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Dare to enter the House of Night with the next four titles of the series (following UNTAMED), collected in a beautifully designed boxed set With more than 12 million books in print, rights sold in almost 40 countries, and over two years on the New York Times bestseller list (reaching as high as #1), the House of Night series by PC and Kristin Cast is an international publishing sensation. The series follows 16-year-old Zoey Redbird as she is “Marked” by a vampyre tracker and begins to undergo the “Change” into an actual vampyre. She has to leave her family and move into the House of Night in Tulsa, OK, a boarding school for other fledgling vampyres like her. It’s tough to begin a new life, away from her parents and friends, and on top of that, Zoey finds she is no average fledgling. She has been Marked as special by the vampyre Goddess, Nyx. Although Zoey has awesome new powers, it’s hard to fit in when everyone knows you’re “special.” As Zoey tries to make new friends and maybe find a hot boyfriend (or two), she comes up against all kinds of evil, from the perfect-looking, super-popular girl with not-so-faultless plans, to the mysterious deaths happening at the House of Night and all over Tulsa. Things at the House of Night are not always what they seem. Can Zoey find the courage deep within herself to find the truth and embrace her destiny?
In this expansive study, Bryan Giemza recovers a neglected subculture and retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Giemza offers a defining new view of Irish American authors and their interrelationships within both transatlantic and ethnic regional contexts. From the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates a cast of nineteenth-century writers contending with the turbulence of their time—writers influenced by both American and Irish revolutions. Additionally, he considers dramatists and propagandists of the Civil War and Lost Cause memoirists who emerged in its wake. Some familiar names reemerge in an Irish context, including Joel Chandler Harris, Lafcadio Hearn, and Kate (O'Flaherty) Chopin. Giemza also examines the works of twentieth-century southern Irish writers, such as Margaret Mitchell, John Kennedy Toole, Flannery O'Connor, Pat Conroy, Anne Rice, Valerie Sayers, and Cormac McCarthy. For each author, Giemza traces the influences of Catholicism as it shaped both faith and ethnic identity, pointing to shared sensibilities and contradictions. Flannery O'Connor, for example, resisted identification as an Irish American, while Cormac McCarthy, described by some as "anti-Catholic," continues a dialogue with the Church from which he distanced himself. Giemza draws on many never-before-seen documents, including authorized material from the correspondence of Cormac McCarthy, interviews from the Irish community of Flannery O'Connor's native Savannah, Georgia, and Giemza's own correspondence with writers such as Valerie Sayers and Anne Rice. This lively literary history prompts a new understanding of how the Irish in the region helped invent a regional mythos, an enduring literature, and a national image.
In Peculiar Crossroads, Farrell O'Gorman explains how the radical religiosity of both Flannery O'Connor's and Walker Percy's vision made them so valuable as southern fiction writers and social critics. Via their spiritual and philosophical concerns, O'Gorman asserts, these two unabashedly Catholic authors bequeathed a postmodern South of shopping malls and interstates imbued with as much meaning as Appomattox or Yoknapatawpha. O'Gorman builds his argument with biographical, historical, literary, and theological evidence, examining the writers' work through intriguing pairings, such as O'Connor's Wise Blood with Percy's The Moviegoer, and O'Connor's A Good Man Is Hard to Find with Percy's Lancelot. An impeccable exercise in literary history and criticism, Peculiar Crossroads renders a genuine understanding of the Catholic sensibility of both O'Connor and Percy and their influence among contemporary southern writers.
Women have been writing in the Catholic tradition since early medieval times, yet no single volume has brought together critical evaluations of their works until now. The first reference of its kind, Catholic Women Writers provides entries on 64 Catholic women writers from around the world and across the centuries. Each of the entries is written by an expert contributor and includes a biography of the author; a critical discussion of her works, especially her Catholic and women's themes; an overview of her critical reception; and a bibliography of primary and secondary sources. Authors writing in all genres, including fiction, autobiography, poetry, children's literature, and essays, are represented. The entries give special attention to the authors' use of Catholic themes, structures, traditions, culture, and spirituality. The writers surveyed range from Doctors of the Church to mystics and visionaries, to those who employ Catholic themes primarily in historical and cultural contexts, to those who critique the tradition. An introductory essay places the writers within the historical and literary contexts of women's writing in the Catholic tradition, and the volume closes with a selected, general bibliography.
Over the past decade Dana Gioia has emerged as a compelling advocate of Christianity's continuing importance in contemporary culture. His incisive and arresting essays have examined the spiritual dimensions of art and the decisive role faith has played in the lives of artists. This new volume collects Gioia's essays on Christianity, literature, and the arts. His influential title essay ignited a national conversation about the role of Catholicism in American literature. Other pieces explore the often-harrowing lives of Christian poets and painters as well as contemplate scripture and modern martyrdom.
From slave narratives to the Civil War, and from country music to Southern sport, this Companion is the definitive guide to the literature and culture of the American South. Includes discussion of the visual arts, music, society, history, and politics in the region Combines treatment of major literary works and historical events with a survey of broader themes, movements and issues Explores the work of Edgar Allan Poe, Mark Twain, William Faulkner, Zora Neale Huston, Flannery O'Connor and Eudora Welty, as well as those - black and white, male and female - who are writing now Co-edited by the esteemed scholar Richard Gray, author of the acclaimed volume, A History of American Literature (Blackwell, 2003)
A concluding chapter examines the significance of the corpus of Catholic American writing in the years 1940 to 1980, considering it parallel in substance to the body of Jewish American literature of the same period.
In 1930, a group of southern intellectuals led by John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren published I'll Take My Stand: The South and the Agrarian Tradition. A stark attack on industrial capitalism and a defiant celebration of southern culture, the book has raised the hackles of critics and provoked passionate defenses from southern loyalists ever since. As Paul Murphy shows, its effects on the evolution of American conservatism have been enduring as well. Tracing the Agrarian tradition from its origins in the 1920s through the present day, Murphy shows how what began as a radical conservative movement eventually became, alternately, a critique of twentieth-century American liberalism, a defense of the Western tradition and Christian humanism, and a form of southern traditionalism--which could include a defense of racial segregation. Although Agrarianism failed as a practical reform movement, its intellectual influence was wide-ranging, Murphy says. This influence expanded as Ransom, Tate, and Warren gained reputations as leaders of the New Criticism. More notably, such "neo-Agrarians" as Richard M. Weaver and M. E. Bradford transformed Agrarianism into a form of social and moral traditionalism that has had a significant impact on the emerging conservative movement since World War II.
Looking at the works of diverse writers as the gens de couleur libre poets of antebellum New Orleans, this book focuses on the shifting and contradictory ways Catholicism has signified within southern literature and culture. It contributes to a more nuanced understanding of American and southern literary and cultural history.