concertmaster in Stuttgart. After a successful solo career he settled in London where he became professor of composition at the Royal Academy of Music until his retirement in 1866. Advancing violinists will enjoy this new Kalmus edition offering three duets from Molique's Opus 3. Each is a multi-movement work offering musical and technical challenges.
Expertly arranged Violin Duets by Luigi Boccherini from the Kalmus Edition series. This is from the Classical and Baroque eras.
A collection of String Duets for Violin and Viola, composed by Ludwig van Beethoven.
Since the 1981 publication of the first edition, Cameron McGraw's Piano Duet Repertoire has been a trusted guide for duet performers. This second edition, edited and substantially expanded by Christopher and Katherine Fisher, brings the volume into the 21st century, adding over 500 new or updated composer entries and nearly 1,000 new work entries to the volume, a testament to the renewed interest in piano duet playing. Entries are arranged alphabetically by composer and include both pedagogical and concert repertoire. The annotations and the grade-level indications provide piano teachers a wealth of instructional guidance. The book also contains updated appendices listing collections and duet works with voice and other instruments. This new edition features a title index and a list of composers by nationality, making it a convenient and indispensable resource.
The complete Opus 38 including all twelve violin duets. Separate parts for each violin are included. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.
This authoritative three-volume set, first published in two volumes in 1929, offers a systematic arrangement of all the relevant facts on chamber music. The original two volumes are reissued virtually as they were; the new third volume surveys developments in chamber music since 1929 in Britain, Western Europe, the Soviet Union, the United States, and Latin America.