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The Tale of the Heike is one of the masterworks of Japanese literature, ranking with The Tal of Genji in quality and prestige. This new translation is not only far more readable than earlier ones, it is also much more faithful to the content and style of the original. Intended for the general audience as well as the specialist, this edition is highly annotated.
Provides coverage of literary and historical quotations. An easy-to-use keyword index traces quotations and their authors, while the appendix material, including Catchphrases, Film Lines, Official Advice, and Political Slogans, offers further topics of interest.
Raider. Conqueror. King. Saint. This is the story of Olav Haraldsson, the greatest Viking who ever lived. A ruthless Viking warrior who named his most prized battle weapon after the Norse goddess of death, Olav Haraldsson and his mercenaries wrought terror and destruction from the Baltic to Galicia in the early eleventh century. Thousands were put to the sword, enslaved or ransomed. In England, Canterbury was sacked, its archbishop murdered and London Bridge pulled down. The loot amassed from years of plunder helped Olav win the throne of Norway, and a century after his death he was proclaimed 'Eternal King' and has been a national hero there ever since. Despite his bloodthirsty beginnings, Olav converted to Christianity and, in a personal vendetta against the old Norse gods, made Norway Christian too, thereby changing irrevocably the Viking world he was born into. Told with reference to Norse sagas, early chronicles and the work of modern scholars, Desmond Seward paints an intensely vivid and colourful portrait of the life and times of arguably the greatest Viking of them all.
Anglo-Saxon poetry was produced between 700 and 1000 AD for an audience that delighted in technical accomplishment, and the durable works of Old English verse spring from the source of the English language. Michael Alexander has translated the best of the Old English poetry into modern English and into a verse form that retains the qualities of Anglo-Saxon metre and alliteration. Included in this selection are the ‘heroic poems’ such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous ‘riddles’ from The Exeter Book; all the ‘elegies’, including The Ruin, The Wanderer, The Seafarer, The Wife’s Complaint and The Husband’s Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.
"For the White Christ" by Robert Ames Bennet is a historical novel that reveals the story of the days of Charlemagne. It's the story of a half-breed Norse/Arab man, who comes to serve Charlemagne, and how he wins his bride- the god-daughter of the Holy Roman Emperor. Excerpt: "Two winters ago there came to Chelles a maiden who knew many tales of the Saxon and Lombard wars,--Fastrada--" Roland's cheeks flushed, and he stooped forward eagerly. "Fastrada!" he exclaimed. "You knew her?" "For a winter's time—"
The 2nd book: The The Wisdom of the Great is a unique biographical collection of nearly 2700 quotations from 450 notables of 50 countries in the span of 30 centuries. It was published on demand by iUniverse in 2012. It contains Names Index, comprehensive Subject Index and Glossary and Anonymous section. Reading this book gives you the best opportunity to explore the wisdom and insight of great people all around the world. Its variety of topics will give you a new perspective in many walks of life and makes you a brand new, improved person. It can be purchased online for $33.95 for soft cover and $3.99 for Kindle edition.
In this well-illustrated book Professor Bernard Smith, who is often referred to as the father of art history in Australia, condenses the arguments presented in an earlier publication Modernisms History, 1998) into a very accessible and helpful text will prove useful for students and arts-interested readers. He begins by listing and carefully explaining those terms which frequently occur in arts literature dealing with the modern period and then goes on to show that modernism has become an historical period with its art forms both 'institutionalised' and 'globalised'. Now an historical entity, art historys basic tools can be employed to explain and describe it. They include an investigation of the periods 'style', use of 'form' and attitudes to meaning. In his defence of art historys traditions and methodologies he argues that the period that encompasses modernism in the arts might now be known as The Formalesque .