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THREE DAYS IN DAMASCUS is a memoir about a three-year fight for a chance at love with an Iraqi refugee the author met in Syria. While travelling to Jordan, Lebanon and Syria to interview Iraqi refugees and hear some of their stories, Kim never expected to fall in love with one of them. But that is exactly what happened. This is the story of one American woman and one Iraqi man set against the backdrop of the Iraqi refugee crisis. Through actual Iraqi refugee interviews, a whirlwind middle-eastern love story and the consequently doomed, intercontinental relationship told through texts and emails with civil war, revolution and an arranged marriage as the backdrop, we learn of culture and devastation, desperation and redemption, while still never losing hope. While there are roughly 65 million refugees worldwide, approximately five million Iraqis have been displaced from their homes since the U.S led invasion of their country, most of them fleeing to Jordan, Lebanon and Syria. Since Syria is currently in the midst of a violent civil war, the Iraqis there are left in an extremely dangerous position-- stuck between a rock and a hard place with nowhere to go. This timely memoir examines the lives of dozens of these Iraqi refugees trying desperately to survive in a world blind to their plight and one Iraqi in particular: Omar. Told through a strong narrative and a surprisingly comedic lens, the reader travels with the author through this unknown, sandy terrain breaking assumptions, stereotypes and expectations -- in a journey that ultimately ends in the most traditional assumption one could imagine: a Middle Eastern man agreeing to an arranged marriage. And after three years of trying to "save" Omar and salvage a life for/with him, she discovers maybe he wasn't the one who needed saving. "This heartfelt memoir will take you into another world, as Kim and Omar meet and walk many of love's pathways. An American volunteer interviewing Iraqi refugees about the horrors of war, Kim falls in love with Omar, and thus begins a three-year odyssey." Chellie Campbell, author From Worry to Wealthy and The Wealthy Spirit. "Kim's memoir is quite extraordinary in the way she brings you right up close, sometimes painfully, often with lots of laughs, to the situation of Iraqi refugees in Jordan, Lebanon and Syria...She notices things most of us would shy away from, and she tells the story so personally, you feel you are with her...The stories of loss are told with painful, and respectful detail, biding the request from one refugee to 'tell the whole story'. Kim tells the story of Omar, and discovers he is typical of most refugees. She learns a refugee's greatest desire is to go home, and when they do move, their culture moves with them." Sybella Wilkes, UNHCR Senior Communications Officer. "Kim Schultz has written a searing love story set against the backdrop of a world tragedy: the plight of millions of refugees fleeing violence in the Middle East...It is a compelling read that will make you a look at world news in a different, more personal, way." Jim Michaels, author of A Chance in Hell: The men who triumphed over Iraq's deadliest city and turned the tide of war "Kim Schultz has written an earnest and honest account of two people from opposite poles finding love and heartache in the long shadow of an unforgiving war. Her story is a spirited struggle against larger forces - bureaucracy, culture, religion, human displacement, and loss." Kirk W. Johnson, author of To Be a Friend is Fatal: the Fight to Save the Iraqis America Left Behind and founder of the List Project.
Acts is the sequel to Luke's gospel and tells the story of Jesus's followers during the 30 years after his death. It describes how the 12 apostles, formerly Jesus's disciples, spread the message of Christianity throughout the Mediterranean against a background of persecution. With an introduction by P.D. James
Gerasa! Beautiful, though in ruins. What glory must once have been thine! But where are the warriors who passed in triumph through thy gates? Where are the builders of thy temples?... Where are the people who thronged thy theaters and trod thy beautiful streets?... Gone! gone forever! Surely, how frail is man! How fleeting his glory! -from "Chapter IV: At Gerasa" Little is known today about Elmer U. Hoenshel. He tells us, in this brief, pleasant 1909 travelogue of the Holy Land, that he is a schoolteacher and an American. That he journeyed to the Middle East not to indulge in Biblical archaeology but merely to observe and experience. That he put down his lingering memories of his five-month trip in late 1900 and early 1901 for the benefit of his friends and family. Hoenshel's writing-enthusiastic, passionate, expressive; alive with images of "sacred associations" and the "strangely impressive Oriental sky"-is an all but anonymous letter from the past, a glimpse into times and places long gone.
Depicts the life of Saint Paul, discussing his religious teachings and travels.
Julia has everything money can buy...except for acceptance by either the Gentiles or the Jews. Her Greek father already has a wife and family, leaving Julia and her Hebrew mother second-class citizens. But when they are introduced to followers of the Way, they become part of that community of believers. Abigail's brother, Jacob, now a young man, is attempting to discover his own place as a Christian. He is concerned that being more serious about his faith means trading away the exhilaration of his current profession as a caravan guard. Hired by Julia's father to protect the wealthy merchant's caravans on the secretive "Frankincense Trail"--undercover transport of this highly valuable commodity--Jacob also passes letters and messages between various communities of believers. He is alarmed to find out that Julia, hardly more than a girl, is also a messenger. Can their immediate mistrust be put aside to finally bring their hearts together?
In this follow-up to his blockbuster biblical studies, world-renowned scholar Eisenman not only gives a full examination of James' relationship to the Dead Sea Scrolls, he also reveals the true history of Palestine in the first century and the real "Jesus" of that time. It's a work of intriguing speculative history, complete with a conspiracy theory as compelling as any thriller.
Louise J. Lawrence presents provocative re-interpretations of biblical characters that have previously been sidelined and stigmatised on account of their perceived disability. She introduces approaches taken from Sensory Anthropology and Disability Studies to bring fresh methodological perspectives to familiar Gospel texts.
The “searing” (The New Yorker), “must read” (The Philadelphia Inquirer) memoir of “one of the few genuine heroes of America’s war in Iraq” (Dexter Filkins). In January 2005 Kirk Johnson, then twenty-four, arrived in Baghdad as USAID’s (US Agency for International Development) only Arabic-speaking American employee. Despite his opposition to the war, Johnson felt called to civic duty and wanted to help rebuild Iraq. Working as the USAID’s first reconstruction coordinator in Fallujah, he traversed the city’s IED-strewn streets, working alongside idealistic Iraqi translators—young men and women sick of Saddam, filled with Hollywood slang, and enchanted by the idea of a peaceful, democratic Iraq. It was not to be. As sectarian violence escalated, Iraqis employed by the US coalition found themselves subject to a campaign of kidnapping, torture, and assassination. On his first brief vacation, Johnson, swept into what doctors later described as a “fugue state,” crawled onto the ledge outside his hotel window and plunged off. He would spend the next year in an abyss of depression, surgery, and PTSD—crushed by having failed in Iraq. One day, Johnson received an email from an Iraqi friend, Yaghdan: People are trying to kill me and I need your help. That email launched Johnson’s now seven-year mission to get help from the US government for Yaghdan and thousands of abandoned Iraqis like him. To Be a Friend Is Fatal is Kirk W. Johnson’s “truly incredible” (Ira Glass) portrait of the human rubble of war and his efforts to redeem a shameful chapter of American history. “It is difficult to imagine a book more urgent than this” (The Boston Globe).
In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
We live in a visual culture. Today, people increasingly rely upon visuals to help them understand new and difficult concepts. The rise and stunning popularity of the Internet infographic has given us a new way in which to convey data, concepts and ideas. But the visual portrayal of truth is not a novel idea. Indeed, God himself used visuals to teach truth to his people. The tabernacle of the Old Testament was a visual representation of man's distance from God and God's condescension to his people. Each part of the tabernacle was meant to display something of man's treason against God and God's kind response. Likewise, the sacraments of the New Testament are visual representations of man's sin and God's response. Even the cross was both reality and a visual demonstration. As teachers and lovers of sound theology, Challies and Byers have a deep desire to convey the concepts and principles of systematic theology in a fresh, beautiful and informative way. In this book, they have made the deepest truths of the Bible accessible in a way that can be seen and understood by a visual generation.