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Although Hume and Johnson told profoundly different views of religion, their political thinking has much in common. Their reformist thought differs radically from what might be called the transformist thought of Marat, who hoped the French would become disinterested citizens whose civil religion was patriotism.".
Dead Masters examines the dual issues of mentoring and intertextuality as an integrated phenomenon. Through a series of fresh and novel readings of Johnsonian and Boswellian texts, the book further advances our awareness of the formal complexities of Johnson's writings and the psychological substratum from which they issue.
History has shown us that the power of political speech can be put to both positive and manipulative ends - while rhetoric is a powerful tool for those who seek to persuade others to adopt their views, it can also be employed to foment factionalism and undermine the very basis of a democratic society. In this unique study, Marc Hanvelt shows how eighteenth-century philosopher David Hume confronted questions about the negative moral and political effects of rhetoric, and how he differentiated between manipulative and non-manipulative political speech. Drawing on Hume's philosophical, historical, and popular writings, The Politics of Eloquence presents an understanding of rhetoric that can be properly ascribed to this important thinker, an understanding hitherto overlooked in the scholarly literature. Offering an original approach to thinking about political rhetoric – an essential element of democratic politics – Hanvelt makes important contributions to both Hume scholarship and to broader areas in political theory and philosophy.
An investigative reporter explores an infamous case where an obsessive and unorthodox search for enlightenment went terribly wrong. When thirty-eight-year-old Ian Thorson died from dehydration and dysentery on a remote Arizona mountaintop in 2012, The New York Times reported the story under the headline: "Mysterious Buddhist Retreat in the Desert Ends in a Grisly Death." Scott Carney, a journalist and anthropologist who lived in India for six years, was struck by how Thorson’s death echoed other incidents that reflected the little-talked-about connection between intensive meditation and mental instability. Using these tragedies as a springboard, Carney explores how those who go to extremes to achieve divine revelations—and undertake it in illusory ways—can tangle with madness. He also delves into the unorthodox interpretation of Tibetan Buddhism that attracted Thorson and the bizarre teachings of its chief evangelists: Thorson’s wife, Lama Christie McNally, and her previous husband, Geshe Michael Roach, the supreme spiritual leader of Diamond Mountain University, where Thorson died. Carney unravels how the cultlike practices of McNally and Roach and the questionable circumstances surrounding Thorson’s death illuminate a uniquely American tendency to mix and match eastern religious traditions like LEGO pieces in a quest to reach an enlightened, perfected state, no matter the cost. Aided by Thorson’s private papers, along with cutting-edge neurological research that reveals the profound impact of intensive meditation on the brain and stories of miracles and black magic, sexualized rituals, and tantric rites from former Diamond Mountain acolytes, A Death on Diamond Mountain is a gripping work of investigative journalism that reveals how the path to enlightenment can be riddled with danger.
This is the first book to provide a comprehensive overview of the entire career of one of Britain's greatest men of letters. It sets in biographical and historical context all of Hume's works, from A Treatise of Human Nature to The History of England, bringing to light the major influences on the course of Hume's intellectual development, and paying careful attention to the differences between the wide variety of literary genres with which Hume experimented. The major events in Hume's life are fully described, but the main focus is on Hume's intentions as a philosophical analyst of human nature, politics, commerce, English history, and religion. Careful attention is paid to Hume's intellectual relations with his contemporaries. The goal is to reveal Hume as a man intensely concerned with the realization of an ideal of open-minded, objective, rigorous, dispassionate dialogue about all the principal questions faced by his age.
Patrons of Enlightenment emphasizes the dependency of thinkers upon patrons and compares the patron-client relationships in the French, English, and Scottish republics of letters.
This collection explores relationships between Samual Johnson and several of his main contemporaries--James Boswell, Edmund Burke, Frances Burney, Robert Chambers, Oliver Goldsmith, Bennet Langton, Arthur Murphy, Richard Savage, Anna Seward, and Thomas Warton--and analyzes some of the literary productions emanating from the pressures within those relationships.
The inevitability of death—that of others and our own—is surely among our greatest anxieties. Mortality’s Muse: The Fine Art of Dying explores how art, mainly literary art, addresses that troubling reality. While religion and philosophy offer important consolations for life’s end, art responds in ways that are perhaps more complete and certainly more deeply human. Among subjects treated: the ars moriendi or “art of dying” tradition; the contrast between past and more recent cultural values; the religious consolation’s value but shortcoming for some people; the role of art in offering a secular consolation; dying as a performing art; the philosophic ideal of good death; the lively appeal of carpe diem or living for the present moment; the elegiac sense of life; and the two opposite parts Mortality’s Muse has played in dealing with war, the most senseless and unnecessary cause of death. The idea of an aesthetic sense of life forms the basis of these discussions. Human beings are makers in the largest sense of the word, and art represents everything they make—civilization itself with all its greatness and failings. Our civilization may ultimately be nothing but an evanescent blip in the cosmos. Even so, the creation of beauty, meaning, and purpose from disorder and suffering defines us as human beings. In the words of Robinson Jeffers, even if monuments eventually crumble and all art perish, yet for thousands of years carved stones have stood and “pained thoughts found the honey of peace in old poems.”
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.