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The USA Today bestselling author of Dangling by a Thread serves up “a taut, tasty mystery . . . remains a puzzle until the end” (Boothbay Register). In the coastal town of Haven Harbor, blood runs thicker than water—and just as freely . . . Antique dealer Sarah Byrne has never unspooled the truth about her past to anyone—not even friend and fellow Mainely Needlepointer Angie Curtis. But the enigmatic Aussie finally has the one thing she’s searched for all her life—family. And now she and long-lost half-brother, Ted Lawrence, a wealthy old artist and gallery owner in town, are ready to reveal their secret connection . . . Ted’s adult children are suspicious of their newfound aunt Sarah—especially after Ted, in declining health, announces plans to leave her his museum-worthy heirloom paintings. So when Ted is poisoned to death during a lobster bake, everyone assumes she’s guilty. If Sarah and Angie can’t track down the real murderer in time, Sarah’s bound to learn how delicate—and deadly—family dynamics can truly be . . . Praise for the Mainely Needlepoint mysteries “Offers a wonderful sense of place and characters right from the very beginning. Highly recommended.”—Suspense Magazine “A cozy debut that hits all the sweet spots: small town, family ties, and a crew of intriguing personalities.”—Library Journal “For a trip to Maine for the cost of a book, this is the author to read.”—Kings River Life Magazine
Returning to the quaint coastal town of Harbor Haven, Maine--a place she once called home--Angie Curtis finds her memories aren't all quite pleasant ones. . . After leaving a decade ago, Angie has been called back to Harbor Haven by her grandmother, Charlotte, who raised her following her mother's disappearance when she was a child. Her mother has been found, and now the question of her whereabouts has sadly become the mystery of her murder. The bright spot in Angie's homecoming is reuniting with Charlotte, who has started her own needlepointing business with a group called Mainely Needlepointers. But when a shady business associate of the stitchers dies suddenly under suspicious circumstances, Charlotte and Angie become suspects. As Angie starts to weave together clues, she discovers that this new murder may have ties to her own mother's cold case. . .
Bosanka, an alien witch from another world, wants Valentine, a New York City teenager, to use her magical powers to help Bosanka return home.
This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.
From the New York Times bestselling author of Redeeming Love and The Masterpiece comes the powerful story of two women, centuries apart, who are joined through a tattered journal as they contend with God, husbands, and even themselves. Sierra Madrid’s life has just been turned upside down when she discovers the handcrafted quilt and journal of her ancestor Mary Kathryn McMurray, a young woman who was uprooted from her home only to endure harsh conditions on the Oregon Trail. Though the women are separated by time and circumstance, Sierra discovers that many of the issues they face are remarkably similar . . . and uncovering Mary Kathryn’s story may help her write the next chapter of hers. “Rivers tells a powerful story of marital love tested in a crucible. Your hankie will not be dry, nor your heart unchallenged, as the characters learn the lessons of surrender to God’s sovereignty and unconditional love.” —Romantic Times Also available in The Francine Rivers Historical Collection (e-book only).
Born in the late 1940's and early 50's and raised in a segregated town in southern Mississippi, a group of Black girls and boys came of age together, and graduated from high school in Hattiesburg as "The Class of 1968." Now in their late 60's and early 70's, they have chosen to reflect on their families, community, and school experiences. Together, they experienced one of the most tumultuous eras in U.S. history, and they reflect on those experiences in these personal essays. They think back on the Vietnam War, the draft, the assassination of their neighbors and national leaders, and the Civil Rights Movement. The fact that they came of age during these tumultuous events makes their experiences all the more vivid and profound, since the tender adolescent years typically mark us more profoundly than other phases in life. Perhaps most significantly, the era suddenly brought racial desegregation to Hattiesburg, in early 1967. Under "Freedom of [School] Choice," some Black Hattiesburg students saw their lifelong friends choose to attend the white high school for their senior year. Their stories bring forth a rush of memories, some that will make you laugh, others that will make you cry, and many that will make you wonder how things may have turned out differently had racism not poisoned their day-to-day lives. Although the contributors dealt with these formative experiences differently, all were touched in some way by the same forces in the dying days of legalized segregation. The essays here also reflect on our present moment: although racial segregation has lessened, it still persists in Hattiesburg and throughout America, leading to an era we might call racial resegregation. Yet the 1950's and 60's have ended. "We don't want these memories to die with us," says lead editor Mrs. Doris Gaines. "We want the next generations to know our thoughts and feelings and to understand how the past helped make us what we are today, and what made us tick." The Class of 1968: A Thread Through Time explains how these citizens negotiated their youth in Hattiesburg and, in doing so, offers us wisdom about how to move through life with grace and integrity.
From Sunday Times and #1 New York Times bestselling author of Things We Never Got Over Dominic: I got her fired. Okay, so I'd had a bad day, but there's nothing innocent about Ally Morales. Maybe her colourful, annoying, inexplicably alluring personality brightens up the magazine's offices that have felt like a prison for the past year. Maybe I like that she argues with me in front of the editorial staff. And maybe my after-hours fantasies are haunted by her brown eyes and sharp tongue. She's working herself to death at half a dozen dead-end jobs for some secret reason. And I'm going to fix it all. Don't accuse me of caring. She's nothing more than a puzzle to be solved. If I can get her to quit, I can finally peel away all those layers. Then I can go back to salvaging the family name and forget all about the dancing, beer-slinging brunette. Ally: Ha. Hold my beer, Grumpy Grump Face.
CROSS-STITCH GOES WITCHY WITH DARK AND ELEGANT DESIGNS From spooky skulls to ghoulish graveyards, Lindsay Swearingen of Tusk and Cardinal gives cross-stitch a dark yet whimsical update. Curious creatures like phantom felines, legendary fixtures from folklore like Baba Yaga and all manner of haunted houses make the perfect subjects for these needlework masterpieces. Fun and easy to learn, cross-stitch is an art form that truly anybody can master. Lindsay gives you a crash course in the basics to ensure you have all the materials and techniques you need to start off on the right foot. Then, dive into her incredible patterns and stitch yourself some oddities that range from quirky to downright eerie. Anyone with an appreciation for the macabre will swoon for patterns like Lovers’ Graves, which features twin headstones and a heart-shaped weeping willow. Meanwhile, the ghosts, ghouls and ghastly bats of Trick or Treat and Haunted Wings are perfect pieces to hang on your wall to keep the spirit of Halloween in your home year-round. With moody tones, muted hues and spooky subjects, this collection of bewitching patterns makes it easy to add a little subversive charm to your cross-stitch repertoire.
Providing an overview of the Solaris and POSIX multithreading architectures, this book explains threads at a level that is completely accessible to programmers and system architects with no previous knowledge of threads. It covers the business and technical benefits of threaded programs, along with discussions of third party software that is threaded, pointing out the benefits. It also describes the design of the Solaris MT API, with references to distinctions in POSIX, contains a set of example programs which illustrate the usage of the Solaris and POSIX APIs, and explains the use of programming tools: Thread Analyzer, LockLint, LoopTool and Debugger.
John Wieland is the first to admit his success is baffling. When an average joe turns a bankrupt company into a 30-branch business that now earns over $300 million in revenue and gives 10% of the company profits to ministries across the world, Wieland is the first to ask the question anyone who knows him is asking: how did that happen?His conclusion: business, family and faith affect each other in ways that few realize. Unlike many books that discuss faith, Wieland never preaches perfection. It's his honesty about his own struggles-between worship and human instinct, between sacrifice and indulgence, between sharing his love of God with others and appreciating people right where they are-that makes Uncommon Threads so unique. In it, Wieland uses the lens of his own life to tackle important topics such as hypocrisy, racism, abortion, parenting, religion and even what happens when you take someone into your home only to later find out that he shot a lady in the head and left her for dead.In the end, Wieland shows that family, business and faith are inescapably woven together and that the lessons you learn growing up can provide the values that serve you well throughout the rest of your life.His is the story of a life well-spent-thanks to its blending together of family, business and faith. The combination of self-deprecating tales of his foibles and touching moments of inspiration received from both his successes and failures make Uncommon Threads a must read.