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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"In 1786, the Scottish poet Robert Burns, penniless and needing to escape the consequences of his complicated love life, accepted the position of book-keeper on an estate in Jamaica. The success of his Poems chiefly in the Scottish Dialect made this escape unnecessary. Thus far is historical fact. In Andrew Lindsay's novel, Burns indeed goes to Jamaica and then to the Dutch colony of Demerara where, into the world of sugar and slavery, he brought his propensity for falling in love, his humanity and his urge to write poetry. In 1997 a small mahogany chest is found in a Wai Wai Amerindian village in Guyana. It contains Burns' journal from 1786 to 1796, when he died." "Andrew Lindsay's novel is a work of imaginative invention, poetic description and meticulous historical reconstruction. As a fellow Scot who has settled in Guyana, Lindsay brings an incomer's fresh eye to the Caribbean landscape and imaginative insights into how Burns as a man of his times might have responded to slavery. Not least, Illustrious Exile contains some brilliant versions of Burns' poems, as written in the Caribbean."--BOOK JACKET.
The Artistry of Exile is a new reading of one of the most important themes of nineteenth-century literature. Exile represents a crisis in the always present tension between self and culture, the disturbance of memory, the quest for home, and the survival or not of life's heart quakes — all of which became identifying features of canonical Romanticism. Focusing on two interlinked groups of writers who, for various reasons, felt cast out of England and sought refuge in Italy, this book traces the material and metaphoric dynamics of distance in poems, novels and epistolary conversations. The book brings into dialogue the self-alienation and existential antagonism of the Cain figure with the contingencies of real travel: conversations about writing desks, lost parcels of books, missing pans and stray camels. Domestic and cosmic perspectives mingle as the book reveals how writers realize the full resonance of Dante's vivid summation of exile in the taste of different bread and the difficulty of another man's stairs. As a country that only exists in the early nineteenth-century as a memory, Italy both embodies and energises formal attempts to bridge the distance created by exile in the work of the Byron-Shelley circle and the later Barrett-Browning- Browning collaboration. Examining these writers in relation to Italian art, sound, religion, narrative art and history, the book presents a new perspective on Romantic canonicity and relocates contemporary ideas of cosmopolitanism in the aesthetic, ethical and political debates of the late Romantic and early Victorian world.